For busy gigging bands, bringing in a guy that's even in one other gigging band can be problematic. Not impossible, however schedule conflicts are inevitable. Worse cases, cancellations and having to turn down gigs.
Depping at the gigging bar band level, very few opportunities for that in my neck of the woods
Blue
Agreed, it's all about what's important to you.
However, once your gigging and making money, the rule of thumb is never quit until you find a better opportunity. And gigging opportunities are usually not easy to find for most of us.
I'll put up with a lot as long as the money is coming in.
Blue
It's very tough and competitive here too.
Back to my bullet points. In my neck of the woods a "Willy Nilly, Loosey Goosey" approach to booking won't get you very far even if the band is really good.
Blue
"Knowing how and when to keep my mouth shut."
It just means I don't want to be the guy that's always complaining about stuff and bringing a negative vibe to a band.
Blue
I understand and know the area I live in as well as what realistic opportunity there is for me.
When my band folds, I'm done. I won't be auditioning for anyone.
Blue
We might be talking about different levels of flakes. The level I'm talking, I'd never play in a band with or recommend anyone to, no matter how great a musician they are. I wouldn't even allow these types to step foot into my home let alone play with them.
Playing in a band with even one flake can take the enjoyment out of the band experience.
By the way, I'm probably the most average bass player on Bass Chat. My strength is the ability to work with others as a part of a team. And another strength is knowing when and how to keep my mouth shut.
Blue
And I'd say it's not about me at all.
There might be a few personal references I use for examples or to justify a position. But the thread is clearly not about me.
The CD promotion was off topic, a mere side note.
Blue
To my understanding the difference is our bars are all located in business zones while your Pubs can be located in residential zones.
We play 4 hours while Pub gigs are 2 hours.
Blue
I'm not sure about that Dan.
This thread is specifically about the plight of anyone looking for a gigging band and things you might want to consider when evaluating bands.
This thread is not about me or who is or isn't entitled to play music or why we play music.
Blue
Hi Pete,
Agreed to a degree. A dedicated sound and lighting tech would be considered Overkill for bar and pub gigs by most.
I'm spoiled as a result of my personal situation. Our band leaders husband happens to run our sound and lights. I will say bringing in sound & lights separates us from our competitors and gives us a more professional sound.
But most bar bands are just fine without it. We also probably use more pedal effects than most bands. You do some pretty cool stuff with today's pedals.Like sending presents from my phone.
Blue
PS: New Live CD is finished
I don't want to discount my Flake-O"Meter bullet point.
I bet all of us can detect "nut jobs", "goof balls", egotistical types, and " A Holes" rather quickly. We sometimes overlook these guys thinking it's a fluke or they'll change
Word to the wise. It's neverr a fluke and those guys never change.
Blue
That's a great list Skankdelvar.
I forgot about how important it is to find out why there's an opening.
Here's something else. I remember once after reviewing live video clips of a band ,I flipped over their guitarist. And was interested just on the basis of said guitarist.
During the first call with the Band Leader I found that guitarist as well as other members were no longer in the band.
Blue