TeresaFR

I don't know which company you have a beef against, or maybe it's just my pedalboard you feel affronted by, but if it's the former then that's between you and them and if it's the latter then please recognise that no one's forcing you play or even like my pedalboard. If you don't like Korg, Wampler, EHX, MXR and Tech 21 that's absolutely fine. A line-up of Boss pedals would look great and presumably sound great too but to this particular autistic person, a Boss pedal would look out of place on *my* board and that would affect how much I'd want to play it - which I recognise would be a negative. So please, cool it.

I'm surprised at that from Boss, they sound like they'd be super reliable judging by their popularity. But hey, I like EHX and not everyone gets on with them and that's fine.

Great question. It doesn't need presets, it doesn't really matter whether it's analogue or digital. I'd be using it as an occasional effect rather than an always on effect, and I'd be using it for the classic wooshing sound. Budget isn't a significant issue as I can just save up for it. It does need not to be huge, so standard pedal size or smaller is for the best. Thanks.

I think you were reading too much into my initial statement, but that's okay. The digital medium can be hard to navigate.

Look, there's nothing wrong with having any Boss pedal on your board (even a Metal Zone, if that's what you want), and perhaps we should all of us divorce our pedal choices completely from the design of the casing (or the graphic atop the casing), but given the number of people showing off their very pretty basses on here or awesome pedalboards, one must assume aesthetics does play a part for a lot of people. Not more than sound, absolutely not, but it's not for no reason that EQD, Walrus Audio etc. spend time on making their pedals look amazing. It's also not without reason that so many of us chose basses that visually appeal to us. To be clear, I wasn't saying I was wanting to sacrifice tone for appearance, not at all - I want both and so I came and asked for recommendations from people who would hopefully know.

EHX, so I am considering the Neo Mistress - which would actually fit the space available.

I'm considering adding a flanger to my pedalboard, and I could get a Boss BF-3 for cheap off of a friend, I'm a little weird about the aesthetic of having a Boss-style enclosure on a board that isn't entirely in that aesthetic. So, with that in mind, could the good folks here please recommend me a good flanger pedal for bass, please? I already have a chorus I love so I don't need something that does both.

Whilst I'm very much a fan of the EHX Bass Clone and it gives me the chorus sound I absolutely love, the TC Corona or the Mooer Ensemble Queen might suit you more.

No More "I Love You's" - The Lover Speaks.

My Bologna - Weird Al.

I'm in the process of altering my pedalboard setup. Since my last band ended, I no longer need to provide octave up to fill in between bass and violin so off goes the octaver. In its place, I'm getting a pedal tuner from a friend, so on goes a Korg Pitchblack Advance. A bit of fiddling around this evening proves to me that I really do just need a compressor, bass friendly chorus and preamp with a drive circuit. As such, my setup is now Pitchblack tuner - Wampler Mini Ego, EHX Bass Clone, MXR Carbon Copy Mini - Tech 21 VTBass DI. Okay, so I do occasionally have use for a delay. I did play around with settings and realised I was overdoing the rate of the chorus and pulled it back from 12 o'clock to around 7 o'clock but keeping the depth all the way up. Drive is at about 9 o'clock for my core tone but I do like to sound of the drive at full - not sure when I'd use that much though. Very minimalist setup but if you don't need something, why have it?

Jasmine and Rose - Clan of Xymox

Informer - Snow

Everybody Wants to Rule the World - Tears for Fears.

Water on Glass - Kim Wilde

Suicide Day - Pink Turns Blue

In chronological order: The Noctuary (Very pro-form of...) Mourning For Autumn Every Black Day Ghost Light All goth bands. With differing levels of skill and competency. Sometimes great skill and no skill were present at the same time in the early bands.

I don't currently have a band, I have a project where I'm in charge so the name's my choice. I opted for Ghost Light. It comes from an old Doctor Who story which I liked the name of as it sounds really gothic and appropriate for a goth act. It was almost the name of my old band but it got voted down.

Shotgun Blues - GN'R

Geezer Butler plays a signature Lakland, doesn't he?

And with that budget they'll probably be very happy to help you out, that's very tidy sum of cash right that.

Thunder Kiss '65 - White Zombie

The Tenant - Play Dead