PaulWarning

cheers Phil I'll tell him

[quote name='Phil Starr' timestamp='1501068680' post='3342190'] Is it the Mic or reciever that is faulty? Water ingress is a generic term, any chance it's been placed on a surface swimming in beer? There's a general problem with a lot of circuit boards nowadays that they are particularly prone to water damage, lots of closely packed surface mounted components and multi layer circuit boards. There's also problems with boards made in China leaving the factories and getting damp whilst being shipped. Also rather than solve the problems it's increasingly common for manufacturers to have small indicator patches printed onto boards to show up any damp that gets inside. They open up repairs look for red and if it's there you've invalidated the warranty. Apple you know who you are! You probably are onto a hiding to nothing other than that they have to show that you allowed the water in. See how obliging GAK are, then consider whether you want to pursue it through the small claims court. [/quote]the mic has packed up, he says he's been very careful with it, GAK seem to be following the Shure line, that he must have got liquid into it, just wondered if it had happened to anyone else. [quote name='KevB' timestamp='1501069776' post='3342197'] He needs to stop spitting into his mic so much? [/quote]he's not the worst, not as bad as me lol, but if a mic packs up after 4 months because of spit it's not fit for purpose is it?

Our singer bought one of these back in February at a recent gig it stopped working, sent it back to GAK who sent it to Shure, they're saying it's because of severe water ingress, but he's been very careful with it and can't see how this has happened, anybody else come across this?

[quote name='ricksterphil' timestamp='1501017870' post='3341891'] Unless there is a specific need for overdrive, fuzz or whatever, I just use a tone I'm happy with and don't worry too much about originality. [/quote]sounds about right, I roll of the treble for reggae stuff, and use overdrive for Stranglers and Fuzz for Ace of Spades, that's about it really, as my partner says when I ask her about the sound of a new amp or speakers or I mess with the settings "bass is bass, all sounds the same to me"

[quote name='stingrayPete1977' timestamp='1500994245' post='3341583'] I don't want to say it's all in the fingers but to be honest it's all it the fingers! [/quote]not on Ace of Spades it's not, I've seen finger players trying to do it they don't even bother with fuzz, they shouldn't bother at all

[quote name='lowdown' timestamp='1500994612' post='3341586'] Apart from James Jamerson was better at playing Motown Basslines than that bloke in the Sex Pistols.** [/quote]oh I don't know Glen Matlock was no slouch

I can't play finger style very well, could learn with practice but I'm not motivated enough because most of my bass player influences play with a pick, if you just want to learn for the sake of it I wouldn't bother, no point in getting upset about it most people prefer one way or the other and when I've seen bass players switching between the two live there's not that much difference, Joe Public certainly wouldn't notice it, now where's that tin hat?

[quote name='Deedee' timestamp='1500979428' post='3341411'] The 'smaller' heads such as the AH250 SMX, AH200SM and numerous others are all 2 unit Rack size (height). The larger heads such as the AH350, 400, 600 and some of the earlier ones are 3 Unit rack size. They are also far deeper frint to back. [/quote]thanks, you learn something everyday

[quote name='hamfist' timestamp='1500976332' post='3341380'] A good key fact for a newbie to TE's .......... The key to getting a TE head that is liftable is to get a 2u sized one. The 3u ones are simply monstrously heavy. [/quote]sorry, maybe I'm being really thick but what is this 2u and 3u you talk of?

might be worth a punt http://basschat.co.uk/topic/309181-trace-elliot-gp12-smx-280w-amp-and-ashdown-rm115-evo-cab/page__pid__3340417#entry3340417

I don't tip very often, if I'm in a full waiter/waitress service restaurant ( not very often I usually go to pay when you order at the bar type of places) I leave a tip if I've enjoyed the meal, but that's the only time, But I know it's a different culture in the states, apparently in some places the waiting staff get paid nothing if it's a busy restaurant, I suppose if the food prices reflect that and everyone is aware of that it's ok

[quote name='Deedee' timestamp='1500801152' post='3340199'] Just to clarify, you're quite right that the famed pre-shape 1 just gets lost in the mix. However, using a combination of the graphic and the pre-shapes can give you a very wide range of very usable tones that cut through any mix. Also, just using pre-shape 2 on its own (adjusting the EQ balance to suit the room) has got me straight out of many 'lost in the mix' situations over the years. [/quote]yes preshape 1 is a no no unless you want boom, preshape 2 is more usable, I came across this somewhere which I found useful Pre-Shape 1:+6dB at 50Hz and 2kHz, -6dB at 400Hz. Pre-Shape 2: +5dB at 100Hz, +3dB at 3kHz and -5dB at 650Hz. I should also add I use a zoom B1on with just the Sansamp Bass drive sim engaged with just the Gain and Blend set to 75 and no added EQ for my 'normal' sound.

being a lefty buying from a shop isn't really an option, "we can get you one on special order sir", plus I can't really tell if a guitar/bass suits my needs until I've lived with it for a whille, I never buy new either, that way if I don't get on with it I can move it on without losing a lot of money

[quote name='hamfist' timestamp='1500797850' post='3340177'] I don't know why people use them. I'm defo a pre-shape - OFF man [/quote]I never use the preshape either, sounds good at home but in a band gig situation you need the mids, I've gone from cutting the mids (around the 600hz area) slightly to leaving them alone and having the the bottom three sliders (GP12) right down, anything below 100hz tends to cause boom, on my set up anyway

and me first time for about 3 weeks

[quote name='dmccombe7' timestamp='1500636732' post='3339251'] Its all getting a bit too technical for yir average bassist. All we want to know is how to play it and does it sound good. Dave [/quote]yep, if it sounds good it is good

on the subject of flattened notes, I know my theory is sadly lacking but the note that makes a chord a 7th is not in the major scale, something about dominant scale, it always strikes me as odd, but it sounds ok, almost like well it doesn't follow the rules so we'll make up a new one up

[quote name='drTStingray' timestamp='1500564773' post='3338746'] Aynsley?? Ive learned something from this thread - back in the early 70s anyone suggesting playing EEE G#AG# E etc etc would have been considered in the same light as someone insisting on having fish djou rather than liquor with their pie and mash - basically wrong!! However having tried it I'm amazed that it sounds ok and can see why people might - especially if they're very acquainted with the Sweet song. The other thing is the early jump to B on the bass - Mr Boulder said in a BGM or BP interview many years ago that it was a cock up but Bowie liked it - having now watched the video of the Spiders from Mars attached, I do wonder given the speed that everything was recorded whether he Bowie didn't want to or wasn't allowed to fix the error. Having heard it off and on for 45+ years I'm now getting used to it [/quote]our guitarist is a bit of a Bowie freak and he reckons the single was recorded as a demo while touring America so the Bolder error wasn't corrected because it wasn't intended for release, sent it back to the UK and the record company promptly released it as it was, similar thing happened to Buddy Holly's That'll be the Day, I believe

[quote name='pburrows' timestamp='1500564997' post='3338749'] Cheers Lefty, but buy which one? I'm getting bamboozled by all the different options! [/quote]I've got 2 GP12's heads one an SMX and the a series 6, the SMX has more bells and whistles but they sound pretty similar, I got them for under £200 each and they're both in excellent condition, I've also had a 7215 SMC GP7 combo, which I sold because of the weight, they all sound pretty much the same tbh just look out for a good condition one, shouldn't have to pay more than £200 I'd say, have a look on ebay, they're usually collection only so you have to wait for one nearby but they are cheaper that way

I've got a couple of Trace heads (no they're not for sale)they're rated at 200 and 250 watts and they're both as loud as my 500 watt Rumble V3, I use them with Fender V2 cabs, I've had a combo but they are heavy, a head with lightweight cab is a nice compromise IMO

[quote name='dmccombe7' timestamp='1500493695' post='3338278'] Also came across this version where Trevor is playing GAG More noticeable around the 3min area Never seen this version before and an unusual costume for Bowie that i had never seen before. [media]http://youtu.be/tP7kHp7yQqs[/media] [/quote]bit ropey, not a patch on the TOTP version

[quote name='Rich' timestamp='1500457634' post='3337869'] What on earth is 'Game Of Thrones'? [/quote]I think it's one of these programs that aren't on any freeview channels, where there's a load of hype so us with only freeview rush out to get sky or netflix, sorry won't work, my freeview recorder is already nearly full of stuff I'll probably never have time to watch. Mind you I might get round to watching more stuff if I spent less time on here

doh indeed, won't be doing that again, good job I was using 2 cabs otherwise I'd have really started panicking, I'm sure other's have done something just as silly, haven't they?, ought to start a thread

ok I think I've figured it, looks like I could have plugged one of the speaker jacks into the footswitch socket by mistake (they're next to each other on the back panel), no harm done

did a gig at the weekend with full PA, with the XLR plug into the back the EQ (and the preshape but I don't use that) section refused to switch on, still didn't when I uplugged the XLR after the gig but just tried it at home and it works fine, I know this can be an issue with SMX's but I was wondering if it could have been caused by the XLR feed to the mixing desk