Robert Palmer and Tina Turner put out some great music in the 80's. As did Talking Heads, Springsteen, Bowie, Paul Simon, Prince, Peter Gabriel the list goes on. . . . . . . .
There are YouTube videos about repairing dents in guitars. A popular method seems to be to use super glue to fill the hole and then very carefully to sand down using progressively finer paper.
https://www.youtube.com/watch?v=rTVScFJoe24
In the early 70's, before their very first tour, Queen did some warm up gigs. One of which was at the Windsor Castle in the Harrow Road. They brought along their whole touring rig and there was hardly room for the audience.
In Sydney, Oz, in the lase 70's there was a band called Free Beer. They upset so many landlords because punters thought the pub was giving the beer away. To keep being booked they had to change their name and became The Free Beer Band.
A few years ago I was thinking along the same lines. I was playing with an acoustic guitarist and an original rock and roll band so when a "double bass sounding" Rob Allen bass came up I jumped at it.
IMO it sounded pretty fantastic and perfect for both bands. The only reaction I got was indifference, and lukewarm indifference at that! I sold it shortly after and neither band noticed I'd changed back.
My main basses are a P bass and a Jazz so they fit in anyway, but that's the first and last time I spend money on trying to get a better fit for any band.
I know one player who occasionally uses an old ESP jazz. I guess I would make it sound totally different, but he gets such a good sound that I actually thought of buying one to find out if the magic would rub off on me. It would have to be a 5 string version, and I've never seen one of those for sale.
That works on several levels. Why is it that the bass player is always the clever one in the band?
dictionary definition: clever - quick to understand, learn, and devise or apply ideas; intelligent.
You mean like:
I don't get on with a 5 string. . . . . . . . means I'm not going to put the effort in to make this work.
D Class amps and Neo cabs don't sound good. . . . . . . . means I've never understood my EQ.
Jaco only needed 4. . . . . . . . means I am trying to justify my lack of ambition.
Wood makes no difference. . . . . . . . means I don't understand physics.
The sound in my head. . . . . . . . means I'm more worried about how I sound than how I play.
I'm getting the hang of this. . . . . .
I'm here to make the guitarist sound good. . . . . . . . means. . . . . . . . hey, that one actually is true.
I know a guy who tunes C F Bb Eb. I don't know why he chose those notes. He sounds OK but still doesn't have a G string, which would be the deal breaker for me.
Just name the band after a fictitious band member.
The Alf Sprog Band, The Tim Smith Band, The Johnson Boris Band, The Harold Wilson Funkateers etc etc.
A couple of years ago I saw Sam Wilkes playing at the Jazz Cafe with Lewis Louis Cole's Knower. I haven't seen many bass players with that amount of talent and ability.
edit for spelling, oops