Lee-Man
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Everything posted by Lee-Man
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[quote name='bobpalt' timestamp='1317069264' post='1386440'] I know nothing about this (and will find out), but if its Hiscox Insurance, they are a fabulous company that usually specialize in "high net worth" policyholders (i.e., rich).I love dealing with Hiscox in my job (drainage claims!), as they are a pleasure to talk to and very customer focussed. [/quote] Great, thanks for that, sounds very positive. Any one else?
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Hello, Has any one delt with New Moon Music Insurance (Hiscox are the insurance company). Just got a quote from them and its 1/3 of the Music Guard price. Any input gladly received. Thanks, Lee
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[quote name='silddx' timestamp='1316710508' post='1381834'] Hello mate, I don't need your bag, but I have four GB7 Ultralites for sale [url="http://basschat.co.uk/topic/153907-four-gold-hipshot-gb7-ultralite-machines-tuners-l45/"]Four Gold Hipshot GB7 Ultralite Machines / Tuners - £45[/url] [/quote] Cool, will take a look. If I sell my bag its a possibility
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Picked this up today at a car boot, only cost a fiver (bargain compaired to new), has a crack on the bottom and wonky wheel, but still very functional. Doesn't fit my bass cab tho, was worth a punt. If you would like it feel free to come and pick it up ( feel free to give me a fiver or some beer if you like;)
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Quicklok studio speaker stands
Lee-Man replied to Lee-Man's topic in Accessories & Other Musically Related Items For Sale
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Quicklok studio speaker stands
Lee-Man replied to Lee-Man's topic in Accessories & Other Musically Related Items For Sale
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Sure scl3 in ear monitors SOLD
Lee-Man replied to Lee-Man's topic in Accessories & Other Musically Related Items For Sale
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Hi, These are my spare set of sure iem's and as such have only been used 3 times. Comes with spare buds, box and carry case. New ones are about £130 [url="http://www.dv247.com/headphones/shure-scl3-w-sound-isolating-earphones-colour-white--46130"]http://www.dv247.com/headphones/shure-scl3...ur-white--46130[/url] Looking for £45
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I use the Mic pre amp voice channel and plug in via an Apogee Jam, works well.
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Yamaha 121
Lee-Man replied to Lee-Man's topic in Accessories & Other Musically Related Items For Sale
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Thinking of selling my Incase Dub (double) guitar gig bag. I've had a few Incase gig bags over the years and they are great. Each guitar is kept in its own compartment and really is a great way to transport guitars. Cost £300.....etc etc. Anyway, looking for £100 [url="http://goincase.com/pdf/contentmgmt/incaseguitarbagsbrochure.pdf"]http://goincase.com/pdf/contentmgmt/incase...agsbrochure.pdf[/url] Would be happy to px, looking for the following for a Warmoth build: Gotoh 201 bridge Gotoh gb7 tuners (or hipshot ultralite) P/J pickups Active eq Or East U Retro Cheers, Lee
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For those not in the know about these ace little boxes here's some stuff from [url="http://www.bryanbeller.com/music/toysintheattic.html#7"]http://www.bryanbeller.com/music/toysintheattic.html#7[/url] "Raven Labs PHA-1 Headphone Amp When Steve Rabe, original designer and founder of SWR, set out to make small utility-oriented products under the guise of his new company, Raven Labs, I really didn't know what to expect. From the creator of the SM-400, I should have known better. This little preamp/headphone amp has become an essential part of my practice regimen. I plug my bass into it and out comes the great old SWR sound. Then I mix in a stereo source (independently adjustable with left and right level controls)…and instantly it sounds like I'm playing inside the track. The first time I tried this was at Steve's workbench while the product was still in development. I put on Disc 3 of the Steely Dan box set and began playing along with "Kid Charlemagne." By the time I got up, forty-five minutes had passed. Silent practicing now sounds and feels better than playing along with a track out loud. It's remarkable. I've said as much in a quote Steve eventually used in an ad that ran in Bass Player. I also use it in the studio. Generally I like to play in the control room, because bass never sounds right through the cue mix from the board, and being in the same room as the drummer just makes it worse. But sometimes even the control room mix doesn't pop the bass like I need it (often the bass is too "thick" because the monitoring system reproduces it unusually well). So I'll take a line out of either the Mo' Bass head or the bass channels from the board itself, run that signal through the PHA-1's preamp, and dial in just enough level in the headphone output to cut above the mix from the control room's main monitors. This is an incredibly useful and versatile piece of gear. I've never said this about anything because subjectivity usually prevents it from applying, but in this case it doesn't: every bass player should own one of these"
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