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chris_b

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Everything posted by chris_b

  1. chris_b
    Me too. Fingers crossed for you.
  2. chris_b
    One of the guys I dep for uses an RH750 via an RS210 plus RS112. He's a very loud player!
  3. chris_b
    Raise the action first. Just take the bridges up until the noises stop. If that's too high, then think about working on the truss rod. Also, you could think about no hitting the strings so hard.
  4. chris_b
    I put my RH750 through 2 Bergantino AE112 cabs, and IMO a great sound. That was over 10 years ago. These days I'd be running one through a Barefaced 112 cab.
  5. chris_b
    Actually I agree. I wouldn't call it blues but as gloriously overplayed rocking 12 bars go it was a good one. Bass and drums are tight.
  6. chris_b
    Are we just naming great bass players now? I agree that Pino is an excellent player, but if we are listing blues bass players there are better choices in that genre. Pino's great playing on BB King's Deuces Wild is totally upstaged by Michael Doster's bass playing on BB KIng's other collaboration album, Blues Summit.
  7. chris_b
    Of course he is. . . . that's Marcus Miller.
  8. chris_b
    There's also Andrew Acmahon who played with Howlin Wolf in the 60's. Muddy waters bass players include Mac Arnold (60's) and Calvin Jones (70's). These guys might not have made it onto the records. Willie Dixon played on a lot of the sessions.
  9. chris_b
    Anything pointy or sparkly. Just doesn't look good to me.
  10. chris_b
    Big influences on me were Russel Jackson (BB King in the 70's and 80's) and Danny Thompson (Alexis Korner in the 60's).
  11. chris_b
    For me, at the top of the pile it has to be Willie Dixon. If you take his song writing and record producing at Chess, he must have been the most influential bassist ever. John McVie is the bassist I've seen live the most.
  12. chris_b
    Good call. The Roadwork album is a cracker. There are also a lot of White Trash live shows appearing on YouTube. A great high energy soul band.
  13. chris_b
    Think about it! You are not going to get any original US Sadowsky parts on a bass that costs around £700.
  14. chris_b
    Wait until you've tried one before you say that. If anyone wants the sound, get one of their preamp pedals. Sound like a Sadowsky for a lot less than the cost of one of their basses.
  15. chris_b
    I thought all the Metro Express hardware and electronics were sourced separately, ie not existing Sadowsky products.
  16. chris_b
    My solution to this problem would be to have 2 phones. Then you can fit all the Beatles songs on and some of their better solo songs.
  17. chris_b
    There is a soundtrack to Sundays in our house. When this song starts being played (always on 11) the whole place shakes and you know 3 things: It's Sunday, the roast is in the oven, the wine has been poured. You can hear the wife joining in at the top of her lungs. It's the one song that can cheer me up, no matter what.
  18. chris_b
    So did James Jamerson. I do on simple lines. The notes tend to be more even and flow better with one finger plucking.
  19. chris_b
    I'd agree there are some very strong basslines in songs these days.
  20. chris_b
    Money hasn't been an issue for Macca since 1963. He plays his songs to audiences because he is a musician/song writer/performer, and that's what they do. While he can fill 90 stadiums on a tour, I guess he's right to continue. Good luck to him. I also heard that he's sticking to the written key, which does seem a little foolhardy at his age and apparently doesn't warm up before a show either. The only other singer I've heard of who is still singing in the original key is Stevie Wonder. I did read that SW has weekly singing lessons/workouts, to keep his voice in shape.
  21. chris_b
    I got told off on TB for this, but my view is still, it doesn't really matter. Maybe it wasn't true in the 70's, but EQ's on amps and active basses are so good these days that you can easily EQ out any difference that 1/4" makes.
  22. chris_b
    . . . . do you mean Trad Jazz?
  23. chris_b
    I like this.
  24. chris_b
    Great playing again. Notice how the strings hardly move when Lee plucks/strokes them. Also good advice. . . . . . . "We never did anything exactly like the record."
  25. chris_b
    Back in the day I toured with a hired SVT and 810. There's not going to be much that can beat that rig. Since then I rarely have a back line provided, but when I do it's usually a pile of junk and 2 times the amp sitting on the stage was broken so I had to make do with DI into the PA and very poor monitors. Usually I'll insist I use my amp.
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