Stub Mandrel

Good one in the Two Brewers, Chepstow last night. We chopped the set around a bit because people started dancing, our 'Frijid Pink - style House of the Rising Sun would probably have cleared the floor...) Instead we did a majorly extended version of Let's Stick Together with a random drum solo 🙂 We also started the second set with Happy Birthday for the landlords 18 YO son, so a good time was had by all🙂

Embassy now gigged. I's a great fun bass to play live, ditched the compressor and enjoyed what comes from being able to really dig in to a humbucker.

Guitarist has just texted me suggesting I use teh Embassy at tonights gig. He loves it! Going to do one set with the Emb, one with the Jazz.

OK, it's a necro thread, but I'm just completing my new office/music room. Still some wall hanging & pics to go on 🙂

I have a lathe, I can turn a plug to size if necessary. It's a metal lathe not a wood lathe but, it will do the job.

Thanks , that's reassuring to know my plan to vut the plugs across the grain is the right one.

The trouble with a dremel is that the screw core is only 4mm. A 1.4mm slot would only have 1.3mm of steel either side and I would have to use a small screwdriver. No way it could generate the torque needed - these are stuck fast enough to shear the full screws. I have a very good pillar drill and can hold the neck in a macine vice (leather pad for protection). I can probably drill out the screw, but will still have an oversize hole that needs to be plugged. It all comes down to what size of plug is best. I good news, I have found the packet of D'addarios I bought in preparation 😀

I've already tried an extractor, the remaining bits are only about 4mm in the core, too small for one. They are as stuck as any fixing I've vome across, one of the sheared leaving a 1cm stub I was able to get a huge combination pliers on to. It just sheared off again.

The removal tool I used essentially works that way - used in a pistol drill run in reverse. They drill a pilot hole in the head, then a pair of serrated flutes bite into the sides of the hole, but the screws just sheared off they are totally locked.

Thanks for the observations. These aren't going anywhere unless drilled out, but I shall core drill and dowel rather than trying to drill them directly, which would still leave an oversize hole. I've just ordered a set of cheap plug drills off Prime, I can use a larger one to cut plugs out of soke mahogany I have to fill the hole made with the 6mm which seems right for working around 5mm screws. Any glue recommendations? The guitar is very special to me, I found it in a secondhand shop in 1983, and rang up my mum to ask if she would pay for it as my 21st birthday present. It's big, loud jumbo, still with paper S/N and maker's label inside.

My Jag's neck has a quite thin, abit-glossier-than-satin finish which is quite pleasant. I have flatted down high-gloss necks in the past but I'm less worried about it these days.

For the last few decades a minor misalignment of the bolt on neck of my mid-70s Epiphone acoustic has annoyed me. But two of the screws were immovable and rounded out. Today I bought a set of removal bits, but unfortunately the two screws sheared off... from the look of the two that unscrewed normally, they have rusted and expanded into the wood I will have to try and drill them out. This might not succeed. I'm wondering if it might be better to make and use a core drill and fit a pair of wooden plugs or even threaded inserts. The good news is that a thin slip of card seems to be enough to get the neck pointing the right way. Any suggestions for the best way forward?

I'm sure it's long scale, but tug bar and dots.

No, LS.

Took it to rehearsal. Well, it was a limited editions Epiphone Custom Shop one - not sure what was different aside from the tug bar. Looks absolutely glorious, but weighs a tone and still has some neck dive (I could cope if I really liked it). The mudbucker was just too dark and thumpy for me. Afraid I swapped back to my Embassy which is a lot lighter, better balanced and sounded way better. The band agreed the EB3 looked incredible, but the neck pickup just didn't sound right. Might be OK for a Cream tribute. 😞

👍💥😆

Expect humour, immaculate musicianship and damn good tunes. "Good time will be had by all"

I';ve just been offered a good deal on an EB-3. My brother is going to pick it up for me so I can check it out.

I already have Shuffle & Go 🙂 Haven't seen them since Cropredy '96, or maybe once? Saw them so many times before that, Cropredy about ten years in a row, plus other gigs. Did see Richard Thompson a couple of months ago.

What top fellows you all are! The 'circle' on mine is lower down and lined up with the G-string. I've got analysis paralysis now! @Maude thanks for the offer. I will have a go at 3D printing a copy of the one in the last picture, if it works I'll stick it on with double sided tape, if not I will contact you about the decal!

Oh wow, hadn't realised. I've just snapped up two of the last four tickets for the gig in Swansea on Friday.

I can see where a round decal or badge has gone from the headstock. Not a pinned on badge- no holes. Also where the original tug bar was, I will make one to match photos. The scratchplate is split around the jack, any suggestions for a suitable adhesive?

One of the tulip 'horns' is badly chipped/worn. The body isn't ply. It's either solid mahogany or mahogany blockboard. Neck seems to be one piece of maple with rosewood board.

Pic...

I know people will say I've paid over the odds for a bit of thin plywood, but I have an old Kay guitar and despite the cheap as chips construction it has a decent neck and great vintage sound, made better by fitting a Tune-o-matic bridge. So, when I saw this hadn't sold at £150 I thought I'd offer £75 for it, on the grounds that it would make a nice looking thing on the wall. After courier issues, it eventually got collected and arrived today. In its original case - like a long, thin cardboard suitcase with a divider inside. Surprisingly clean, but it may have spent up to 50 years in a loft, inside the case. Action was high, but I was able to drop it right down from 1/4". It would go lower, but the A-string is an unmatched one with a piano style bridge end so it's about half a mm lower than the other strings. New strings will sort this. The bridge cover has its foam but it has 'set' so it doesn't reach the lowered strings. headstock logo has gone sometime, serial number sticker is classic Kay/Teisco shape, but the text has worn off, the embossed serial number is just visible 400549. A serial number website from 2013 tells about a legendary spreadsheet for dating them, but doesn't have it as a download! Bass is super light, almost toy-like but fun to play. Sound is rounded, thumpy and vintage. For the price, I think it's a lovely bit of musical heritage. If @Bassassin is out there, I've read some of your previous comments on these, any further thoughts? Surely that isn't the original, moved, thumb rest?