chris_b

I knew a guy who played a Mark King 810 combo. IMO it didn't sound very good, the band thought is sounded like crap and so no one would help him carry it. According to the bass Centre, my Mesa Road Ready 210 EV was part of the rig MK used in the 90's. It didn't make me sound like Mark King at all!!

Hipshot make tuners with different sized barrels, 1/2" and 3/8". Do you know which size you need? Then again, why do you need to change the tuners at all?

Sounds like you're looking for an amp that goes higher. GK amps do that. The Mesa D800+ and Aguilar AG700 do too. I run an AG700, which I like a lot, but if you have tried the Orange and like it that much, why would you want anything else. That's what you should get.

Good move.

I briefly had a 4 string fretless MB-2. Loved it as an instrument and the sound was incredible, but the mixture of fretless and 4 strings defeated me in the end. The Deep 5 has always looked just right to me. Good luck with your search.

I guess you might have been advised by Alex? I'd drop him another email if I were you. I would usually use 2 SC's in a band with a loud drummer. What do the rest of the band say? Do they think you are quieter with the new cab?

IMO the coolest bass gadget ever is. . . the chromatic tuner. I started out at a time when you either had a tuning fork, pitch pipes or you had to tune up to a trumpet, if you had a brass section, or an organ. Trying to stop the others making a noise when you needed to tune up was a nightmare. And forget it in a noisy night club. I just don't know how we managed to get a whole band in tune back then! Silent tuning is a wonderful evolution.

I couldn't gig without my ACS plugs and I want to gig so there is no discussion for me. I've been using ACS ER15's and now PRO17's for the last 12 years. Of course they change the sound but I find they're easy to deal with. This is what I get for taking insufficient care of my hearing since the age of 16. With these plugs I can hear everything comfortably from a manic screaming guitar solo to an ultra loud "animal" drummer to an acoustic guitar to a stage whisper.

I'd rehearse if something can be accomplished, otherwise I'd reschedule.

When the banner came up it seemed to stop BC sending messages telling me I'd submitted a post. I didn't know what was going on and hit sub several times. It submitted the post every time and didn't tell me it had done so. The reply message box wasn't cleared down either after the first post. !!!

I'm on this side of the fence. IMO foam works in the studio. I love the sound of a P bass with flats and a ton of foam right next to the bridge but on a gig I prefer as much dynamic range as I can get.

I have GAS for gigs but not so much for gear. My idea of "aural heaven" is playing with a great drummer. In the last 10 years I've used Thunderfunk and Aguilar amps and Berg cabs, followed by Aguilar amps and Barefaced cabs. I don't touch the EQ after the first couple of gigs and I don't recall any of those rigs having a bad night. My aim is to get to the point where the default sound is good and then the gear takes care of itself. I'll adjust the level with the band, but that's it, forget the back line and just play.

The baffle slanted back on the top cab. I had a Marshall bottom cab and it was this shape. . . but then a lot of others were too.

I have used a Korg Pitchblack for about five years and I'm only on my second battery. Works well and you don't have to use harmonics to get down to a low B. I was thinking about moving to a clip on tuner but my first experience of one wasn't good. It couldn't spot my bass note in a very noisy stage environment. I'll stick with the Pichblack.

I've done all of those in the last 10 days.

Looks like the bottom cab of a stack.

You realise how musically illiterate some people are when they come up and ask for a song. You tell them you don't know it and they reply, it's easy, you can just play it.

I used to play with a singer/songwriter, all original songs. He usually did a solo spot before the band came on and one of the favourites (requested once by a drunk and forever included) was the Britney Spears song Hit Me Baby One More Time.

This wasn't a tribute band either but I believe Wilf started in Ken Dodd's Dad's Dog's Dead. One of my favourite band names.

I always liked Howlin' Wilf, although he wasn't really a tribute act.

So you're going to spend even more money getting someone else to upgrade your bass? You'll only know what the bass sounds like after the upgrade. What if you don't like it? You don't get your money back! Bitter experience here!! That's why, now, I'll always play a bass before I buy it.

The danger is you can turn a bass that someone else might like into a bass that no one else likes. Try selling one of those! Depending on what you do you can spend a lot and end up only getting a little back for your troubles. Bitter experience here! Buy another, better bass. One that does everything you want it to do. . . right out of the box.

Class D amps will usually go into protect mode which is designed to prevent and damage to the amp. Current SS amps, I'm not sure if they have protection circuits. Older amps?? Not sure, but probably don't have protection built in. If that's the case you'll be running them beyond their spec so I'd guess you're almost guaranteed to damage something. Just be safe and never go below the stated minimum load for the amp.

That's a choice people make.

4 ohms on the amp means 1 4ohm cab or 2 8 ohm cabs. 2 ohms will probably damage the amp. Either speaker output socket is fine as is daisy chaining the cabs.