chris_b

I can vouch for Sadowsky and Lull Jazz basses. IMO they're just a class above all other J basses I've tried. Sadowsky now have the Satin series which is a lower cost NYC bass. Lower cost only because of the reduced options available. They also have the new Metro Express range which is their first factory bass and made in Japan. You could check out Moon, Moollon, Atelier, Suhr, Low End and all the European basses, the list is endless. Everyone's got a J bass in their catalogue.

Just worked for me. £7.70 off a 5 string set of NYXL's. Put the code in in lower case.

With the offer these are £3 cheaper than the cheapest set I could find two days ago. If the code starts to work it might be worth getting a couple of sets for later.

Julian, have some lessons. If, like me, you find it difficult to achieve results on your own, having to face someone and tell them you couldn't do it might make you try that bit harder and achieve your results. I know that with the hints and examples my tutor gave me I turned a corner. I also made sure I played everything he asked me to, when I'd have stopped if I was on my own.

Many bass amps have controls with 0 at 12 o'clock, with + (adding tone) to the right and - (reducing tone) to the left. The controls on your amp don't seem to be set out in this way. They start at 0 and go clockwise to 10. If I'm reading this right you have to start at 0 and turn the controls to where you get a sound that you prefer. You're leaning bass, you also have to learn how to use an amp. Experiment, you'll find a sound you like. You also have to face facts, this is a practice amp with an 8" speaker and probably less than adequate components. Maybe there just isn't a sound in there that you'll like. IMO if you've got to the point where you're starting to notice the quality of the sound, then you've outgrown this amp and need to move up to a better combo.

Errr. My thought here is, if the guitarists are watching you and your finger positions they're not focusing on their job. You do what you have to to get the best bass job done. If that messes with the guitarists heads, you need better guitarists.

It's a fake because it's not what it says it is. And if it's not what it says it is. What is it? Do you think spending £230 is a good way to find out? That should be enough of a warning to save you wasting your hard earned cash. Maybe it isn't. I don't care if you buy it or not, but you did ask for opinions.

Excellent. It's a great feeling when a plan comes together.

Why spend any money on a fake? That's £230 not going towards a proper bass. So, no, it's not worth a punt at £5 let alone £230.

The subject of deps or subs only come up because you'll need someone to do one of the gigs when you're off doing the other, ie both bands gigging on the same night.

The guys who are playing in multiple bands are telling you that organising the diary and getting agreement is critical. As I said there has to be a pecking order. Obviously there will be limited success if you join two bands playing every Friday and Saturday. The only sensible solution to getting fired, when you don't want to be fired, because you've joined a second band. . . is. . . don't join the second band. Easy. Deps and multiple bands doesn't bother most of the guys I play with because they are all working musicians and none of them are selfish enough to make a professional player turn down work and sit at home on a gig night, just in case they have a gig come in. These guys have their diaries worked out many months in advance, so there are no surprises and there is always a solution to line up problems. If you can't put a dep in for the first band, put a dep in for the second bands gig. Easy. I understand we are in different musical worlds, but a dog in the manger approach doesn't go down well with anyone I know.

Why get a 5 string version of your 4 string? If it's too heavy, definitely don't buy it! Again, 5 string bass necks will be about 19mm wider. Unless you haven't bought a very good one that doesn't make them bulkier. Also, as I say, if you play them right you will not notice the extra width.

Bulkier? My Lakland had a very easy neck to play. So do my Lull and Sadowsky basses. No bulkiness there. Less comfortable to play? Not if you have a good technique. Most players are not versatile because of limitations in the way they play. Improve yourself don't blame your tools. Typically heavier? Again look up the numbers. There are a lot of 8.5 - 9.5 5 string basses out there. Buy these and leave the rest to the Charles Atlas school of bass playing.

You're pushing the strings into the fret board. You don't have to press down that hard on the string to make the notes.

It can be if you know good players. We used a dep drummer yesterday and he was better than the regular guy.

I have a Precision and a Jazz. That's enough variety for me.

A little goes a long way with Sadowsky pre amp adjustments. Last year I had 6 basses and I was able to compare 2 Lulls, 1 Fender, 2 Laklands and a Sadowsky. The Sadowsky sound came out on top for me.

+1 on the Punk sound. Unless you are trying to redefine the sound of Punk bass I'd stick with rounds.

You had a 5 string bass for "maybe" 3 days and sold it. You only "sort of" miss it. You don't know what the advantages of a 5 string bass are. If you were a 5 string player you wouldn't need us to explain it to you. I'd say you are better sticking with your 4 string basses.

After Jon Cleary and the Absolute Monster Gentlemen covered the Meters song Mo Hipper, Art Neville said he wished their song, the original, had sounded more like Cleary's version. PS Just looking through the songs and it was Just Kissed My Baby, not Mo Hippa, duh!!

I saw JB in 1971, with Bootsy Collins, and again some time in the early 90's. Those performances were chalk and cheese, sublime to the ridiculous. Throw his later career in the bin but he was at his peak and world class for about 25 years. James Brown's career was a story of 2 halves. In the first he certainly was The Hardest Working Man In Show Business. In the second, when he was gigging into 70's and with his many addictions he was way past his best. But in the 60's and 70's there was no one who could beat him. He was the guy who inspired every one. There wouldn't be Funk without JB or Hip Hop. Don't write off a whole career based on some of his later, woeful, performances? When he was in his prime he was a unique and original talent, a force of nature even.

That's him. Good isn't he? We're not really a tribute band. Just come together and have some fun jamming through a set of Allman Brothers songs. If you've seen the videos, it's pretty loose!

One of the best and the most original cover I've heard was Joe Cocker's version of With A Little Help From My Friends.

I'm not big on labels. They just cause endless hair splitting, as we are doing in this thread, but Soul in the 60's was a thing. With many influences and a level of creativity seldom seen since. Aretha was the best in that genre and for many since. I've seen Anita Baker described as R&B and Urban Soul. Not labels I know very well but I guess that's not the same thing. In reality both singers deserve as many superlatives as we can come up with.

I hope no one's recording this!!