chris_b

IMO this is the problem with combos. If you are happy with, say, the amp and want to upgrade the cab you have to upgrade everything, which is more expensive. Get separates and only upgrade the part you want to change.

I would keep your basses. I don't know them but IMO you can benefit more by upgrading the combo. Is it a 112 or 115? £600 is a tight budget for a new rig, so my first option is suggest a second cab, similar to the driver you have in the combo. That will give you a similar sound to what you already have but better and much louder, with more body to the tone. If you are serious about "the next level" then you need to add to that budget. I'd suggest a 500 watt amp and a good 212.

For me, bass gear in order of importance is bass, cabs then amps. The bass is what I'm personally connected to. As the most important piece of the signal-chain is me, making me play better is what a better bass will do. As long as I'm playing well I can "carry" any issues with gear or sound. The cabs are my interface with the audience. Everything else in the signal chain can be good or bad but if the cab is bad then nothing sounds good. IMO amps are the least important part of the chain. These days most amps are built to a standard that won't make anyone sound bad. I haven't yet heard an amp that I couldn't get a reasonable sound out of.

Mesa won't sell directly to the public. They sell though a network of dealerships and retailers. Mesa Hollywood will be a retailer.

No it probably will not. Warranties are usually handled by the dealer/distributor. So you'll have to send it back to the dealer you bought it from.

Jeezz. . . . there's some arrogant twaddle being posted on this thread. Do any of you know what this guy does or has done? Obviously he has a Youtube channel, but what else? (cue lots of internet searches!) He is plainly an excellent player, with superior technical ability. That isn't magicked out of thin air, so he's paid he dues in one way or another. So with no knowledge of the guy and not knowing what else he does, you feel you can make unrealistic assumptions, negative comments and pronounce this guy as unworthy. Listen to yourselves!!

There is always new stuff to learn and better ways of doing things. I'm going to Ian King. I just asked him to get me out of the rut I've been in for so long, to expand my horizons and teach me new ways of thinking. He opens the door, then it's down to me to walk through. It's all going very well.

2018 hasn't been a busy gear year. I bought my Thunderfunk back, bought a Barefaced Two10 and 2 sets of NYXL strings. All good stuff, but the best thing I spent money on this year was lessons. I haven't bought anything I would describe as less than great for about 5 years.

Only in your opinion. That this video has over 10 million views would seem to indicates this guy certainly does have an audience, and it's more people that have been bothered to listed to any of us!

A healthy and happy family. More bloody gigs! And the discovery of a chocolate that doesn't make you fat.

Every thing they do just oozes fun.

Michael Bland, ex Prince and lots of others.

Don't recall the bass but if it's true, what a coincidence!

I'd have thought so. If, for instance, you are using a "standard" 112 then a 300 watt amp will sound as loud as a 100 watt amp, because you can probably only put 100 watts through it before it starts to crack up and sound bad.

There might be a valid reason for this request, but I can't think of one! Why are you playing a low Ab? Do you need this for open notes? Could you work from a higher Ab or does it have to be this low one? Would an Octaver work?

Except the Standard of the Audio Engineering Society of North America (AES) seems to be the coming thing.

I've heard interesting solos from the likes of Dave Weckl, Vinnie Colaiuta and Steve Gadd. Ginger Baker was always fun.

Lovely stuff.

The Art of Drumming? Should start and end with Steve Gadd.

It always used to be the case that if a retailer wanted to sell Mesa gear they had to adhere to Mesa's requirements, which like Bergantino, were quite stringent and didn't give the dealers much wiggle room.

Or the actual reason. . . he's a better bass player than you are!

I've been listening to someone using Barts with an East pre. One of the best bass sounds I've heard. PS I'm getting pretty close with my Sadowsky J5

Think about it. There are good sounding basses that are heavy, equally good sounding basses that are light and there are many basses that don't sound good in both categories. In this case it does seem that weight has an enduring placebo effect.

There always were great sounding light-weight basses. My 1969 P bass weighs about 8lbs. I know there were heavy basses that sounded good but there are many well made lighter basses that sound amazing, so the idea that you need a heavy bass in order to make a better sound really was/is a myth.

Aston Barrett is one of my favourite bassists but he isn't one of your "regular" reggae bassists. His lines are totally unique. If you want to get the feel and learn the style of Reggae I'd listen to others first, then progress to Barrett. For starters, try stuff like : Peter Tosh - Johnny B Goode, Feel No Way, Glass House, Reggae Mylitis etc Toots and the Maytals - Pressure Drop, Monkey Man, Louie Louie, Funky Kingston etc