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musicbassman

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Everything posted by musicbassman

  1. musicbassman
    I can finally get around to learning 'What is Hip' Properly. No excuses. There'll be plenty of time.
  2. musicbassman
    Listen, stop giving this guy a hard time! In this pic, he's actually playing Stairway to Heaven in his local music shop on a Saturday morning using his new Vertical Double Mute technique (TM, pat.applied for) Obviously, it's in the early stages of development, but anyone who tries to copy this playing technique is going to feel the full force of the US legal system, oh yessir, they surely are .....
  3. musicbassman
    Jump jive, I presume. 😁
  4. musicbassman
    Does that explain the shortage of tissues and toilet paper ? Asking for a friend............
  5. musicbassman
    I teach English to groups of mostly European students at summer schools, due to start at the end of this month. Just had the entire seasons bookings cancelled. Not just me, whole school is closed down for everyone. I'm OK, can manage without the income, but what about those people who rely on this sort of thing - and all the associated staff - cooks, cleaners, coach drivers etc etc? I really can't see how this loss of income/employment for millions of the mostly lower paid in the hospitality industry is going to be resolved quickly and successfully.
  6. musicbassman
    Well...... In 1975 I was playing on the island of Jersey with the remnants of a 60's pop band called Love Affair. (Remember them?) We were doing some sort of cabaret show at a big hotel there. We'd finished our set in the main ballroom, and then picked up word that Robert Plant and John Bonham were in the bar. Went and had a discreet look, and it certainly looked like them. Plant was on crutches - I knew he'd had a car crash recently. Bonham looked completely out of it. They were surrounded by a posse of hangers on and music people by the looks of it. Next thing we know, everyones cheering, and Plant and Bonham are heading towards the stage. Plant stops and talks to our drummer briefly, and then our drummer points to myself and the guitarist, and indicates we should go up on stage with Plant and Bonham. The rest was a bit of a blur, quite honestly. Bonham was clearly more a bit worse for wear but started fiddling with the drum kit. Then someone fetched a stool for Plant to perch himself on, and Plant suggested over the mic that we played 'Red House' Sorted out the key, and we were off. I was doing my best, but was only one step back from pissing myself with fear, god only knows what it sounded like. Luckily our guitarist was an excellent player and carried things along, as Bonham was hardly able to keep time, let alone play well. We played two lengthy numbers, half drowned out by whooping and cheering from the crowd, possibly undeserved. I cannot remember for the life of me what the second number was. Most unexpected thing that's ever happened to me at a gig!
  7. musicbassman
    I thought you could no longer leave negative feedback for buyers?
  8. musicbassman
    Very early 70's, and I was an impoverished fresh faced Devon youth who'd recently moved to London - to 'make it' of course. Answered an ad for a bass player for a backing band for a 'famous soul singer' It sounded great to my gullible ears, although I had to admit I really hadn't heard of this famous soul singer before. But it was a West End residency position, six nights a week, at an extremely upmarket disco just off Park Lane The pay was "£60 per week", which was a fantastic sum to me at that time. I got the gig, massive excitement, and after 2 weeks of regular rehearsals at a studio in Islington the band arrived at the venue - to find 4 other bands already there. It was just a showcase evening, there was no residency, and the 'famous soul singer' who we'd realised was a master b**lshi**er performed like an absolute dog. And the band had shared the daily cost of the rehearsal room, which had been eye wateringly expensive, with absolutely no contributions from the singer.. Of course, it was the first and last gig for this band, and was a very expensive lesson for me, but at least I learnt that if it sounds too good to be true then it will be.
  9. musicbassman
    Massive skills in abundance being revealed in this topic. If we all got together we could successfully run a small country 🙂 Well, we could until all the guitarists turned up 😮
  10. musicbassman
    It's so interesting reading through all these comments - seems to me there is an emphasis on technical and/or highly specialised roles overall, which would make sense for bass players and their specialised role in bands which is often woefully misunderstood by other musicians - well, bass is just a guitar with only four strings, innit ? By the way, I started as a pro bass player in the 70's, then became a specialist cut flower grower. Retired now, and I work as a dep player for covers/functions bands as and when. I also teach English to groups of foreign students every summer to help keep my brain working !
  11. musicbassman
    Carolina Eyck is unparalleled in her mastery of the Theremin, here she is playing a Messiaen piece with bassist Philipp Martin. Uncanny parallels with Johnny Greenwood's 'Moon Trills' , by the way.
  12. musicbassman
    Yup, this is what happens to me if I overthink that break in Stevie Wonder's 'Sir Duke' Go on to autopilot - no problems. Somehow it seems to play itself..... Start thinking about it too much - it's very likely to go t#ts up, big time.
  13. musicbassman
    Perfect Precision Punchy Performance Pleases Punters Permanently !
  14. musicbassman
    Just bumped into this, the name is new to me. From 1969 - I'd just started playing bass then, and I wish someone had played this to me at the time and then left me to work out the bass line note for note. Might have saved me years of false pathways and wasted effort in the long run !
  15. musicbassman
    Because the original is so unique, any copy must surely be a blasphemy.
  16. musicbassman
    Absolutely, Wishface, it does appear at first glance to be a bit demoralising - here's another bass player whose possibly never played a live gig in their life but he/she's spent six months in their bedroom learning the bass line to just one song and they now come across as prodigies! But seriously, there are some really talented people out there that you'd never have known about prior to YT, and good luck to them. And there's masses of free lessons and advice now - I know some of it is a bit dodgy and doesn't stand up to close scrutiny but it's so, so easy for newbies to develop their playing quickly - compared to when I were lad....... - our rehearsal room was just a paper bag in t' middle of road... there were four of us sharing one plectrum etc etc... 😰
  17. musicbassman
    Interesting. I see Ashwood1985 has just put a very early fender logo'd 57P Squier up for sale here and states the nut width is 43mm Also, I've just bought an early '90's Fujigen P from Aidan63 and he states it's 42.25mm at the nut. This is near enough identical in appearance to the JV57, and it will be interesting to compare this directly with my Squier both in terms of sound and playability. I will report back if there's anything interesting or worthy of comment. Thanks to all for your helpful comments. 🙂
  18. musicbassman
    .... and tasty snacks to hand for a quick bite between numbers 😊
  19. musicbassman
    Jeez - are you sure? That's massive. Just measured mine and it's 1and 5/8ths " = about 42mm 1.75" would be about 44.5mm (Mine is 1982 JV57P + big Fender logo, ser no.JV 07768) The whole point of this exercise is to try and establish whether the spec for the later Fujigen P's from the late '80's to early 90's was the same as that used for these early JV Squiers.
  20. musicbassman
    This is my Squier Vintage Modified five-string Jazz Bass. I bought this a couple of years ago to see if I wanted to change to a five string, but having played a four string bass for the last 50 years I have to accept I’m too old to change now ! I first advertised this on here just before lockdown but now there's possibly a light at the end of the Covid tunnel it's back up for sale. It dates from 2017, is all original and everything works perfectly. Strings were new on when I bought it (Rotosound medium gauge roundwounds) and as it’s only had very light home use they are still very bright. Pickups are loud and clean and there is a huge tone range on the instrument. It's a lot of bass for the money. The scratchplate shown was already fitted when it was purchased. There are a few minor marks and chips on the finish which are shown in the pics, these are cosmetic only and came with the bass when I bought it. Instrument comes with a hard case which is very solid and serviceable. You can arrange for this to be sent to you by courier if you wish, it's in a good solid case so should be fine, your responsibility to arrange this. Preferably the buyer collects from Chichester where I live or you could collect from London. (My son lives in London at Fulham and you can easily collect it from there by arrangement) Here’s the original sales information: Squier's five-string Vintage Modified Jazz Bass® V has a handsome white gloss finish, a soft maple body and one-piece maple neck with sharp-looking, elegant black binding and block inlays. Offering flexibility for today's modern styles that demand a deep low end, this bass offers superior sound and feel for the five-string bassist, with excellent Squier performance and value. Featuring a Soft maple body, Vintage-tint maple neck with “C”-shaped profile, 20-fret fingerboard with black binding and black block inlays, Dual Fender®-designed single-coil Jazz Bass pickups, Black pickguard, Five-string standard vintage-style bridge with single-groove saddles. The neck on this model sports a vintage-tinted gloss finish for a highly desirable aged look. This model has a slightly thinner "C"-shaped neck profile (the shape of the neck in cross section) than most models, providing a fast, smooth and comfortable fret-hand feel. These Fender-designed pickups are full of growling, authentic Fender tone. Body Shape: Jazz Bass Body: Soft Maple Body Finish: Polyester sharp-looking black binding and block inlays Body Shape: Jazz Bass® Neck: Maple, "C" Shape Weight: 10lbs approx
  21. musicbassman
    Yes, just make sure that you really do have a stud wall and not 'dot and dab' plasterboard over blockwork - that's where the problems would start...
  22. musicbassman
    Thanks hooky_lowdown I can't find the specs for the original '57 bass, only the modern reissue: So if anyone knows whether either this Fender spec or the original Squier JV spec really does match the '57 original that would be handy to know.
  23. musicbassman
  24. musicbassman
    Thanks gareth I certainly know that site - lots of nice pics and info, but not the specific info I'm after, which is neck profile and radius. Or maybe I'm looking in the wrong place ?
  25. musicbassman
    Hi all you lovely people. Self explanatory title I hope - I've been looking on the web at all the usual sites but can't find detailed specs for the early Squier JV Precisions - in particular the neck shape/profile and radius. Can anyone help?
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