chris_b

. . . . but if you keep going and looking you find something else. Something better, maybe. Give up and you throw it all away.

[quote name='tonyclaret' timestamp='1443420255' post='2874440'] Got one CN112 at the moment, which sounds great to me. [/quote] . . . . and me. Sell it to me.

This is terrible news. He was one of the best bass players the planet has ever known.

<really pedantic> I believe he also owned an 8 string bass. </really pedantic>

Is the implication that "made in China" is something to be avoided? Do we worry about where our jeans and trainers are made? Does the original post have a point?

I'm using Lakland flats but have tried basses with La Bella's and TI flats on. If I was replacing my strings I'd get another set of Laklands.

The one thing I learnt from yesterday's cab shoot out was how I would have been happy to use any of them on my gig last night. It seems to me there were no bad cabs, just preferences. It was the first time I'd heard Schroeder cabs and they didn't sound as bad as I'd imagined after years of people stressing their downsides. The Fearless cabs sounded very good. I'd have liked to hear the 110 and 112 cabs doubled up. That how I'd use them on a gig and I think their sound improves dramatically when used in pairs. I liked the Berg (of course), and I liked the Barefaced cabs. One of the eye openers for me was the amount of tone that came out of the gen 1 Compact, a single 15" that sounded like it had a tweeter, but hasn't. And Alex comes in for even more criticism! <sigh> As an abstract statement it might be true to say that the size of the speaker doesn't tell you anything about it's sound, but we never hear the speaker on its own, so as the sizes of the boxes usually conform to a general design you can definitely say that what we hear [i]is[/i] governed by size. Some manufacturers are making well designed cabs that don't conform to the norm, which is good. When I started 90% of the cabs played were average sounding 412's, so IMO all choice is good. I'm not picky. In the last 10 years I've used 15's, 10's and 12's. They all sounded different but the all sounded good. This does seem to be a unique issue for those on on-line forums. The rest of the bass playing world gets by without tearing its hair out over such small differences.

I had a great time. Saw some interesting gear, came to some interesting conclusions and, as always, met some interesting people. Well run again. Thank you all and see you next year.

Why don't you read the article. It tells you right there.

That's poetry. . . . . .

I've heard that the battery operated headphone amps don't have a very log battery life. Do they do mains versions? Sounds like a better idea for you.

The Solid Silver 60's Show is playing to packed houses every gig. People want to see the guys who made their favourite music, from when they were young. We, of all people, shouldn't be wishing musicians out of work. I think any musician who is fit and able to gig should be, especially when there is a keen audience ready to buy tickets.

I'd suggest a Barefaced One10 and a separate amp.

The best thing I found for my 112 cab was to sit it on top of another 112 cab. The whole lot sat on a Gramma pad.

I'm very jealous of people who can pick up any bass and play it all night. I remember when I could do that. To the people who don't understand. . . . you will one day.

. . . . because it's better than sitting in an office, on the dole or (as they had most of their cash stolen by their manager, allegedly) being broke? I'm not a fan, but if they can sell the tickets then good on 'em.

The Rugby World Cup has pushed our start time back to 11 pm this Saturday. Finish at 2!!

[quote name='brensabre79' timestamp='1443006135' post='2871316'] • Finally I replaced the . . . . . [/quote] Sounds like Triggers broom.

Paul McCartney [i]was[/i] asked why his solo songs weren't as good as his Beatles era songs. He said that if you were going to bring a new song to the band and play it to Lennon you had to make sure it was good.

[quote name='yondergo' timestamp='1442949227' post='2870908'] have any of you guys ever had a guitar you just clicked with even when comparing it to pricier, more worthy specimens? [/quote] I understand your point, but . . . . . no. Better is best, is the only philosophy I have. Price doesn't come into it, but more worthy? That will win out every time.

Do write notes. There is no shame in that, but [i]don't[/i] write in red. Your writing will disappear if there are any lights. Always use a thick black felt tip pen or marker.

Old friends, sat on their park bench like book ends. Simon and Garfunkle

Try Mustang Sally. Definitely use a music stand if it helps. Don't endanger your first gig by imposing unnecessary and arbitrary limitations, which could trip you up on the night.

I've been trying to get a band to do Pack It Up for 20 years!! No one's been brave enough.