PaulWarning

been pratting around with band mix, doesn't seem very intuitive, when I click on the 'now seeking' page all it offers is 'check all' 'uncheck all' and submit any idea how I check the boxes I want or is this a premium feature?

we always finish with Nellie the Elephant, I don't particularly like playing it but it always goes down a storm

all keyboard players should be like Def Leopards drummer

ah, the old electricians trick, did it myself this very morning, what a twat

[quote name='Beer of the Bass' timestamp='1420713331' post='2652356'] There are practical reasons why the other drummer can't bring his kit, so we're supplying the drum kit for the whole night. We're not swapping the kit for one band. [/quote]Oh right, I see, well if your drummer's letting everyone else use his kit I think he's entitled to have it set up how he wants but maybe if it was explained to him that his kick drum might not be as loud as it could be because of microphone bleed and feedback issues he might have a rethink.

almost all the multi band bills I've played on there's one kit and the drummers bring their breakables except maybe the headliners, changing a drum kit for every band would be a nightmare. If your drummer insisting on using his own kit I think he's being a bit of an arse, if I've got the wrong end of the stick except my apologies

if he doesn't like a hole, don't mic it up, it only invades our frequency space anyway, I bloody hate over loud kick drums

maybe I'm teaching my Granny to suck eggs, but the best way I've found of checking if a tab correct is to use audacity to move the song up an octave or even 2 octaves certainly makes the bass line stand out and you can slow it down, I've found it invaluable

[quote name='JTUK' timestamp='1420451198' post='2649372'] The singer is the key focal point between you and the audience so there is no point having them do a song they murder... Having said that, they may have good chemistry with a crowd and that can get you so far, but it is unlikely to have a great singer and a great frontman..they are like hen's teeth, IME. Personally, I go for the best singer and put a good band round them and that can be enough to connect if the singer hasn't got that.. You definitely need one of the two, IMO. [/quote]yep, our band wouldn't be nearly the same without the singer, lets face it we can all learn almost any song if we practice at it (even if we cheat a little) but if the singer can't sing it that's it, we've ditched one or two songs because we had to alter the key that much they just didn't work, Communication Breakdown and Offsprings the Kids Aren't Alright. spring to mind, both very high key, although we did pull off Slade's Merry Christmas in spite of having to lower it 5 semitones, so you never can tell

if one member doesn't really want to do a song then it doesn't get done, but it's usually by consensus, as someone said earlier there's no point in doing obscure album tracks you might as well do your own stuff, and IMO try to stick to a certain genre more or less, by trying to please everyone nobody is totally satisfied, there are songs I really love playing but for any of the above reasons I know they wouldn't work.

[quote name='Roland Rock' timestamp='1420233739' post='2647089'] File under 'things no-one should ever have said in the history of mankind' [/quote]fixed

[quote name='spectoremg' timestamp='1420233253' post='2647075'] A bit of a punk, enough said. [/quote]so you weren't joking? oh well one mans meat etc

[quote name='spectoremg' timestamp='1420212297' post='2646719'] Wilco was awful - I think a bit of boogie-woogie piano would have improved his set though. [/quote]I really hope you were joking Just watching now, I always record it so I can skip the bits I don't like (note, I said the bits I don't like, not the crap bits, I'm not keen on people slagging other peoples music off) and I skipped through very little, liked Wilco, being a bit of a punk I like my live music with a few rough edges, nice to see the old farts had still got their voices, unlike a certain ex Beatle I could mention, Private Number had the hairs on the back of my neck standing up. I didn't even mind Jools muscling on nearly everybody's set, but why does he have to have equal prominence to guests? what a narcissist, and oh yeah I could do without the often toe curling guest interviews

[quote name='Chrismanbass' timestamp='1420118593' post='2645713'] Its not live but anyone else watch Queen + Adam Lambert last night and think the mix for broadcast was very good bass sound was excellent classic P Bass tone and everything sounded crisp and tight [/quote]I thought the mix was good, and they avoided the modern fashion of having the bloody bass drum too loud, very refreshing

[quote name='chrisanthony1211' timestamp='1420103567' post='2645504'] Personally I much prefer the simplicity of a passive bass, put an active bass in my hands and I'm forever twiddling with knobs and never happy, bass up, mid cut, treble boost, bass boost, mid boost, no cut, no boost, no cut, neck pick up, brigde pick up, balanced, neck bridge, neck, bridge, mid cut, bass cut, boost, cut, boost cut, neck, bridge, neck, bridge, mid, bass, treble, boost this, cut that, no, boost, cut, boost, cut...............aaaaaaaggggggggggghhhhhhhhhhhhhh That's why I currently have two Precisions and I'm very happy �� [/quote] ^ this, I had a stingray and also spent all my time twiddling without success to get the tone I wanted, now I've got P I just play it.

[quote name='Lozz196' timestamp='1328997434' post='1535958'] My fave JJ moment: When the bass comes in on Hanging Around. It really sounds like the bass amp is actually in your room, playing along to the track. Fantastic bass moment that. [/quote] [quote name='Muzz' timestamp='1329123531' post='1537269'] This. The greatest bass guitar moment, ever. [/quote]I only have to think about it to make the hairs on the back of my neck stand up. One of the reasons we love JJ's playing of course is the fact he's high in the mix, it's just so refreshing to hear a bass that's not buried below drums and guitar

yeah I understand the problems with using other amps when doing a multi band gig but I've got an FX pedal for that and I think they cover all the arguments for using an active bass, plus you can change your settings mid song with your foot. And I do apologise for the spelling error in the title of the thread doh!

maybe I'm being a bit thick here, don't know whether this question been asked before but why do you need an active bass or even tone controls on a passive? (never touch my on/off P tone knob, always full on) when an amp or FX pedal does the job so much better, it's not like you can easily alter any of the bass controls mid song.

[quote name='EliasMooseblaster' timestamp='1419861783' post='2643268'] I don't know how true this is, but I have heard that Classic FM has to feed its music through some very heavy-handed compressors because the dynamic range of good-quality orchestral recordings is typically much greater than on most pop and rock recordings, and they can't risk car drivers being scared out of their wits if there's a sudden jump from [i]pianissimo [/i]to [i]forte[/i]! [/quote]I would imagine that's true, we criticise radio station for heavy handed compression but it's necessary for cars and, lets face it that's where most radio listening takes place. As I said before it's a shame car radios haven't got a built in compressor that we could adjust to suit taste, but I think it's a bit late in the day for that

[quote name='discreet' timestamp='1419816831' post='2643002'] When I was a youth I wasn't single-minded or committed - I thought I was just great and that was enough. I'm a lot more single-minded and committed now than I ever have been. Problem is finding like-minded people. [/quote]you missed the 'most' off your quote of my post . I know if I practised I could probably learn to play finger style (instead of a pick) but I can't be arsed, mind you it doesn't help that my favourite bassists play with a pick.

[quote name='mentalextra' timestamp='1419814444' post='2642994'] Yeah I know about the 'pop' mix, but the tone of the radio stations themselves is different too. Do radio stations aim for a certain tone. As I said before, radio 1 and capital radio have a different tonal quality. Radio 1 tends to sound more bright and 'up front' whereas capital sounds more 'full' and rounded. You tend to notice this more in the car. Or am I finally goimg mad [/quote]I listen to Gold, a DAB station and they seem to get a really nice bass tone, especially in the car, where lets face it you need compression otherwise you can't hear the quiet bits over car noise, I often wonder why manufacturers don't build in a compressor into car radios. So, yes, radio stations have got different tonal qualities

[quote name='ambient' timestamp='1419784748' post='2642682'] I think a lot of people are well and truly living in the past, as is quite often the case on this site. [/quote]ah, nostalgia

if you delete you personnel FB page you can't be admin to your own band page (as our drummer has done) 95% of FB post are of no interest to me, but it is a good tool for promoting gigs etc, whenever we get a new like I send out a friends request so I can invite them gigs personally, by doing that they get an email telling them about it, that way you're not relying on FB to post it to your 'likes'. FB is designed to pander to the human need for acceptance by others, hence the like button, unless it's band related I don't post or like anything on FB

[quote name='JapanAxe' timestamp='1419682987' post='2641850'] Yeah I know, I'm not bitter really. I realise it's hard to sell an ageing curmudgeon like myself into the yoof pop market! [/quote]yeah, if you've not made it by 30 give up, that's the way it is, that's why there are so many old farts in covers bands, apparently Jake Bugg dumped his backing band for younger models as soon as he looked like getting somewhere, I think someone on here can confirm that.

[quote name='Iain' timestamp='1419675052' post='2641753'] Odd, I log more hours practise now than at any time since first picking up a bass at 16. I'm 43 now and hadn't played for 15 years until summer 2013 and I'm better now than I was in my mid 20s with ~10 years casual playing behind me. Conversely I do need help dressing - apparently knitwear isn't appropriate for a rock gig, who knew? [/quote]so why did you stop playing for 15 years? maybe other things got in the way? I think a lot of us found bringing up a family the main priority in life between youth and middle age, gone way off topic here