Bassassin

Oh, that is pretty. Lovely inlays and an excellent choice of colour! It occurs to me I don't have a semi. In fact I've never had a semi in my life - never mind a purple semi... Jon.

[quote name='ubit' timestamp='1424799261' post='2700603'] Get yourself one of those android boxes, you'll be able to get anything as long as you've got decent wi fi ! [/quote] OK - plays on my phone. Too bad about the sound! J.

[quote name='NancyJohnson' timestamp='1424725645' post='2699781'] [url="http://www.vh1.com/shows/rock-icons/rock-icons-episode-101-geddy-lee/1734292/playlist/#id=1734292"]http://www.vh1.com/s...ist/#id=1734292[/url] Rock Icons show is up. P [/quote] "Sorry, this video is not available form your location" Jon.

[quote name='BigRedX' timestamp='1424780484' post='2700320'] The current bridge is the third one I tried and IIRC came out of miscellaneous guitar parts drawer from the old Carlsbro shop in Nottingham and cost me a couple of pounds. It doesn't have anything stamped on it and is only drilled for 4 strings, but otherwise it's the same as the one you linked to. Strangely enough the previous, less suitable bridge was an 8-string one. [/quote] Thanks for the explanation - it's good to see orphan hardware being put to good use! The pic I linked was just the best one I could find online - I've got a Kasuga Scorpion myself, which has an unstamped, 4-string bridge which appears to be identical to yours, and these are the only basses I can remember seeing them on - apart from your Burns. J.

Wonder how come Ibanez/Hoshino are happy re-releasing a blinged-up C&W nightmare Jazz copy, but not its guitarry counterpart, the Custom Agent? But then, I suppose they've had run-ins with Gibson before... Jon

[quote name='BigRedX' timestamp='1424736142' post='2699971'] the Burns Sonic still has the original (very battered) Burns hard case! [/quote] I keep meaning to ask... how did your Burns Sonic end up with what looks like a 1980-ish Kasuga bridge? [url="http://dms01.dimu.org/image/01Szzq3Zgq"]http://dms01.dimu.org/image/01Szzq3Zgq[/url] And where's the rest of the Kasuga? J.

I [i]thought[/i] you had a cunning plan: [quote name='discreet' timestamp='1424701090' post='2699293'] Plywood's trendy now, isn't it? You could sand off the 'K' logo and write 'Columbus' in Sharpie, thus tripling the value. [/quote] J.

[quote name='discreet' timestamp='1424702436' post='2699327'] That's what I thought... I've got a bid on it. [/quote] Don't worry about me - I won't be snipin' J.

How could I have forgotten my Yamaha SBV? And I had a Washburn B20 Stage too, back in the Long, Long Ago. Not the 8-string, though... [i]Edit:[/i] Or a seven-string! J.

He's just "refurbed" it by buying a generic P type guard & hoping for the best, I'd say. The original would've just been a different shape. Shouldn't really be a deal breaker if it was cheap enough - the bass is probably halfway decent, late 70s/early 80s Kays were made by Cort, and are significant cut above the Taiwanese stuff from the early 70s. J.

[quote name='chriswareham' timestamp='1424645922' post='2698810'] If it's an old valve head from the 1970s, then chances are it was designed for use as either a lead guitar or bass guitar amp. [/quote] Very good point - in fact, casting my mind even further back than the HH, my very first amp in about 1980, was an old Selmer Treble & Bass, wherein the clue was in the name. I ran that through a matching Selmer 2x12 and a home-made 1x12 reflex cab. No idea how wildly mismatched the impedances must have been, but nothing blew up and it sounded pretty awesome to my tender teenage lugholes. J.

[quote name='ead' timestamp='1424696491' post='2699195'] I rather like the GUS basses [attachment=184774:gpic6.jpg] [/quote] Me too. Until I saw the price tags. J.

[quote name='discreet' timestamp='1424701090' post='2699293'] Plywood's trendy now, isn't it? You could sand off the 'K' logo and write 'Columbus' in Sharpie, thus tripling the value. [/quote] Go the whole hog and "Ibanez" it. Straight £500 mark up, no messing. J.

[quote name='Annoying Twit' timestamp='1424696042' post='2699187'] I saw those. I used the term 'dreamers' however [/quote] That's because you're [i]nice[/i]. J.

Check out the chasm around the neck pocket - if you fell down that, you'd have to gnaw off your own arm to escape. If it went for £30 it might be worth getting a scratchplate that fitted, but it's still a plywood Korean copy with an embarassing brand name! Jon.

Fascinated how he knows that "the guard, knobs, pickups, tuners and bridge are all original Ibanez", and what exactly he thinks that means. Irresepective of the fact "Ibanez" isn't a manufacturer & never made anything, ever, the hardware & pickups used on these basses came from manufacturers such as Gotoh, Nisshin Onpa, Chushin etc, and is also generic on many other 70s MIJ basses from dozens of unrelated brands. If it's an original headstock decal - and I'll give him the benefit of the doubt based on the 3-part neck construction - then that's the only thing I'd say was made by Fujigen Gakki, & the only thing you could call "Ibanez". I'd be 99% sure it's not a Fujigen body, & there's no reason to believe it's MIJ or even from the same era. Jon.

Seriously good deal - and nice to see someone not trying to profiteer. Apropos of which, a quick skim through FleaBay last night revealed a couple of chancers with Thunder 1As priced around £250. Never gonna happen. J.

I own a couple of basses which might be considered "challenging" to Fender-normalised attitudes: Lace Helix [sharedmedia=core:attachments:46079] Ibanez EDA900 [sharedmedia=core:attachments:72012] Kawai Sleekline [sharedmedia=core:attachments:46249] Tokai Talbo Nothing incredibly weird, admittedly - maybe more "eccentric"... Jon.

Way, way back, I had an HH VS bass combo & after a bit the amp part packed up. I borrowed an old Marshall 100w head, which I ran into the 1x15 cab of the HH for a few gigs. It sounded a whole lot better than the original amp did! Jon.

[quote name='andy159' timestamp='1424598468' post='2698033']did they come with the little knob pointers under the knobs or were these added on? [/quote] They came with them - mine has them, and I have a matching Westbury Standard guitar which has them too. I do really need to have a cull - recently moved to a smaller place & realised how out-of-hand my bass-hoarding had got! I do like the Westy but I've only gigged it once in the 7-or-so years I've had it. It's provisionally on the hit-list, but like you say they don't come up too often, it'd be hard to find another. J.

Not too keen on the pointy shape (besides, the Westone Dynasty was much more out there!) but the paint jobs on these were ace. A few years ago I missed out on a Westone Concord guitar with the same 2-tone metalflake finish, which was £55 in a local pawn shop. I didn't have £55. Jon.

Fair point, well-made! I want one o' them... J.

Very nice! New bridge is an upgrade as the originals tended to crack & bend in half! Just stick a couple of black speed knobs on it & it'll be sorted. I do like mine but never really play it as the single P unit doesn't get the sound I want too easily. Should I flog it? Jon.

[quote name='Dr H' timestamp='1424463601' post='2696714'] I've recently picked up a RB-888 (Bean Bass) and this has won me over - so lightweight, medium scale, thin, fast neck and a great range of tones from a single humbucker. [/quote] Those are proper rare - they hardly ever come up & I don't remember ever seeing one in real life, even back in the Olden Days. Pics or it didn't happen etc. J.