chris_b

You're playing a bass. What your legs are doing should be the least of your problems.

Most people stand on a gig, sit when practising at home and do either when rehearsing. It's your first gig and way too early to start analysing anything.

If the space is there why don't you have the Eb and D frets going right across?

[quote name='bassbiscuits' timestamp='1469435402' post='3098171'] I have to admit....i bottled it and put nickel round wounds back on my bass for this weekend's festival gig, and it sounded lovely thru the supplied Orange/Ampeg set up. [/quote] Good move. Try your current strings with some foam under them when you're next recording. That might deaden them to the right point that you don't need flats at all.

[quote name='discreet' timestamp='1469276128' post='3097116'] IME non-bass players do not have such a discriminate ear and tend only to listen to themselves. Often I've asked a band about a new bass, amp, cab, effect and so on, only to be greeted with, 'hunh?' They're not interested. [/quote] I talk to the guys in all my bands about the sound, feel and balance of the band, and everything else. I'd be very disappointed if I was in a band that didn't have a considered opinion about all of that or didn't know or care what I sounded like.

I put Barts in my P bass in 92 and my 97 Lakland came with Barts and an NTMB-L 3 band EQ. Fantastic sounding pickups IMO. At one point Bartolini seemed to have cornered the boutique bass market. You don't do that unless you make great products.

What is going on here. Is the heat getting to you lot?

Joe Dart has a sound? On the gigs I've seen him playing Fender basses and Markbass amps and in the studio a variety of basses and Ampeg amps. It seems he doesn't stick to any gear. edit: found it. . . . [media]http://www.youtube.com/watch?v=nI6Tmt-m0Rc[/media]

I'd keep the AE112's. Those are some of the best sounding cabs I've used. I used a Thunderfunk 550 and 750 with mine and another favourite was the now discontinued Markbass LM2. IMO an Aguilar TH500 works very well with Berg cabs. I've also heard that the Genzler Megallen 800 sounds pretty good as well.

I get a nose bleed at anywhere above 12th fret. Does 24 frets cost the same as 21 frets? Get the largest number that comes at cost. Might give you more options when you come to sell. If I was big on soloing I'd get a 6 string bass.

If the band loved the sound of both your basses then you need to sort out why you are hearing something different. Maybe your expectations are unrealistic or you just don't like that bass with flats. Maybe you've put the flats on the wrong bass. They don't work on every bass. Flats sound great on my P bass but I've never tried them on the Lakland, and probably never will. The rounds sound just right on that bass.

Ah. OK. From my experience that's valve amps for you. I had an MB 400+ that has some "issues" in the valve area. If it sounds that good always get it fixed. I moved to an SVT3 PRO and finally to valveless SS and D Class amps. I don't miss valves but if that's your sound then it's annoying when you can't use the amp.

[quote name='joeystrange' timestamp='1469231042' post='3096911'] I think they do change the sound very slightly (it's not just like turning the volume down) but it's very easy to get used to. [/quote] +1 Any ear plugs will change the sound you hear. Some make a significant and uncontrolled difference, like foam, but ACS plugs will do a great job of giving you the best balance at reduced volume. Alternatively you don't have to wear plugs at all. If hearing your glorious bass sound at more than 130 dB all night is what you want then you can deal with your hearing changing dramatically, permanently and with very bad results. Hearing aids are more expensive than plugs and significantly damaged hearing is socially isolating.

Take the flats to a rehearsal and ask the band what they think of the difference. Maybe your band just need the dynamics of rounds.

Sounds like you're not gigging much or you'd already have a backup. I'd get a D class backup, my backup is an Aguilar TH500 (from the classifieds), and get the SVT fixed.

My ACS ER15's have been with me on every gig (playing and watching) since 2006.

If you don't like joining in Blue's threads, don't.

From about 1988 to 1995 I used a Dynacord BS412 combo, with an EV 15. Only 250 watts with the extension cab but the best bass sound I'd hear on a gig for years after. Heavy as a medium sized planet and even as a fit 30 something I had to make a dolly board so I could move it around! Sadly, they don't seem to have survived in great numbers. I've never seen one on a gig, but I did see one in Charley Chandler's shop window.

[quote name='blue' timestamp='1469143979' post='3096164'] Lifeless? Cover bands must be different in the UK.[/quote] Not the good ones.

More PC f***wittery. Apparently in our own educational system they are currently discouraging the use of "brain storming" because it might offend those with epilepsy!!!

[quote name='JTUK' timestamp='1469040767' post='3095342'] Thought Vail Johnson was doing it..? obviously not. [/quote] I'm not sure why the rhythm section changed. Stan's a fantastic bassist but I was very happy listening to Vail Johnson playing with Keb Mo. [url="http://www.youtube.com/watch?v=fWSqLD6gdrI"]http://www.youtube.com/watch?v=fWSqLD6gdrI[/url]

My definition of a cover band? One that is working and earning. The general rule for our cover band is that any song we play has to have been a top 30 hit. We aim to play songs which the audience knows, likes a lot, can dance to, will sing with us and isn't played by every other cover band.

Saw this line up in London a couple of weeks ago. I've been a Keb Mo fan since the first album. Stan Sargeant came over on the last tour but didn't really stand out to me then. He was not really on my radar until now. What a great player. Check him out. [media]http://www.youtube.com/watch?v=1yx_6IwdQvY[/media]

[quote name='henrywillard' timestamp='1468996821' post='3094881'] I would be very interested to hear anyone else's thoughts & experiences, and hear if anyone has experienced anything similar. [/quote] That's management companies for you. I know of a bass player who was kicked out of a band because the manager though he looked "ugly" and a guitarist who was deemed too "fat" by management and fired. I know I've lost a gigs because I don't play double bass. I'm an old codger, locked into a comfy rut, but as a young pro I'm surprised you don't double.

[quote name='paul_5' timestamp='1468969349' post='3094846'] yeah, I'm kind of obsessed with getting the cleanest DI signal I can from any bit of kit. [/quote] The REDDI DI seems to get a lot of praise.