Bassassin

[quote name='doctor_of_the_bass' post='282250' date='Sep 11 2008, 11:31 PM']..didja get it superglued??![/quote] Unfortunately not had the chance yet. Tomorrow with any luck! J.

Yep - never had a fag burn before! J.

Four on a stage, usually just two in the studio (me & singer). Jon.

[quote name='Musky' post='281937' date='Sep 11 2008, 03:59 PM']4001's always had twin truss rods as well. If you've got one with a single TR it might be worth taking a closer look at it, because that's not normal for a Rick.[/quote] However - it's perfectly normal for most Rick copies. Post a pic or two. As I understand it, most screwed-up necks on 4001s are as a result of people trying to adjust the truss rods incorrectly - they don't work in the same way as a conventional rod. If you tighten the nuts to try and adjust the relief, it can cause the fretboard to separate from the neck, and all manner of other nastiness. The "proper" way of setting a 4001 neck is to manually flex the neck to the desired relief, and then adjust the nuts to hold it in place. 4003s - and Japanese copies - have conventional truss rods. Loads of people have, and do use rounds on 4001s - in fact that's half of the sound. Probably lighter gauges are best, though. Jon.

[quote name='Mr. Foxen' post='281519' date='Sep 10 2008, 11:11 PM'][url="http://cgi.ebay.co.uk/CIMAR-VINTAGE-RICKENBACKER-4001-BASS-REPLICA-STEREO_W0QQitemZ120303980216QQcmdZViewItem?hash=item120303980216&_trkparms=39%3A1|66%3A2|65%3A10|240%3A1318&_trksid=p3286.c0.m14"]Cimar[/url] 120303980216[/quote] Good spot Oli. Wonder if it'll manage to stay up - quite a few listings with the "R" word seem to be getting through lately. btw knobs arrived safe & sound - cheers! J.

A firm & manly handshake of appreciation to Oli, an upstanding young gentleman who sold me three of his finest shiny knobs - at an agreeably reasonable price. Jon.

[quote name='doctor_of_the_bass' post='281500' date='Sep 10 2008, 10:55 PM']Superglue! I think that these basses suit all types of plate - white, black or tortie - I'd try and repair the white one, then buy a couple of others! Sims will be able to duplicate the plate for you etc. Nick[/quote] It'll be getting superglued tomorrow! J.

Just got a delightful (if a little mucky) SQ serial Squier Precision, 83/84, great original condition - but it's arrived with the scratchplate shattered. The rest of it looks like this: Anyroad up, simple question, what, if any, replacement scratchplate will be an identical/exact fit? And wouldn't it look lovely with a Tort? :brow: Jon.

[quote name='beerdragon' post='281172' date='Sep 10 2008, 03:35 PM']I wonder what the error in the listing was.[/quote] Probably an offer he couldn't refuse. J.

[quote name='Darkstrike' post='281068' date='Sep 10 2008, 01:12 PM']Only a five min difference! I had the reply box open as I searched for the pic! Anyway, the one you played, you could call it the "Cliff Burton Special" [/quote] For years I though Cliff played an Ibanez copy - because of the big Gibson mudbucker in the neck position. J.

[quote name='Darkstrike' post='281011' date='Sep 10 2008, 11:54 AM']The Indie Ric copy is different again, but does look very close to the Rockinbetter, its got no bridge pickup cover, and a fender style bridge. [/quote] '+--> QUOTE ('Me - half an hour ago ') The current Rockinbetter & Indie basses are quite different - the Indie is set-neck, not through-neck, and does not have a Rickenbacker-shaped headstock. The one I played had different hardware too. According to the main man at Indie, it's made in Korea.[/quote] Although the one I played/examined did have a bridge pup cover - with a Jazz pickup under it. J.

[quote name='cytania' post='280951' date='Sep 10 2008, 10:27 AM']As far as I can figure it Tokai only made Rick copies in the 70s. The new Rockinbetter basses you see in shops today are made for Indie in China and do not related to Tokai in anyway. So if that is a Tokai expect it to show plenty of wear. Beware the new Rockinbetter's because their 'fireglow' paint looks more like a 'fadedglow'. When I first saw one for a few minutes I entertained the fantasy that they had been in shop window for decades and could be mine for a 70s price... Neckwise my humble fingers found them tiring, very like a new issue Burns Bison bass. Nothing like a real Rick neck.[/quote] As far as I know, Tokai [i]never[/i] made a Rickenbacker bass copy in the 70s. I've never seen one, and it does not feature in any vintage Tokai catalogue. The current Rockinbetter & Indie basses are quite different - the Indie is set-neck, not through-neck, and does not have a Rickenbacker-shaped headstock. The one I played had different hardware too. According to the main man at Indie, it's made in Korea. The most accurate modern 4001/4003 copy is the Shine - I don't know if it's imported to the UK, but is available elsewhere in Europe - in a variety of attractive colours, too: [url="http://www.tiptop.se/cgi-bin/multipage.cgi?id=2525"]http://www.tiptop.se/cgi-bin/multipage.cgi?id=2525[/url] [url="http://www.tiptop.se/cgi-bin/multipage.cgi?id=2523"]http://www.tiptop.se/cgi-bin/multipage.cgi?id=2523[/url] [url="http://www.tiptop.se/cgi-bin/multipage.cgi?id=2522"]http://www.tiptop.se/cgi-bin/multipage.cgi?id=2522[/url] [url="http://www.tiptop.se/cgi-bin/multipage.cgi?id=2524"]http://www.tiptop.se/cgi-bin/multipage.cgi?id=2524[/url] There are some nice Chinese-made 4004 copies knocking around too - Bach Guitars, based in the Czech Republic import some quite stunning ones: [url="http://www.bachmusik.com/en/c100208/model-rbb/"]http://www.bachmusik.com/en/c100208/model-rbb/[/url] Don't know how easy/what it would cost to import one of these - but the most expensive version is £230. J.

A lot of people praise these, although a vintage 70s JapCrap Rickenbugger would at least look more accurate. Most modern Tokais are made in Korea, and don't have much relation to the 70s & 80s Japanese ranges, which came predominantly from Tokai Gakki's own factory, and other manufacturers deemed to be of sufficiently high quality. This Rockinbetter's quite interesting, it's always referred to as Tokai Rockinbetter - but funnily enough no matter how hard you look, you won't find a reference to "Rockinbetter" on Tokai's website - or, as far as I can tell - "Tokai" anywhere on the instrument. There was no Tokai Rick bass copy back in the 70s & 80s. I'm not convince there's any connection beyond the mass anecdotal consensus of The Interwebs. Jon.

Bloody hell. And I thought I'd done OK getting an old Japcrap Jazz from there for £25... Jon.

Here's what was probably once badged as Shaftesbury, looking like it needs a bit of gluin' and clampin': [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&rd=1&item=300257005459"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...em=300257005459[/url] J.

From what I've read, the actual bass touted as having been designed by Tetsu Yamauchi is actually the somewhat more stylish Ibanez 2369B (the one on the left ): There are a couple of people on here who own, or have owned Ibby 2369s. Although that Greco's rather nice too, and at the time this was in the range (mid 70s) Greco was built by both Fujigen & Matsumoku - both of whom produced versions of this bass, seemingly identical down to the odd pickup. This one's the Matsumoku version. J.

I've always been a Severin fan, but to be honest never even noticed he played like that before! That clip just reminded me what a great, idiosyncratic drummer Budgie is. Jon.

Looks tidy enough to me. Don't expect to nail it for £25, though! Bear in mind the bridges on these are awful - have a look at the string height in the 3rd pic, I'd be prepared to bet that's down to the crap bridge & probably non - height-adjustable mudbucker. If you lower the bridges on these by much, the strings tend to foul the front edge of the plate, so getting a playable action is a balancing act between bridge height & shimming the neck pocket. I wouldn't be at all surprised to find a slack truss rod & a neck like a banana, too - not an issue if the rod's in good working order. It's probably possible to make it play OK, I'd expect to find a decent fret job on this, & going on the general condition (for a 35 year-old plank) I wouldn't expect much fret wear. The "unplayable straight out of the box" setup will have discouraged its various owners over the past 3 decades, which will have helped keep it in good nick. In case you hadn't guessed already, I've owned one such as this. Some folks might be interested to know it was probably (along with other Columbii) made by Maya/Rokkomann. Jon.

Yes - I've actually read that some JVs started production as Grecos - and vice versa! I'll admit to showing an inordinate interest in SQs at the moment - just wish the postie would hurry up... J.

Didn't see it but £185 isn't a fantastic bargain for one o' those IMO. Reasonable price but pretty much the ballpark. J.

Call me a traditionalist - but this: :brow: :brow: :brow: :brow: :brow: Jon.

Does anyone else remember - or even have any pics of - that Cairnes Jazzman I mentioned? J.

[quote name='Musky' post='279554' date='Sep 8 2008, 10:52 AM']No such luck Jon - there are 4 screws in the top of the pickguard rather than the 3 of the JVs and SQs.[/quote] So there are. The plate would be drilled for an ashtray too, wouldn't it? J.

It'd be nice if the bass turned out to be a JV or SQ... J.

[quote name='thedontcarebear' post='277543' date='Sep 5 2008, 08:22 AM']Don't often get conventional detachable necks on acoustics?[/quote] Don't often get over-engineered gimmick necks either! [quote name='Darkstrike' post='277796' date='Sep 5 2008, 01:34 PM']I'd say that the fact that you don't have to detach the neck is pretty handy.[/quote] Only in the same sense that that Gibson "robot guitar" makes not having to tune up yourself handy. Realistically, a good setup will include - if necessary & possible on the instrument in question - adjusting neck set as well as relief, and should last at least as long as the set of strings you're using. Like I say, this is interesting but I can't help feeling developing an acoustic-specific adjustable bridge would address any & every issue this seeks to solve - plus allowing for proper, accurate intonation & individual string height. To be honest, it's always baffled me why acoustic guitars & basses don't tend to have fully-adjustable bridges, and beyond tradition, I can't see a clear reason. J.