Stub Mandrel

That sounds really tough on all parties.

I think one of my bands has this. Keys uses an app, the rest of us get a videocassette-sized mixer with about 12 physical sliders. A tiny lcd lights up to say which channel you are adjusting. Feels a bit ott for a pub gig but works well. One gotcha - the stand clips on the mixers are too small for Hercules mike stands!

Out of curiosity what would yours cost at current prices? I'm assuming a tad more than £229 😁

The two Fenders sound indistinguishable on my phone.

The Soundgear by Ibanez logo. I mean seriously? It looks like the logo on a combined guitar and amp package from Argos for under £80.

I think many of us enjoy the feeling of community around live music. If you play regularly and also go to local gigs as a punter you get you know a lot of people and vice versa. I nay be biased but I have found that hobbies and interests that require a bit of effort and understanding like music tend to attract more open-minded, friendlier people. Music is something that can bring enjoyment to a large number of people at once. When someone recognises you from a gig that's a buzz for both of you from that musical connection.

Total contradiction about wether or not plectra/picks are involved between the two halves of the article!

Very much so. I use both fretting and plucking fingers (and thumbs) for muting.

Ooh! I got it right 😲 Just as well as a Flea Bass owner, I prefer the less 'lively' sound for my purposes.

Is no. 2 the Flea? It sounds darker.

Looks to me like they seriously overstocked on custom shop telecasters.

I can make transfers.

An excellent choice for those James Last and Acker Bilk tunes.

If it's possible to push the pole pieces down a few mm, you can sit neodymium button magnets on top. It may sound dodgy but it works absurdly well. So well that putting a neodymium button on the bottom of each pole piece may sound better.

I used to play octaves with thumb and forefinger, but have taught myself to use forefinger and middle finger for speed and a more consistent tone. As each finger has its own string and muting is easily dealt with by left hand for octaves I use free strokes.

If it's as easy to convert those pups to neodymium as to convert jazz pups...

I don't know why I'm asking as I need to save, but will you be selling the musicmaster neck?

Four hour(!) rehearsal for a dep today. Lots of songs in non-standard keys. Despite aircon, I drank three cans of 7up and fourth on the way home. Must have gone ok as the dep gig this weekend is now two gigs. Turns out that the singer is Dave Edmunds' cousin.

The only name band* I walked out on was Black Star Riders. What's the point of bringing back Ricky Warwick if the sound's too loud and so bad that what he's playing is indecipherable. I don't count Cornershop in their ramdom feedback era.

Just made my last visit to Nobles. Bought some leads and a footswitch, bade him farewell and thanks. Nice to see someone retire rather than go bust.

I have to confess to being a bit of a bounce around bassist...

I exaggerate a bit, but we can get a lot of rain here. Flooding is awful, even if it only damages property.

In the blues band Alex uses a variety of Marshall heads. He also uses a massive power soak and typically runs at about 5 watts output on stage.

In my experience the too-loud bands are the ones who gig regularly for a living and have shot their hearing.

I have a reasonable spl app on my phone. Itsy not be spot on but it does useful comparisons. Alice Cooper at an arena gig about 20m from the main pa. About 97dB peak. Typical bands in my local club at about 10m from the pa 90-100dB peak. Average levels about 10dB down. The band who needed their valve amps hot to get the right tone - over 110dB. I suspect it reads high, but seriously, no pub/club band needs to be louder than Alice Cooper.