chris_b

If you think a 5 string bass can't be recorded successfully or well, you'd better tell Nathan East. Or maybe you should get a better engineer. In terms of quality of sound both Duck Dunn and James Jamerson's sound when recording was terrible. If that matters it's only to a small number of engineers who care more about sound than they do about playing.

Just bought an amp off Greg. Very good sale. Many Thanks

A TH500 is a great amp, I've used mine for 2 years and it fits in really well with my Precision and Stax style bass thumping. The TH350 is just as good in a smaller package. Based on the tracks you keep posting I'd imagine you would do better with a more modern sounding amp, a Genz STL or maybe GK?

[quote name='neepheid' timestamp='1454159808' post='2967048'] Clearly your tuners are 1:1 ratio [/quote] I don't think I wrote that right. . . I meant 2 or 3 winds of string around the peg.

On my MM SR5 I had Dunlops and a 3 inch wide leather strap. If you can find them. . . Allparts strap locks are re badged Dunlops, at half the price.

My Lull PJ5 weighs in at 81/2 lbs. That'll be a pretty light 5er but also on the light side for some 4 string basses. Bass Direct currently has an MTD Kingston 5 string at 7lbs 10oz.

Do you ever get down to London? You can have a listen to my CN212 and Aguilar TH500.

Most bass strings only need 2 or 3 winds. Is that really enough to justify a winder?

[quote name='Guinness21' timestamp='1454061379' post='2965845'] I'm looking for a compact stand that I can use at gigs, something that doesn't take up much floor space and folds up pretty small. I have a Hercules hanger stand which is great, but it's quite big and doesn't fold up very small. [/quote] I use the Hercules hanger. If I'm on a stage where there isn't room for that I'll put the bass in the gig bag between sets. I reckon leaving the bass out in anywhere that small is going to get it damaged pretty quickly.

Used to see them at the Marquee. Steve Ferrone was (still is) fantastic drummer but Robbie McIntosh was so much better. One of the best drummers I've ever seen. I don't know how he did it because he could hardly stand up!

There are no upsides or downsides. . . . only preferences and choices. Try several. If you like one. . . . get it.

It was Mrs Doug that got the shop.

[quote name='mcnach' timestamp='1454069281' post='2966017'] You're not playing loud enough then [/quote] My thoughts too. . . .

Do you have 2 212's for show or do you actually use so much volume that you need a 412 rig? You're talking about halving the number of speakers and your cone area. If you try to compensate and run these cabs at the top of their range then you'll risk over driving the cones which probably won't sound too good or last too long. I used to run 3 112's for very loud gigs, but I've never needed 412's for any band.

I know a guy who has a lego bass. It has a metal rod in the neck and the pieces are glued together. Basses can be made of almost anything. On this one they strengthened the cardboard with various resins and glues so it is now stronger than wood.

[quote name='Hobbayne' timestamp='1454015704' post='2965564'] Not owned by the same people apparently. [/quote] Used to be, but Doug and Charlie are no longer connected to the Kew shop. I believe they still have an excellent repair dept.

Good call. Drop Alex an email and ask abut his 110 and 210 cabs. I don't know these cabs but they might be better for upright.

Just seeing the ad reminded me that the Vanderkley Aurora goes to 2 ohms.

I've played Bergs exclusively since 2008 and a CN212 for the last 2 years. Not quite a CN112 but very close. I love the Berg sound and I thought I was playing the last cab I'd own, but then I had a chance to pick up a couple of Super Compacts. I knew they would be good, but with either my Thunderfunk or TH500 my bands now tell me I now sound bigger, fatter, fuller, clearer and louder. With a weight of 21lbs and being able to use 1 for many gigs where I'd have previously used the 212 maybe I have reached the last cabs I'll own. I rate both makes very highly but my preference is for the SC's.

Various TC amps are either 2ohm or 2.6ohm, my Thunderfunk TFB750-A and the Mesa D800 goes to 2ohm. You can also run 2 4ohm amps into 2 4ohm cabs by daisy chaining the amps.

Does the band get a share of debit and credit card sales? I've seen card sales excluded and that means that the band gets not a lot at the end of the night.

As an Electronics Engineer you should find the technical information on the Barefaced website an interesting read.

[quote name='rjs1909' timestamp='1453848186' post='2963506'] I feel that Jamerson overplays a lot of the time. [/quote] I voted Stax, but Jamerson overplaying? Nooooo. He was a maestro; the inventor of "proper grown up" bass playing. His note choices were complicated or simple but always the peak of melodic and rhythmical playing and always appropriate to the song. I've been a Duck Dunn fan since I first heard Green Onions (I know that was Lewis Steinberg) but Jamerson was the first genius of the electric bass. I remember hearing For Once In My Life for the first time and wondering how that could be played on a bass.

[quote name='Grangur' timestamp='1453878241' post='2963629'] The media and recording industry are doing their best to kill gigging. [/quote] Actually a lot of gigs are being killed off by the supermarkets undercutting pubs and noise related laws which are being rigorously enforced by the Councils.

[quote name='probablypike' timestamp='1453877769' post='2963627'] I've heard that for the first time since recorded music was widely available, artists are making comparatively more money through live gigs than ever before. [/quote] That's probably because they can't make any money from recording any more.