Stub Mandrel

I'm struggling. If I mention any names, it would really be because I don't enjoy the type of music they play. I like MOST music, although I'm heavily influenced by my mood. The bass playing I like best includes a lot of blues-rock playing, but that's probably because it's the idiom I feel most comfortable with in my own playing - I listen to someone like Leo Lyons (a jazz bassist who ended up majoring in blues rock) and realise with some embarrassment just how hard I try to sound like him... The fast, jazzy stuff (Jaco's more esoteric stuff, Joe Dart etc.) I struggle with, not so much because I can't play it very well, but because I don't get it musically so I struggle to understand where it's going and that takes away the pleasure in listening and the joy in playing (because if I try it becomes rote repetition if I copy or clichéd patterns if I try and improvise). I suppose my pet hate is the way straight eighth root notes with a few other passing and grace notes have come to dominate so much popular music - does that mean I should suggest Adam Clayton? The thing I enjoy in 60s and 70s pop music in contrast is that so many songs have creative bass lines that make use of so much more than root-third-fifth-seventh, for me it even makes some 'bubblegum' songs of the sixties worth hearing.

I wondered when someone would mention Lemmy. I would refer the Jury to his time with Hawkwind, especially Space Ritual. Hawkwind music is not like that of other bands, while very now and then a song will be carried by the bass hook - Take Me To the River, for example, in many Hawkwind songs Lemmy's bassline was the primary melody, perhaps with rhythm guitar adding a bit of depth, in a way that set the mould for much of their future output. And his greatest bit of Janet and John songwriting doesn't even have bass in it.

It's interesting to see that Flea is the one who plays by far the most melodic and understated solo, if not the most technical.

Feel very old. Last time I was in a studio, I used my tuning fork (A=440). Which I still have*. *And it's spot on according to a rather unresponsive but usable Guitarman tuner.

Let me fix that for you 😁

The critical thing is avoiding exposure to any electric supply until dry. Washing in clean, if not deionised, water helps. My daughter dropped an early iphone in an upland stream, I got it and switched it off within about ten seconds although the screen was already psychedelic. It went on to last years. I've heard firsthand reports of boards being cleaned in dishwashers successfully, and rescued things saturated in coffee by washing them. Most vulnerable are mechanical parts like switches, relays and potentiometers. And edge connects if not gold plated .

Seen them twice, my partner said the first was the best gig she's seen, and she's seen more gigs than most people.

If I'm not back here by Monday, send a search party...

Back in Bargoed 🙂

You weren't trying to find the Railway Canteen in Treherbert by any chance...

Not a gig, but in tbe same vein? I just spent 45 minutes being interviewed on the ups and downs of being in local bands on Radio Cardiff by Ceri Stennett. Made it very easy for me, just a bunch of gentle anecdotes and he even played a couple of tracks with me on. I finally make the radio and one of the songs was a Carl Perkins number 🤣 His dad Stan was a local legend and was even a regular on Coronation Street!

Only if he has other instruments than basses - he may need to buy an electric guitar to stay in 😈

Thrust bearings should do the job. Back in the 80s I just added thrust washers and a drop of mineral oil to the tuners on my Hohner headless and they still work.

Exactly the point, the video shoots themselves squarely in the foot n that score.

Looking back, the irony of this video is that, taken literally, it would be the death-knell for Epiphone as the 'inauthentic' version of Gibson. In fact, it marked a rapid turnaround with Epiphone stepping up to become a desirable brand delivering quality instruments as people just couldn't afford Gibson.

Maybe think about a duo with someone that can pick up smaller gigs at short notice to fill the gaps?

So far only pa gear - pair of 12" pa extension cabs and some drum mike clips. Making a new grill for a practice amp and plan a couple of pedals... but all from buts already 'in stock' so they don't count as just rearranging existing stuff.

That's shocking for a company whose aim seems to be supplying hr services...

The are glad I reached out and customer care will be in touch. Preparing to put my head in between and go blubble, blubble, blubble.

I'm currently minding a four-string acoustic guitar my brother wants me to buy.

Looks like a clawed toad (xenopus)

My guess is some pubs use it to employ staff and somehow expect it to work for hiring bands - I can't see (or find out) how this works.

neither do i!

Exactly, that tells me absolutely nothing about how it works for band bookings, and it's entirely focused on the employer and there's no information relevant to booking an entity rather than employing an individual.

Having hell of a job finding clear information on what C247 is. There are zillions of sites that claim to be c247.whatever. These seem to includes finance, mobile phone, recruitment and security companies. I am not going to fill in a registration form with sensitive details untilI know who and what I'm signing up for. Is it an entertainment agency or some sort of employment agencyvthat also deals with with bouncers and pizza deliverers? Google is 'not' my friend in this case, this search seems to return no useful info, for example. Do C247 have a proper website? https://www.google.com/search?q=what+is+c247+registered&newwindow=1&client=firefox-b-m&sca_esv=a921428cb73996e2&sxsrf=ACQVn0-K-iTD0yBmQfRXkWz0vq2qdr567g:1711448339517&ei=E6ECZuGfH5-shbIPusCXqAg&start=20&sa=N