LeftyP

Anything by The Friends Of Distinction. I used to really like them (still do but don't tell anyone) and their "Grazin' In The Grass" track is brilliant. They were very much of their time and really sound dated now. Check out some of their rather grainy videos on YouTube and cringe - but in a nice way.

Not bass guitar related but when I was into motor bikes I had a very nice Honda CB350 twin. The headlight bulb blew and I called into the local motor bike dealer to get a new bulb - and left with a Honda 750F1 Four!

I think it's worse when a punter doesn't actually request a specific song. Years ago (in my youth) a friend and I ran a mobile disco and played at weddings, birthdays etc. We knew our customers and could keep the dance floor full for most of the evening with good pop and Motown tracks. There's always one guy who will stagger up and say "Have you got any decent music". When asked to be more specific the reply would be along the lines of "Anything but this cr*p". The dance floor would be heaving - everyone singing "Hi Ho Silver Lining" but he didn't want to enjoy himself. You can't please all of the people.......

I am a big Beatles fan but Sgt. Pepper just leaves me cold - I really don't understand the fuss about it. I have all of the Beatles' early albums up to Revolver then their musical direction took a different turn to mine. Even the Revolver album has tracks on it that I will skip but they are more than offset by the tracks I like ("And You Bird Can Sing" in a cracker not often heard on radio these days). Sgt. Pepper just sounds like a muddle of ideas that don't sit well together. Give me "A Hard Day's Night" anytime!

OK, "Gig" is perhaps not the right word as I was playing in our church band today with a 100+ congregation belting out the songs. A quick bit of background; I'm 67 years old. About 15 years ago I was part of a Christian music band that had around 15 members. There was a brass/horn section, drums, guitars, keyboards, clarinet, oboe, bass and sometimes a violin. I was more sound guy and backing vocals until the bass player moved away so I stepped in - having never played bass before. I just learned the bass parts by rote and didn't try anything more than root and fifth with the occasional third and chromatic approach. With so many members it was inevitable that people would drop out and leave the band so eventually we called it a day and my Tanglewood copy of the Hofner violin bass was retired to its case. Ten years on and attending a new church I let slip that I once played bass. The next thing I know I'm on the music rota! I took delivery of a Chowny SWB-1 in January and have been getting to grips with it (off and on) since then. My playing is basic and I'm still trying to get my fingers to do what my brain wants them to do. I'm left handed but play right handed and have a limited finger spread, which means one finger per fret is not on. The church has a pool of musicians and singers who are on a rota to provide the music each week. The rota means that you don't always play with the same people each time. Rehearsal is about an hour before the service on a Sunday morning where we run through the five songs we will be playing. There is no set band and no mid-week get together so I was in at the deep end today! I'd been practicing the songs to backing tracks using chord charts with the lyrics but today was the first time I had played with other band members. So there I was in the corner on bass, crammed between the keyboard and drum kit. The drummer forgot he was on the list to play so we had no drums! That was a relief because I was so close to the kit if the drummer had hit the cymbal it would have chopped my arm off! The rest of the band was; keyboard, flute, semi-acoustic guitar (band leader) and two female vocalists. I was sticking to root notes and the odd fifth or third except for one song for which I had the sheet music and bass line that was for the bass guitar as opposed to the keyboard player's left hand. Band leader decided to change the tempo of one song which made life interesting as I'd practiced it in standard 4/4! I think I did OK. There was the odd fumble for notes but, on the whole, I was fairly pleased with how it went. I was caught out on one song when BL decided to repeat a chorus causing me to have an Eric Morecambe moment for a couple of bars - playing all the right notes but not necessarily in the right order! Afterwards a "senior" member of the congregation came up and congratulated me on my playing and said how good it was to hear a solid bass line. Then a young lady (17 years old - half a century younger than me!) came across and said "Hey Mr cool bass player!" I wish I'd had that effect on 17 year old girls when I was young enough to do something about it! My next "gig" will be at the beginning of August with a different line up and no drummer. I can't wait!

The tone control on my Chowny SWB-1 does not appear to have any affect on the tone at all! I leave it fully 'on' to match the volume knob.

Although I am proud to be English, I cannot look at the flag of St.George without thinking "Football Yob".

I've resurrected this thread after being in B&Q! If you are stuck for a band name pop into B&Q and go the the Valspar paint display. There you will find dozens of paint samples with the most odd names. We've just had our bathroom painted in "Harp Strings" but there are plenty of wonderful shades to choose from. You could be "Chickery Chick" or "Desert Hot Springs". "Peruvian Pom Pom" could cause a stir, not to mention "Quilted Heart". There must be a department in Valspar Towers thinking up these names! "Grapolicious", "Celestial Mystery", "Adirondack Path"...OK I'll stop now. Help!

For some reason that post reminded me of an old racing driver from the late 1950s/early60s called Innes Ireland. Although his name was Ireland he was born in England (Yorkshire) his dad was Scottish and they lived for a time in Scotland. Just thought I'd share - don't know why!

Since getting back to playing the bass I have followed various YouTube courses and read several booklets about how to play "correctly". I have tried the one finger per fret but even on my short scale bass I struggle at the lower end of the neck. I do use two alternate fingers to pluck the strings. Recently, I was at a church gathering and there was a small combo providing the music for the hymn singing. I vaguely knew the bass player but hadn't studied his technique that closely. He was left handed and played a right handed bass turned upside down but still strung for a right-hander - the E string being furthest away from him with the G string at the top of his stroke. He also just used his index finger to pluck the strings. As a "lefty" myself (who plays right handed) I was intrigued enough to have a chat with him and found that he plays acoustic guitar the same way; that is, he uses a right handed instrument simply turned upside down and works out his own fingering for chords. The singer Dan Seals used to do the same. His bass lines were really good which made me wonder; does it really matter how you play the bass as long as it sounds good?

My mother always told me "If you pick it, it will not get better". Always listen to your mum.

Well done and thanks!

Well that posting didn't go well! Hope you could decipher it!

I use one of these at home but don't need to turn the volume up to anywhere near half way! It's a handy size and performs well. As I haven't been able to turn it up to 11 I can't say how it will perform in a gig situation.

My wife, who plays in an orchestra, has been following this case. She said he was wearing ear plugs and the H&S people had been monitoring the sound levels during rehearsals following other complaints. I'm not sure where she found that information but, whatever the the rights and wrongs of the story, I do not see the need for excessive volume. I have left music performances because of the volume. An orchestra in full flight makes an awesome sound and it not only the musicians who are at risk of hearing damage. I once "enjoyed" a Status Quo concert by sitting on a grassy bank several hundred yards away fro the venue they were in - it was loud where I was sitting!

I saw the Carpenters' Story last year sometime and thought they made a really good job of it. You need to be very brave to tackle Karen's vocals. I have the boxed set of Carpenters CDs and I can listen to any one of the albums and not be tempted to skip any of the tracks. Karen's voice was just magic and Richard's musical arrangements sublime.

This one takes some beating. It was along time ago and I don't remember anything about the film other than this brilliant opening sequence. Also the Anderson Tapes is a great tune.

Now there's a gig grabbing style!

I remember Eric Morecambe telling the story of one of their early gigs. Eric and Ernie did the whole show to one old man in the hall. After they had finished he asked if it was OK for him to put the chairs away - he was the hall caretaker!

I don't think GAS is limited to bass players. I had a friend who was keen on golf and photography. He changed golf clubs and cameras more often than his socks - just looking for the perfect set of clubs or camera. We've all seen the people who sleep out overnight to buy the latest iPhone, which turns out to be not much different from the one they bought six months ago! I love cycling and read plenty of cycling magazines. I could spend thousands on the latest bikes but then I pull my modest road bike out of the shed and within a mile or so realize that that my alloy framed Bianchi just suits me fine. I don't have GAS for another bass guitar. The one I have (Chowny SWB-1) is ideal for what I shall be using it for - playing in church for those who asked "who goes to church"! I'm still getting to know it but I like what I have. Sometimes I think we need to spend time with the gear we have and appreciate it. I made the GAS mistake a few years ago when I was playing the chromatic harmonica. I now have drawers full of the things in my quest to find the one. I enjoy reading reviews on bass guitars and bicycles and can appreciate the high end of the market - "Cyclist" magazine has just featured a bike costing £22,650! I'll stick with what I have and try to get the most out of it. Having seen what Scott Whitley can do with the SWB-1 it should be more than enough for me to handle!

You may have already seen this on YouTube but it's worth a viewing. Vox amps were Top of the Pops in the 1960s.

I'm awaiting delivery of some D'Addario tape wound strings and plan to route them through the body. I've checked their website and there is no mention of problems fitting them that way. Do you have any more information as to why they should not go through the body?

I know this thread is mainly about the SWB Pro but has anyone else got the SWB-1 standard passive model? I'm not sure if the tone control on my guitar is working correctly. To my ears it makes no difference to the sound if I have the tone rolled off or fully on. There is a slight change in tone when I move the knob from zero to less than a quarter turn. I really need to listen closely to notice the change and I cannot decide if I'm putting treble on or bass! For the remainder of the turn, until full on, I cannot hear any change in tone. I may have received a duff model but would appreciate other users, views.

I've just taken delivery of a Gator hard case which appears to be very well made and should protect my bass guitar in transit. However, inside the case was a tag which contained the following warning; "This product contains chemicals known to the state of California to cause cancer and birth defects or other reproductive harm" California law requires them to give the warning to customers in California. Not sure what to make of the warning but it looks like my bass may not be producing any young!