chris_b

GAS happens when you are bored. Join another band and play more gigs.

Time for a clear out. Keep the EBS 112's but sell the 610 and 115 and the "various heads" and replace them with a Barefaced Four10 powered by your Reidmar. How about an upgrade the 750 watt Reidmar?

So you'll be sorry to say good-bye. I've remained friends with bands I've left. If they are so crap you can't sleep you've got to go.

A good quality cab will have a long life if you look after it. My Mesa EV 210 was over 20 years old when I sold it and it was still going strong. That's one reason why if one cab will do I'll use two. My speakers will die from old age rather than over use.

I'd suggest Jerry Barnes is using his regular gear. In this clip you're probably just hearing a DI'ed jazz type bass. You can hear him switch to a regular finger style Chic bass line at about 3 mins so he's not focusing on slap for the sound of this bass. You need a good 2 pickup bass and a set of new round wound strings. As an overall comment I'd say there is no "correct" slap sound. You can fit in anywhere between Mark King and Louis Johnson. Try to find your own sound and have others want to copy you.

410's are a piece of cake. You should try moving a couple of 412's and we won't talk about unsplit Hammond C3's and Leslie cabs.

It's an advert!! Who cares what they do to mangle the soundtrack. I believe that rerecording the ads with session guys happened years ago before the owners realised the financial opportunities they were sniffily passing up. I know a drummer who rerecorded a lot of Van Morrison's hits with the man himself. VM get a very poor percentage of his early hits due to signing bad contracts, so anyone who asks to use one of his songs only gets permission to use one of these versions. At least he gets paid for the use of these ones. I haven't seen an advert in years. I record all TV programs of interest on my hard drive then FF through the adverts when I watch it back.

Some people are bullies and use shouting at the band as a way of covering up their own insecurities or just psyching themselves up. It's immature, unpleasant and in most cases unnecessary. If the guy deserves that kind of treatment then replace him. If it's just a band leader venting recognise it for what it is, meaningless noise. Or you can fight back, but make sure you have another gig lined up. Just in case.

I wouldn't do any gig where the band or me and my gear was at any risk from the audience.

Was the cab new and under warranty? I'm not sure that buying another speaker would be cheaper than a recone. My first choice would be to get a recone. IME GK cabs are usually very reliable but if the cab was second hand then you don't know what the original owner did to it. Fix the speaker and the cab should be good. If your confidence has been knocked, repair the cab, sell it and get something better.

. . . . also, you're practising. Worry about your sound when you're in a band and gigging.

[quote name='Oopsdabassist' timestamp='1465334522' post='3067374'] Gordon Bennett that takes me back! My grandparents lived in Horsenden Crescent on the 60's, [/quote] Small world. Our singer, Frankie Reid, also lived in Horsenden Crescent, approx 1972. We used to rehearse the full band in his front room!!

[quote name='byrne182' timestamp='1465314403' post='3067046'] Probably treading on dangerous ground here but I can't help thinking that there is a serious amount of "babying" going on with basses..... They are tools at the end of the day aren't they?? Surely I'm not the only on who has the opinion that a bass sounds better if you beat the living crap out of it.... am I? I know not all styles of music allow crap beat-age... I understand keeping them in good working order, but they are built to be played after all. [/quote] How do you guarantee that they are in "good working order" when you "beat the living crap out of them"? All my gear gets gigged. Every piece works for it's living and when I find something I think is better the old gear gets retired and becomes the backup. Anything older than that gets sold. None of my gear has ever has the "crap" beaten out of it. That seems to be a particularly pointless thing to do in the pursuit of making music.

I've gigged in the Rising Sun.

Good call.

IMO there are 2 ways to go, use at least a 3" padded strap and buy a bass that weighs less that the one you're using now. 8.5lbs is the upper limit for my 5 string basses but there are a lot more lighter 4 string basses out there. Hollow body basses can get down to 5 lbs.

All I'd say is that the keys are not too forward in my headphones, the guitar certainly is, though. Take the guitar rhythm work down a few notches. Why does the guitarist feel the need to double up on the bass part? Get him to play something more rhythmically interesting.

Playing live in the rooms that most of us play in is always a compromise, and most of us are not playing with the facility of FOH or putting bass through the PA. So what [i]we[/i] do has to work. The closest I've got to a consistently good sound on stage and in the room, and a sound with the fewest compromises, was with Bergantino cabs and now Barefaced cabs. I'm not a fan of EQing out of a problem because what you change to make work over here will probably make you sound worse over there. IMO good cabs are the front line in that battle. edit - spelling

Put the TV audio signal through a hi-fi system and everything will be fine.

Tex Comer, ex Ace bass player, uses a pick and sounds better than most finger style players. Ignore snobbery and do your home work. Then make the best choices for you.

You need front ported cabs. Blocking up the ports will totally change (almost certainly for the worse) the sound of the cab and might cause the speaker to overheat. I had Aguilar GS112 cabs and moved to Bergs. A significant improvement in tone in my opinion. Now I'm using Barefaced cabs. I'd recommend checking both these makes.

When I need to play through an amp at home I play quietly through my stage gear. To me it's a waste of money to buy gear I'm only going to play at home. I'm not bothered about the sound at home. I'm practising so the important bit is getting the fingers and brain around the new part and not what it sounds like.

What does "old but massive" mean? If an option is to link this with your gear then I guess it's a combo. A marquee is basically an outdoor gig. There are no reflecting surfaces so the bass will get "lost" and, as you know, your bass will need help. The first option I'd check out, is the PA is good enough to DI the bass. If it is then problem fixed. If it's not then checkout the Peavey and daisy chain the two combos. You're combo can take an extension cab. IMO bass always sounds better with more speakers even when being run at ordinary gig volumes, so I'd suggest getting the extra cab.

It's definitely possible, but I only gigged my Berg AE112 on it's own with an acoustic guitarist. I've gigged one Super Compact several times, but that's not a very fair comparison.

Yep, context is everything. It makes me wonder when I see posts saying they use a 112 with a "hard hitting" drummer! We obviously have a different experience of the term "hard hitting". Unless I know the gig has neighbour problems I'll always turn up with 2 112's and before my current rig it was often 3 112 cabs. IME the more 112's you use the better you sound.