Funnily enough I read the first post and thought... leg vice...
One day I would like enough bench space to fit both my big metalworking vices (both found at the recycling bank in the days when you could make withdrawals - ones a record No. 3 🙂 ) about 3 foot apart so I can hold long things at both ends.
I sent a query to Fender and they said it's the same colour as the P's and teles, and blame the lighting.
You'd think that a global brand would take care with something like that.
Problem is, I want one now...
These do NOT look the same colour:
I'd have serious GAS for one of these in Daphne Blue.
Except... the colour looks decidedly green to me.
https://shop.fender.com/en-GB/electric-basses/jazz-bass/vintera-60s-jazz-bass/0149633304.html
Pictures of Daphne Blue P-basses online look the right colour to me.
I got it, at one place, on one string on my fretless.
I scraped the varnish (maple fingerboard) with the edge of a scalpel two ro three times, about 1/2" down from where I was fingering the note and the effect disappeared.
It was a tiny high spot.
It may have a series resistor in it for some unspecified reason, 100 ohms would stop a multimeter showing continuity but barely reduce the signal.
Or it could just be a dodgy joint...
Just heard a version of Forever Man that wasn't insipid on Planet Rock, in fact it was brilliant. Turned out to be alive version with Steve Winwood.
LOL!
Bernard has just said exactly that, how much better it is than the original!
It's dated November 18, so I wrote it October 18.
The difference between Mitutoyo and the cheap M&W is like between an 80s MIJ Fender and a CBS one 😉
The Machine DRO one is a Harley Benton or Squier 🙂