chris_b

How about searching out a vintage Hiwatt DR103.

Great times.

Sorry, I misread your post.

I went from 500 watts to 800 watts. I play at the same volume but the amp works half as hard and IMO sounds better as a result. The 1200 watt amps that I've seen seem to bring extra clarity and a fuller tone. Plus 2 or even 2.67 ohms is very flexible. The loudest I've ever been was when I used 2 daisy-chained TH500's into a 212 and 2 112's. That was during the sound check. For the gig I had to turn both amps down to 9 o'clock. So really big amps aren't always the answer.

The other thing do is for a player to refine their technique so they don't hit strings inadvertently. Then they won't have to mute every string all the time.

According to Wiki: Sklar (also Sklyar), is a Ukrainian and Belorussian surname meaning "glassmaker",

Assuming the guitarist and drummer hadn't arrived yet, I would turn the volume down, all presets and buttons etc off, put all the EQ to 12 o'clock and take it from there. I wouldn't spend much time working on the sound. IMO rehearsals are to get the band stopping and starting together and to get the geography right, so thereabouts is close enough.

Just looked at your videos. There's very little wrong with your technique and IMO you don't need any serious reorganisation. You'll tighten up various bits of your technique while you put more hours playing.

I agree with the "You will be devaluing your bass" comments, but it's your bass, so I'll focus on what it costs and what you could end up with. You have a bass and you love it and it's sound. One thing you should know, if you replace the pickups you will change that sound. Will you still love the new sound? If you add another pickup and change the electrics you have the same dilemma. You'll change the sound. Do you know what sound you're changing it to? Before you start this you have to be certain you will like the sound of your bass when you are finished, because depending on what you do you might not be able to retrace you steps. Fender pickups will just give you the Fender sound. A very effective way to upgrade your sound is to change the pickup. There are some fantastic P pickups out there, Bartolini, Nordstrand and Seymour Duncan to name just a few. You can get a very wide range of sounds out of those. I'd still recommend looking at outboard preamps. They will give you an even wider range of sounds without having to change your bass. So you keep the sound you love and plug in the preamp for the extra versatility when you need it.

It's not something that I really noticed when I started out, but my muting technique seems to be, any string below (in frequency) the one I'm playing is muted by my right thumb and any string above the one I'm playing is muted by my left hand. It works just as well with 5 string bass as 4 string. I would describe that as the standard way of muting a bass. Why? I prefer to anchor my right hand at a closer place to where I'm playing. The width of the grip of my hand is a comfortable way to pluck the strings for me. I'd suggest whatever comes naturally, without having to spend a great deal of time working it out, will be the best method. Check out videos of your favourite players and see what they do.

The only thing I can think of is you've got a bad valve, but not really sure what could be wrong. I hope you're still in Thomanns return window. This probably won't help, but here is how I used to set up my SVT3PRO. All buttons out and the graphic off.

Has anyone found a 5 string Sire Jazz weighing in at 9 lbs or less? So far I haven't found one and talking to the Sire Club on Talkbass they don't hold out much hope for me.

Your mullet is ok, so is your slap. What's not OK is the director of the video and his his obvious belief that your band and your music wasn't enough and the audience needed his ping-pong direction to make you interesting!

It's definitely not sacrilege, but I just don't think it a good use of your cash. Having done this in the past I don't see spending several hundred pounds with no idea what sound you're going to end up with as a good plan. I have a Precision that I modified and saw a massive improvement is tone when I replaced the P pickup. I was so impressed with modding I decided to add the J pickup and a preamp. That cost a lot and I got about a 5% improvement in certain circumstances. In the end the best sound was the preamp flat and the J off. So my experience tells me that mods work up to a point, then you're into diminishing returns very quickly.

Pluck the lower note with your index finger, then pluck the high note with your middle finger. Start slowly and speed up.

I don't know any pro pub/club musicians who are expecting to get back to "normal" this year and many of them are expecting next years "normal" to be very bleak.

I used DR Lo-Riders and Hi-Beams for many years. A few years ago I switched to D'Addario NYXL on my Jazz bass. There's no going back after using these strings. Try them and see what you think.

The problem is there is no rational solution to this problem. But there doesn't have to be. If RW seriously wants to sort out the legacy PF stuff he can do that. He just needs to set up his own web site with everything on it that he thinks is relevant to PF. If he wants to be the adult in the room he should include all PF (good and bad) and band members side projects as well. That would be a test of his maturity! Instead he airs his childish, petulant side rehashing old arguments in public when he knows there is no solution there. Maybe he's bored with the lockdown, but he really should be doing something positive rather than moaning about stuff that he can't change and ending up doing nothing.

I wish. Sadly, even before the lockdown, my diary was telling me people don't seem to need a chris b as much as they used to!

Everyone should have a plan B.

There are a lot of assumptions being expressed here, but it says a lot when the majority of posts are focussed on trying to find something negative to say. That's exceptional playing for a kid of his age and physical development.

IMO if I wanted more versatility from a P bass I'd change the pickups. If that didn't work I'd get a good preamp pedal. If that didn't work I'd find a bass that did exactly what I wanted and buy that.

When you choose the right tool for the job you do a better job. Natch.

I would imagine those basses will sound pretty close to each other. Aggression is probably best measured by how the bassist plays.

I hadn't heard that, but I believe Dave Gilmour played bass on some of their records.