PaulWarning

[quote name='MiltyG565' timestamp='1359726847' post='1959447'] Not true. My mate who was the guitarist in the band had to leave his phone in the safe in the office of his work, because he worked with lathes and mills, it was too much of a risk using it on the shop floor. He frequently forgot to take his phone out of the safe after work and i would often get a text the next morning at about half 7 apologising and then a response to whatever i had sent. [/quote] that's not quite the same thing, it's not that he's too busy its that he can't have his phone with him, if people can't be bothered, they more often than not say they're too busy, if you really want to do something you'll make the time, in my experience anyway

[quote name='BenMartinBass' timestamp='1359721225' post='1959288'] This happens regularly to me. Not necessarily always with band members (though our drummer had, until very recently, a tendency to commit, lose his phone then not show up) but it does bug me. If you're asked a simple question via text that doesn't take too long to answer you seriously cannot be so busy it takes you 10 hours to see it and reply. I get that excuse all the time while all throughout the day the person in question has been getting high scores on Bubble Witch Saga. [/quote] when people use the excuse that they're too busy, whether it's answering texts or practising a new song, what they really mean is they'd rather be doing something else

it's just plain bad manners to ignore text and emails, one of our band members does it, then complains if people ignore his, unbelievable but true.

in defence of Carlsboro, I used a Beasty for quite a while, till the preamp packed in, decent combo, still use it as a 1x15 extension cab and a back up which I can use if I plug my fx pedal straight into the power amp

once bought a drum kit, the most difficult thing I found was dissociating my hi hat hand from my kick drum foot, ie, when playing quarters on my hi hat I couldn't play dum dumdum dum dumdum on the kick drum, got there in the end though, then got fed up and sold the kit, I found it boring playing drums, especially when not in a band

[quote name='4 Strings' timestamp='1359390078' post='1954015'] See previous posts here on pelevincat. Thing is, if he's not actually selling them, where are they going and why keep putting more up for sale? I think the Scheckter is not the same one that was for sale for £161, or whatever, that seems to have been sold to a different person, I hero's one seems like it was one knob short of an eq. Not the only one! [/quote] and if he's not actually selling them, he must still be paying ebay fees, mustn't he?

ebay is a conumdrum, we all know it's a rip off, but you get to the biggest market by selling through them so you will probably get a higher price. I refused to sell my Stingray through them, sold it on here for less but actually got a bit more for it when the fees were taken into consideration, which are nearly £100 on a £700 item

trouble with a full PA is you're relying on the sound man, and anybody that's tried to make out the bass line from a record knows not everybody likes to hear the bass, you can set the amp up as much as you want doesn't effect what's happening foh, really pisses me off, the other week I was watching a band at a venue we play at and asked the soundman if my bass cut through more than this one, he said "Don't you think it's loud enough?" he turned it up in the second half, sounded loads better

this kind of thing is ok for bands starting out, basically you're playing for nothing which I've done in the past just to get support slots to name bands. If you don't want to play for nothing don't do it, simple.

once read Marc Bolan always tuned up to the highest pitched string, so by the end of a recording session he was a long way out, if it's true he can't have done many overdubs

had a stingray, now I've got a MIA standard P, which I'm a lot happier with, I think it cuts through better and I prefer the tone, but it's all about personal preferences at the end of the day

I never knew Fred was cack handed

wonder why it was collect in person, if it was a scam surely it would be better not to meet the person you've scammed, or am I missing something?

he might find out Sack Sabbaths bassist comes on here

so it went for a grand, wonder if the buyer comes on here?

[quote name='chardbass' timestamp='1357239505' post='1919718'] And yes I want to post a link to this on FBook but I fear he may hunt me down and kill me. Great ranting though. [/quote] already done that, not many likes though

[quote name='Conan' timestamp='1357212336' post='1919063'] I haven't met Sacko, but I like him! [/quote] yep, he's serously un PC, he's the guitarist with Sack Sabbath and In for the Kill, you ought to have seen the text we got from him about the manageress who double booked us and In For the Kill the other month lol

just read this months Sacko's sh*t list in the local music/gig guide freebe from my area, made me smile, but I'm not easily offended, don't agree with the Fairytale in New York comment though. [url="http://www.mickmoonshine.co.uk/Issue%2057.pdf"]http://www.mickmoons.../Issue%2057.pdf[/url] scroll down to near the bottom

trouble with asking people on here is we're such a nice bunch of people nobody likes to criticise, nice track but reminds me of something else can't think what though, anybody? and did the guitarist do the mixing?

great stuff, I only asked whether anybody else turned the treble down for CD's. Imagine what would happen if we tried this discussion down the pub after a few pints

[quote name='Leonard Smalls' timestamp='1355492525' post='1899153'] It's the music I'm listening to, not the hifi! [/quote] Couldn't agree more, used to go in a pub with a jukebox and Suspicious minds sounded amazing, no top end but I loved listening to it on that crappy jukebox

[quote name='Cosmo Valdemar' timestamp='1355111249' post='1894215'] Fantastic! Hope there's some live stuff and not just mimes totp appearances. [/quote] http://www.youtube.com/watch?v=zVMygJ90UK0

been doing a bit of experimenting with different formats and I've come to the conclusion that vinyl can sound better pecisely because it's not got such a wide frequency response, my amp tone controls cut bass at around 100hz and treble at 10khz, turning them down when listening to digital stuff initially sounds a bit dull and lifeless but I soon realised it was easier to listen to, and I can hear what the bass player's up to better because it cuts the low frequency around bass drum etc, a bit like the advice that is constantly given on here about cutting through the mix, low mids are your friend. Having said all that my hearing is shot so it might be a load of bollocks

there's no Slade on spotify

[quote name='gjones' timestamp='1355327462' post='1896985'] I do it all the time. I don't like the unrealistic hi fizz of hi-hats and cymbals. Most albums these days are mixed for noisy environments like cars with extra lows and hi end added. [/quote] post 165 and somebody's answered the original question