3 SM58s for singing. Acoustic/electric using helix to FOH, monitoring with Behringer mic stand speaker. Electric using an amp (keep hoping he’ll use some sort of modelling) with DI to FOH (mostly used for a bit of throw & recording) monitored with the little Bose wedge thingy (technical term). I use a Stomp to FOH (and an amp for bigger gigs) with IEMs. Drummer has one of those Yamaha gizmos that sits over the bass drum for throw and recording (if needed), monitoring through IEMs.
Sometimes you get enough ’room’ through the drummers Yamaha mic but he doesn’t always use it.
It’s the sterility of not feeling ‘part’ of the room vs being able to hear everything. The vocal mics pick up most stuff but if the (main) singer turns round I can hear him less than if he’s talking ‘at’ the audience so am hoping some sort of ambient mic placement will help.
I guess it will be trial & error but any pointers of where to try (at least 1st) gratefully received.