Stub Mandrel

It was the weight of all those knobs.

Sad to lose one of the fold. 😞

As bought: As mutilated:

I paid £180 in a shop for mine (Squier Standard Jazz, Indonesia, Serial number says 2001, built by Cort so a decent quality build). Over the odds, but it is a particularly nice example as the neck has darkened so it looks nearer 60 than 20 years old. I've tarted it up with pickup cover, vintage knobs, mutes and a thumb rest so it feels vintage and it sounds and plays well. 2004 model is supposed to have thicker body, but mine has the same thickness body as my Flea Jazz... But not worth a great deal.

I'm sure my waist isn't 32cm... and I don't weigh 12kg 13g.

Yes, I think that tab is simplified/has errors and of course it's a bastardisation of the bass and sax parts. But I guess what matters is that it's good enough people get the joke 🙂

Wow, I has finally learnt something useful from Basschat 😉

LOL! And look what I found 🙂 https://tabs.ultimate-guitar.com/tab/hi-standard/the-pink-panther-theme-bass-91124

Bass Terror. Hybrid valve/Class D, but no lack of 'heft', honest!

Each to their own! I'd say that takes the funk out of, err, funk.

Not really learning it, but I went along to a rehearsal expecting to play House of the Rising Sun in Am, and expecting it to be a bit meh, even with some neat guitar work. But we did it in Em, no problem. And to my surprise and great satisfaction, it came out pretty much like this:

I find my effects great fun, but practically speaking I use them as effects in the same way that a movie uses effects to achieve something out of the ordinary. Too much effect limits my ability to change the sound and dynamics using my fingers. Now I have an amp with a valve preamp the utility of my MojoMojo is becoming moot as just digging in creates the massive sound I want and the jury is out on compression. A tuner is useful, but not essential, ditto an HPF. A chorus is handy for things like Purple Rain, and I will probably move this to be in the post preamp effects loop. My collection of overdrive, fuzz and distortion pedals are possibly redundant unless a real need comes along. Octaver is great, until other people join in. Phase, flange, tremelo* don't really suit. *Worked a treat on boulevard of broken dreams but the concept of a drummer taking his tempo from one of my effects didn't work.

+1

In teh past (90s) I was just asked to go straight into the desk, not even via a DI.

Interesting fact. If the differences are down to harmonics at the pickup location, then the 60s spacing consistently give the same harmonic mix as the 70s spacing when played two frets As there are consistent differences and these seem to be bigger than those observed as you move up and down the neck, this suggests the 'harmonics' explanation is not perfect. My bad, I was using the spacings in the video as being from bridge to PUP. Actually, it's more like 0.83 for the E string and 0.8 for the G. So that would be just over 3 frets for the E and nearly 4 frets for the G. A clear contrast to the much bigger difference between bridge and neck pickups, where the equivalent harmonic mix for the two poickups is more or less open string and 12th fret.

I agree. Probably not much more extreme than many Gibsons.

I suspect that issues with the nut might not be as bass as they look. Very tasty.

Ply is more resonant IME.

It is, set through neck and better pickups.

Two years ago everyone was saying Gibson are going down the river. I think this is a deliberate strategy to regain visibility for their instruments. Once Gibson & Fender were the 'top brands', but Fender have held the top spot alone for a couple of decades.

I wanted a 335 or similar, even looked but ended up trying a Yamaha Artcore AS53... TBH my guitar exploits don't justify spending a lot and I already had a Tokai SG.

I tried one of these and was astounded by how nice it was. I really expected not to like it...

The top end Epiphones look and sound great. For Gibson they seem to be the equivalent of Fender's made-outside-America instruments, rather than Squiers. This is true of their basses as well.

There may be a clue in the name "mezzo"... 😉

Yep, I was at about 8 o'clock against a 50W Marshall with two 1x12 cabs. The 'loud test' was just that and I couldn't face trying any louder!