nilebodgers

JLPCB. Very cheap, good quality and delivery is quicker than I’d have expected for the cheap options.

Now that is nice work. I’ve just designed and made my first SMT board for 22 years. I can’t believe I used to do this stuff without a magnifier. (and a proper lab with expert technicians to do things too fiddly for the design engineers!)

There is a cable in the DI output of that preamp, so no mic strictly needed anyway. Sticking a mic in front of a port will give lots of signal around the tuning frequency of the port and not a lot at other frequencies. Probably plus a load of wind noise to boot. Not normally what is wanted.

The DL16s looks like a decent unit. I’ve been comparing the spec and software with the A&H CQ20b and it is very similar, but the Mackie has the advantage of subgroups, more routing options, simultaneous geq and peq on aux and main outs, high pass filters on aux outs etc. Bit more of a complete offering where the CQ is very stripped-back. It’s only 2.4Ghz wifi though, so it would need an external router to get out of the crowded wifi bands. I’d always want a wired Ethernet pc running alongside tablet control for these surfaceless mixers anyway, so both the A&H and Mackie need an external router to do this.

Given one of the pics shows “DJ Kingdom” on the silkscreen I’d think not. Funnily enough the other sellers have identical pictures, so looks very dodgy to me. Are you feeling lucky?

Looks like bass and keys are tracked with a little bit of live keys now and then.

My telly only has a small screen 🙁

The string section on Viva la Vida looked like a prop to me - no pickups or mics visible that I could see.

Aargh, that was painful!

It’s 9/8. It’s a bit sneaky as the verse and refrain words come in on the “3” of an extra bar, so if you started counting on “Blessed..” it can look like a 12/8 bar followed by 9/8s and another 12/8 on “This is my…”.

This exactly. This is part of the revolution brought by affordable digital desks - there is always good eq at both the system and channel level.

I’d definitely try the graphic eq, a small tweak in the 2k-10k range is probably all that is necessary. When I was doing sound a bright system was always my preference as it’s easy to tweak back a bit to sound more balanced, a dull system was much harder to deal with.

This is a great idea. The best pub band I have seen in a long time (“Them Deadbeat Cats”) take various well known songs (mostly 80s pop) and play them in Rockabilly style at breakneck speed. Just brilliant.

Dua Lipa - Don’t start now.

Found an interesting link on eBay for someone that fixes dead Radial DI boxes: https://www.ebay.co.uk/itm/235555070694?itmmeta=01J0HCW1Z5NYA6H2S9C70S2CSV&hash=item36d82d22e6:g:tXgAAOSwKvVmOsLq&itmprp=enc%3AAQAJAAAA4ET6W%2FaOm1s%2BW27PNr83Iu5Xs1qLjLonNKOI4bXXnr%2FhSY65qLfMpbDtCtowNnXVIP9kKBhcb7inDITXAF9XCKjPuarakJ%2B9WZnzZroUgwiN6wN6A%2FCylrGIf5hN9ab%2FmjOIv5yCeQcQqS9z9JWdArl7XGys%2BaMhF4uYWzVS5e8So%2Fjz0OCBzlb%2FxtOZwELCLhg7rQ8RWiXILVq6BhOJvgaXglK8NyQhD7m%2FsdZPaiQPUNmFlnh2LC1YR3CPiGvJHOQ4F2UBcqlxzZzOUEAymeDuXlkR%2FthiI1HMo7EnLJAi|tkp%3ABk9SR9af8KyEZA Might be of interest if it’s not just a solder joint.

Of course. Just wire the 4-pole pins 1+/- and job done.

They tend to be ring fractures rather than dry joints (looks just like the name would suggest - a ring around the pin is visible in the solder joint). The transformers are quite heavy and if the Di gets dropped a joint can fracture.

I’ve seen a few of these fail due to cracked solder joints on the transformer. That is an easy fix if you know what to look for. If the transformer itself has failed then the unit is scrap, we could never get spares in the uk. Main problem is that it’s probably not worth the cost of paying someone to investigate unless you can get a free/cheap assessment from someone local.

That is a really good video by Mary Spender. I’d never really thought about the cost of doing what she does until I watched that when it came out.

There is a board for that (whatzitworth I think), but you need to be a supporting member to post there (just like selling things in the for sale boards).

For pro audio we used 4-core 2.5mm2 for almost everything apart from 4-core 4mm2 for ultra-high power subs (e.g. 2kW into 4ohm and similar). (There was also special NL8, EP and socapex cabling that had over 4 cores, although that was all 2.5mm2 too) I’d use 2-core 2.5mm2 for backline bass amps, especially since the interconnect distances are generally very short.

That is amazing service.