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Bassassin

⭐Supporting Member⭐
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Everything posted by Bassassin

  1. [quote name='MythSte' post='617793' date='Oct 5 2009, 06:52 PM']Someone persuade him to give this to me![/quote] No bother - I'm easily persuaded. With money! J.
  2. Ladies, gentlemen & sapient treefrogs: A Squier Precision, made in Japan at Fujigen Gakki between 1985 & 1986, as denoted by the A-prefix serial number. A-serials were fourth in sequence after the original JVs and ran concurrently with most of the preceding E-numbered instruments. This one's black, with a b/w/b scratchplate and a rosewood board, which makes it all look very, well, black. And therefore rock as f*ck. This may have influenced my purchasing decision a little - did I mention that it's black? It's in very good condition for its age, great straight neck with narrow frets, negligible fretwear, trussrod works fine, a few bumps & minor dents front & back on the body, which should be clearly visible in the pics. Hardware is in great condition, with just a tiny amount of bubbling on the bridge baseplate, no rust or burring at all on the screws. Anyway, it'll be pictures you'll want: Cosmetically it's very nice - to be honest the pics, taken in bright natural light, seem to highlight the imperfections somewhat. A previous owner has presumably either used a metal pick, or maybe had a hook for a hand, resulting in the marking on the scratchplate & pup covers. Just a bit of minor buckle rash round t'back: The only real damage is this: Looks like it's been dropped or come off a strap. Just lacquer chips - the wood isn't dented. I flowed a bit of superglue around the edges to help dissuade it from further flaking. Aside from that, the only other issue it has is a slightly sticky E-string tuner. A bit of a mystery, it's not, and hasn't been bent, I took it apart to clean/lube it and worked it round for a while, which freed it up a bit, but to be honest when tuned & under string tension, it's barely noticeable. It's entirely original, aside from a couple of "modifications" I made - if you can call them that! A shim in the neck pocket, purely to allow me to raise the saddles a bit - I play with a pick sometimes & Fender saddle height adjusters have an endearing way of ripping chunks out of the side of your palm! I also found the pickup height to be very low (my shim didn't help) so I added a couple of extra foam pads to raise it up a bit. Much louder now! I quite regretted selling my SQ Squier & got this as a sort of replacement - and I actually like it much better. It's a wonderfully light bass compared to most of my JapCrap, plays really well & I'd say sounds a tad more aggressive than the SQ. It still doesn't sound "right" for my band - and I'll have to accept the fact that P's don't. The fact I also have 3 separate P projects on the go (expect to see at least 2 of them here really soon!) means I can't keep this. You don't see a great many 80s MIJ Squiers, and most are JV, SQ & E serials so I'm really unsure about price for this - however I'm going to break with the current BC fashion of expecting people to guess, and boot my metaphorical price-ball into a park named [b]£275[/b]. I'm willing to wrap it up & post it anywhere in the whole wide world. Edit - I should add that I'd prefer not to use PayPal if at all possible - this is simple, unreasoning prejudice on my part. A cheque or used notes in a greasy brown envelope would be best, and unfortunately I'm not looking for a trade, I desperately need cash towards a new car. Over to you. Jon.
  3. I've said before - a gentleman is a man who can play slap bass. And doesn't. So I've voted "can but don't". A bit disingenuous, tbh, I can slap a bit, & like many other young bassists in the 80s I worshipped at the altar of Mark King, and was quite prone to punctuating songs with flurries of sloppy machine-gun triplets, with scant regard for either taste or suitability. It was just a phase and I never got that good at it, I simply didn't have the dedication to put in the work to get it spot-on, probably because the music I was playing didn't actually call for it. These days it's purely a sitting-at-home-noodling technique I find myself occasionally mucking about with, and within the last few years I've experimented with double-thumbing, just to suss out how it works. Again, I haven't developed the technique because it doesn't have any real place in the music I write & play. But yes - I like slap when done well and in context - and to be entirely honest I harbour a secret desire to be able to play like King, Marcus, Victor & all those slapmonster stunt bassists on YouTube. In the privacy of my own room, of course. Jon.
  4. It's all good experience. As you're resigned to binning the neck, why not squirt some WD40 down the truss channel and see if you can get the rod loosened? I'd never suggest doing this with something halfway decent (WD40 contains solvents & isn't recommended around glued joints) but if you can get the bow out you'll at least have a playable fretted neck until you get a new one. J.
  5. If the neck has a back bow, seized truss rod & a twist then I'd consider just replacing it, considering the bass was a freebie to start with. I suppose if you could get the truss rod loosened then it might straighten out, but a twist is pretty much unfixable, and you'll never get a perfect setup. Cheap P necks come up on Ebay all the time & you should be able to find a replacement for not much cash. I've got a '97 Squier P neck in very good nick, but it's a rosewood board so probably not what you're looking for. Jon.
  6. [quote name='mr pablo' post='617182' date='Oct 5 2009, 10:51 AM']I got this a few months back with the intention of refinishing the body and giving it a general make over, but a change of circumstances is forcing me to sell it on. pics will be put up after i get home from work, condition wise the body has a few dinks as expected of a 29 year old bass although when i took of the gastly blue finish that was on before i got a lot of them out, i stained the wody black and have put 2 coats of tung oil on as i was planning an oil finish. The neck is also in realy good nick the frets are in pretty good nick and although stiff the truss rod works fine. Soundwise it's a big beefy pbass sound not much else i can say about that. Price wise looking for about £100 posted or i'll sell it of in its relative bits.[/quote] Interested in this, especially if it's the earlier model with the 4-pole pickup. I'm just over the bridge from you so you wouldn't have to post. Expect a PM when you get pics up. Jon.
  7. [quote name='Mr. Foxen' post='616460' date='Oct 4 2009, 01:10 PM'][url="http://cgi.ebay.co.uk/HONDO-70S-BASS-GUITAR-4001-4003-TOKAI-FACTORY-FIREGLO_W0QQitemZ120476572370QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item1c0cf69ad2&_trksid=p3286.c0.m14"]Hondo[/url][/quote] £475 BIN. Wow. And [quote]THESE WERE MADE IN THE TOKAI FACTORY[/quote] I think the appropriate response is "my arse!" Jon.
  8. Have a bump on me. If that was black/aluminium you'd be minus an arm! Jon.
  9. I think it looks incongruous - I think they'd have made it far more interesting (and appealing) by styling it along the lines of the Stratacoustic: As it is it looks like a Photoshop experiment. Jon.
  10. [quote name='razze06' post='613656' date='Oct 1 2009, 10:52 AM']I'm now the proud new owner of this fantastic piece of kit! Thanks Jon![/quote] My pleasure Marco - glad it's gone to somebody from BC who'll appreciate it & use it! Jon.
  11. [quote name='Mr. Foxen' post='612467' date='Sep 29 2009, 09:01 PM']Thinking back, some Mexis had the strat knobs, but the covered contour is usually reserved for block and board/ply basses.[/quote] You'd expect to see it on the front as well, though. Odd. I like the reason for sale - "in need of being sold for financial pupose". What, instead of for a bucket of fish? Jon.
  12. Bassassin

    Mr. Foxen

    Bought a rather nice JapCrap Strat scratchplate & jack from Oli - bargain price & well-packed. One of the Good Guys. Jon.
  13. [quote name='MB1' post='610373' date='Sep 27 2009, 09:55 PM']MB1. ...I dont even T Cut my car!....but this i could happily spend hours on!....Bloody Hippies! [/quote] I bet if you took off the "art" you'd find it's stained the finish underneath - there'd be a permanent ghost image on the Rick's finish.. Bit of a shame because these early 80s white/black trim Ricks are pretty damn cool - and a bit rare too. J.
  14. [quote name='skankdelvar' post='608952' date='Sep 26 2009, 01:20 AM']I like it. Honestly.[/quote] So do I. I'm off to wait for the coronaries at RickResource... Jon.
  15. Maybe a Sandberg? I remember seeing transparent & LED-lit Sandbergs at Music Vile a couple of years back. Jon.
  16. [quote name='wateroftyne' post='609301' date='Sep 26 2009, 03:30 PM']Like you say, old news! It's not a recent thing either... The Last Waltz, Eagles Live...[/quote] Or Rush's Exit Stage left, which the band refer to as "live-ish". Jon.
  17. [quote name='matski' post='608434' date='Sep 25 2009, 10:13 AM']Calling all Fenderphiles... Anyone out there an expert on the Fender JV Squiers? I recently retrieved an old one I had lent to a friend about 20 years ago - it is one of the Precision models with the big Fender logo and the smaller Squier Series logo - it was sunburst with gold anodized scratchplate, so it was the '57 vintage model, right? All I know about these is that they were produced in the early 80s - can anyone here shed any more light on these basses? How many produced etc.? I am curious...[/quote] Everything you ever wanted to know about JV Squiers: [url="http://www.21frets.com/"]http://www.21frets.com/[/url] The big Fender logo ones were the very first & the rarest - hope your mate looked after it! Jon.
  18. [quote name='witterth' post='608046' date='Sep 24 2009, 07:19 PM']EEEEEWWWWWHHHH!!! year 8, D.T project?[/quote] Delirium Tremens, right? J.
  19. Hi James. Looked at the pics again and the saddles are slightly different to my RS924 although the bridge baseplate looks the same. However - I'd be very surprised if the allen key size was different - so I expect it will be a standard metric 1.5mm key. In fact most instruments that aren't US or vintage UK (which both use imperial sizes) will use this size key. If you don't have a set of allen keys you'll be able to get a decent set of various sizes from B&Q or similar place, for a few quid. I recommend the type with a ball-shaped end on the longer part - these can be incredibly useful for reaching awkward screws, such as truss rod adjusters. Hope this helps - Jon.
  20. [url="http://cgi.ebay.co.uk/Awesome-1970s-rare-IBANEZ-mapleglo-bass-guitar-RICANEZ_W0QQitemZ350256330046"]Here's an Ibanez 2388B/DX[/url], beautifully photographed to show all its "historical" delaminations - fretboard popping off, neck pickup route collapsing in on itself, leading to an action you could just about stick your hand under. All for only £750 BIN. J.
  21. [quote name='Jean-Luc Pickguard' post='606818' date='Sep 23 2009, 04:46 PM'] beware of imation - with [i][b]that[/b][/i] logo ?[/quote] In all fairness the actual instruments are, well - [i]unique[/i]! I'm surprised at the amount of positive interest this is starting to attract. Maybe we should organise a buying trip to Givson HQ and bring a few home. Could be the ultimate BC curry weekend! J.
  22. Ah, Givson - Mother India's finest! I had the intriguing experience of examining one of these first-hand, in my local Crack Convertors a couple of years back. You really do get the impression that a few containers of random guitar parts washed up off Mumbai & someone who'd never seen a guitar before put them together with the aid of a 1963 Teisco catalogue. I've actually seen these turn up on Ebay being fobbed off as 60s oddities - anyway the website's here - the peculiar naming conventions are why the Ebay seller assumes his bass is Hawaiian: [url="http://www.givson.com/home.html"]http://www.givson.com/home.html[/url] If you really want a Givson GB King bass (OK, I know you don't, but it's theoretical, right?) Raj Musicals will do you one brand new for about £60. Air fare to New Delhi not included. Jon.
  23. [quote name='Mr. Foxen' post='605444' date='Sep 22 2009, 12:02 PM']Could well be its cause he strung it BEAD without changing the setup.[/quote] I did think that - but you'd expect he'd at least drop the bridge a bit. J.
  24. That is tasty - but worth noting that the front & headstock have been stripped, the rest is the original black. He says Hondo - 99.9% it's not, there wasn't a through-neck Hondo as far as anyone can tell, so maybe a Shaftesbury. Either way, I don't know who made this. The fretboard looks unlacquered & very orangey - like my Frankenbugger, which is a great player. Having said that, the action on this looks alarmingly high from what I can see - the bridge will lower a lot so it's probably not structural - but if I was going to bid, I'd want to know why it's set up like that. J.
  25. [quote name='Telebass' post='604759' date='Sep 21 2009, 05:33 PM']Nope. Double bass > electric bass. The family resemblance is only that. Only the playing position is guitar-like. Even frets were on upright basses once, y'know... Look at the old Jazz headstock, it specifically says "electric bass"; look at a Fender VI, and it specifically states "electric bass guitar". The Musicman Silhouette is similarly titled. The VI is also erroneously called a baritone guitar - they're tuned to A or B, not EADGBE and are usually 27.5" scale or similar. Not to say you can't mess with different strings, of course... At the time, remember, if you played bass, it was either an upright or a tuba... A bass that can easily be played by a guitarist, yes. A bass guitar, no. However, I realise that this particular bit of pedantry is considered old-fashioned. So be it. I am too! [/quote] It's pedantry you want, is it? Anyway ET & Rich are spot-on - the electric bass guitar is part of the guitar family, the "bass" prefix refers to its pitching. Technically it is a hybridisation of electric guitar and double bass, but it really only inherits its number of strings & tuning convention from its acoustic forbear, since it was primarily developed to be a more portable and louder substitute. Everything else - its design, construction, components, electronics, even aesthetic appearance - is taken (very specifically, in the case of Fender basses) from the electric guitar and that's clearly the family of instruments it's part of. The "Electric Bass" as you're defining it is indisputably the EUB - didn't Gibson come up with the first one in the 20s? J.
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