Rowbee

Fantastic! Thanks for the advice. I reckon closer to half that price is a pretty fair deal then.

I hope the mods don't mind me posting this here (I know it's more of a guitar effect than bass, but I'm aware bassists do use them), but I'm looking for some advice which is mostly about the value of my RAT pedal. I was given it a few years back whilst in a now defunct rehearsal studio in Santa Monica, and it's sat on a shelf since then. I saw a Facebook marketplace post the other day where someone was selling one and they mentioned it contained the much coveted Motorola LM308. Doing a dig and checking the serials on the CTS pots, I discovered that mine is in fact the mid-80s "White Face" model. Clearly, from the photos it's either a bit battered, or full of wonderful mojo, but does anyone know how much these go for? I've seen various models on eBay, but most a later models or vintage reissues.

I agree. It sounds right up my street.

I recently bought a USA made Musicman SUB Sterling from Phil. He's a really nice guy, was very helpful and obliging, and it was a smooth and seamless transaction. I now have a new toy and couldn't be happier.

Bernard has just bought my Modulus Funk Unlimited. He's an absolute gent. An incredibly smooth transaction.

The new track with Jean-Claude Vannier is pretty special. I think Justin Meldal-Johnsen played on some of the album.

This is worth a watch. It's the completely unedited version:

I wasn't aware of them. Thanks. To be fair, everything after that album sounded fine to me, but I'll check them out. 😁

Perhaps I'm judging it by modern recording techniques, but it's certainly not prominent to my ear.

I'm clearly in a minority, but I find the production to be pretty much the opposite of what's described above. To me, it's very dated and of its time in the way a lot of the late 80's rock and metal albums are. I find the drums and guitars to be thin and the bass is too buried in the mix. That said, I absolutely love the album.

I can understand that. MP has even criticised his own performance on that album, and described it as too nasally. The production really doesn't help either in making it sound dated. It doesn't stop me loving it though.

He's been involved in so many fantastic projects, hasn't be? I love his Peeping Tom album, and the first few Tomahawk releases are pretty amazing too! I'm struggling with Dead Cross though.