Ruarl

I’ve got 4, for now: Sei 6-string (Serial no. 8 ) JV Jazz Tacoma Thunderchief fretless acoustic. 5-string Stingray-style thing built for me by the Bass Doc in Newcastle. The shopping list is long, though.

I’m a big fan. Really great lines on those early Jamiroquai albums. I’m still refining my efforts on them, 20 years later!

Sounds to me like the second guy was just a bad teacher. In one of the intro videos for the course Scott points out there are different techniques for plucking strings. All are appropriate for different things, and he wants to teach his students to have a conscious choice over which to use, rather than switching between them at random. In your example, no muting method is bad as long as it works. I’m assuming your floating thumb muting is very good, and your second teacher just thought it was not a good idea. I noticed in my playing that I’m switching around in a way I don’t have control over. That’s why I signed up. If you’ve spent a long time acquiring the technique you want, then I don’t think this course is aimed at you. My own technique is something which has only ever received haphazard attention, and I’d like to give it some focus and maybe even cover areas I hadn’t thought of myself.

I’ve joined up as well. Looking forward to some structure!

Great stuff!

This is really amazing. Thanks for sharing. A terrifically skilled bunch of musicians doing something pretty unique. I agree the piano player is particularly good, but he's not miles ahead of the rest. Wonderful! (When's the UK tour?!)

Ah, yeah! I think it was under the E-string, now I see that. (The last time I picked up an upright must be AT LEAST 8 years ago) Thanks, Dad!

I'm not an upright player. Like many electric bassists, I've picked up and upright now and again, and had a noodle. On most of the instruments I've tried, I've noticed that the fingerboard seems to have a kink at the G-string, so the fingerboard is in a slightly different place than it would be if the smooth curve under the other strings continued. Is this a feature? Something copied from other instruments? Something done for students? Or just a normal fingerboard?

I just acquired a second hand Big Baby II and I suspect the Speakon sockets might need replacing. I removed the screws from the backplate last night, but I couldn't get it to budge. Has anyone removed one of these before? Do I need to unscrew anything else? or just apply more force? I could imagine that the plate could have become adhered to the coating which covers the cab, and needs a lever to un-stick.

That is a very pretty instrument!

Welcome! I'm another North-West lapsed musician. Not lapsed for as long as you did, mind. I've found loads of useful information and friendly chat on this site over the past few months. I'm sure you'll have a good time.

Thanks both! Reciprocal feelings to you! I've been enjoying both bits of kit!

Had a great trip over to Mark's place at the weekend. Tried, for a good while, and then bought, a Barefaced Big Baby II. Quality tea and cat-bothering was included as part of the service, as well as a lovely chat about all things bass. Thanks for the entertaining morning and the quality cab, Mark!

I found his name and number on the amp tech thread, and have been in touch. I’m taking the poorly little amp to see him when I get the chance. Thanks!

It seems that way. I must say, this sounds like a great way to run your life/business, if you get the chance! No hard feelings at all.

Just in case anyone else finds this thread, Roland Lumby now only does restorations of classic valve amps. He doesn't take solid state work at all.

Alright, thanks Stevie!

My trusty old GK MB 150S is having a bad time. I just tried plugging it into a cab for the first time in a while, and after a few minutes of playing, the output suddenly faded to nothing over the course of a few seconds. It still works out of the built-in speaker, just not the powered output. Can anyone recommend someone in the vicinity of Manchester to take a look at this for me? Ta, Andy.

To echo what the others have already said, I had a great time. It was great to meet a bunch of bass players with all sorts of backgrounds and interests, and play some really lovely and diverse gear. Thanks all for a great time. See you next year!

For the purposes of the headcount, I'm still planning to come.

Cory Wong, in Manchester next week! Woo!