Richard R

Very nice indeed! +1 for rounding the corner(s) of the control plate. A file will do nicely. The plywood flooring is gorgeous too. 🤩

Welcome aboard! We have a few members in Poland, but there isn't as far as I know an easy way to search on location. Correction- there is a very easy way to search by location! Search for members, and use the Location filter.

That's a proper floor, and you have plasterboard, skirting board, skylight, and it looks like electricity as well. My loft has bare joists, rockwool insulation, dust, and a wasps' nest!

I only knew Judie Tzuke from "The Cat is out", the first CD my wife bought when we bought our first CD player. It's ... tolerable. I played "Road Noise" this morning and, as befits this thread, is infinitely better! Very '80s, but fun.

Welcome aboard!

Another one I forgot: Twelfth Night - Live and Let Live. Never made it into Marillion's league as the vocalist left after three albums to train as a minister (this was his farewell gig at The Marquee). They were a prog band with a hard edge and biting satirical lyrics, as well as musicianship aplenty. Played it in the car for the first time in ages and I was shouting along with the crowd. 😄 Skip the other albums, this is definitive.

It does. I would love to hear what could be done with the tech used for The Beatles to extract the instruments from the mud and remix it. Or better still find the original show tapes and start again.

Welcome aboard!

Buy the bass and I'll give you lessons. If nothing else you will be able to dine out on the comedy for months 😁

@rwillett- Five is easier than four! Which is why I play five.

There's a quote here from Andy: So why on earth would you think it's not good enough to sell as is? Of course the market is very slack and you may find parts easier to sell and get the same total value, but it would be a shame.

Cracking album that!

I too love live albums, a good one crackles with energy. The odd overdub is acceptable if it covers an absolute howler, the idea is to recreate the energy. So with that: The Grateful Dead. Their studio albums are OK, but almost any of the thousands of live recordings is a million times better. 'Wake up to find out" is my current favourite. "Slade Alive", play it loud. "Pulse" is superb, but I love all the Floyd. There is a really good Rockonteurs interview with Scott Gorman of Thin Lizzy where they discussed Live and Dangerous. There are actually very few overdubs on it, but it is a compilation of recordings from different nights. The story about the overdubs grew and was embellished over the years, including by the producers. The 40th anniversary release includes all the recordings from different nights, so you can trace what came from where. Rockonteurs on Spotify

I am also confused. If the analysis was 7b or 4# it would be clear. I don't have time to play it this evening, but it does look fun - thanks. 👍

Welcome aboard! There's more than one blues scale?? 😉

You'll fit right in here! 🤣

Following. 👍 There will be lots of excellent advice on here but for goodness' sake don't take any of mine!!

Welcome aboard! The build diaries forum is fantastic. Start a new thread about your build and asking questions - the local geniuses and wood-whisperers such as @Jabba_the_gut and @Andyjr1515 will then magically appear with sage advice.

Welcome aboard!

That is quite astonishing. How long did the build take you, including the thinking and planning which must have been considerable?

Ever get one of those weekends...? The Friday Practice: Friday was a dreadful day at work, I got shredded for the plan I had proposed so I was tired and not really with it for Friday's practice. I decided to give my "new" V-bass synth rig an airing, as there were some songs where long notes would be good and so I could try different sounds to see how they worked (think bass+pads), and use a modelled bass for the normal rhythmic stuff. The setup is an HB Musicman 5 string, fitted with the Roland GK-2B hex pickup and into the V-Bass COSM Modeller and synthesiser. Link to my  post in Effects Thread This band are all used to each other, and most of the songs we knew, and we had a youngster on cahon as well as the drummer, and double trumpets. I was looking forward to the practice to clear the fug of the day away. The practice was a car-crash! Nobody was on form, we just didn't gel at all and it was just not right on so many levels. I was struggling with the bass as the string spacing is much narrower than my normal one and it dives like a stricken submarine. Playing with the band was much harder than noodling at home - my left arm was killing me by the end of the practice and I was making mistakes everywhere. I spent yesterday with a headache (I think I was just worrying) and I didn't have time to practice anything, I was dreading this morning. The Sunday Service: The practice before the service was much better than Friday. I struggled with "Come people of the risen king" and "Immortal Invisible, God only wise", but everything else was tolerable from me and everyone else was back on form. Straight after we finished the practice I had to go and deal with there being no signal to the projectors for the congregation words and preacher slides, so I sorted that out just before the service but missed the band prayers. We played the "pre-service" song ("On That Day", new to me) which was good and then, as the worship leader started to welcome everyone and introduced the service, the sound engineer walked up onto the stage and told me there was no sound at all on the livestream. So I unstrapped the bass and resolved that - which at least got me out of playing "Come People of the Risen King" as that was the first song. The rest was OK, but I wimped out on "Immortal, Invisible", by playing fewer notes and almost no volume. By the end of the service my left arm was on fire, even though I'd slathered on half a kilo of ibuprofen during the sermon. I have no idea how the congregation felt about it, other than one lady who said how much she enjoyed "On That Day" as it was one of her favourite songs. The summary: Good - the V-bass sounds are really good in a live context. The modelled "Active bass+TE Amp" sounded great and groovy and the modelled "8 string+octave" mixed in with the normal signal was just right for long sustained notes. So I'll definitely want to use that more and use some of the other options as well. Fretless and DB might get an outing. The 80's synths perhaps less so. Bad - that bass! I can't really complain as it was free on the recycling thread and I wanted something I could fit the hex pickup to other than my #1 Brawley. But how anyone can play something like that I have no idea. Had that been the bass I bought when I just started I would have given up. I know that most people won't notice or care about the bass sounds, but I am sure the V-bass is worth persevering with at church. I do need to find a new base instrument though. Or butcher that one.

A while back I bought a very soft, padded, eye-mask for sleeping on a plane journey. I've since found it invaluable in the summer, or when I need to hit the sack in the evening to be up for an early start.

I always understood that was exactly the case. If you have a line of cellists playing right handed, and one in the middle left handed, then there is a high chance of elbow- bumping etc. So everyone plays right-handed. Of course, it could be something more, sinister...

Looks like a whole lot of fun! As I have, wistfully, said before: one day I will own a bass with swifts on the fretboard...

This, quick, before he changes his mind!