chris_b

[quote name='MoJo' timestamp='1431595559' post='2772875'] Has anyone else experienced this on/off love for the Precision? [/quote] No. I bought mine when I was 19 (I'm old and grey) and still have it. Even when I played other basses I've never considered selling this bass.

[quote name='Count Bassy' timestamp='1431421792' post='2771025'] Personally I find that these "Tall/hanger" style stands get in the way too much on a tight stage. [/quote] On a tight stage I don't use the stand at all. I keep the bass in the gig bag when it's not being played.

You've got 2 things to decide. You don't want to sell the 78. . . . . so don't. You need the 2010 to sound better so focus on making that happen. New pickups and maybe pots/cap would transform this bass. Then, when you haven't played the 78 for a long time, you you can decide to sell it without any pangs.

Very smooth action.

I used the Ultimate Support GS-1000 with my 5 string Wal Mk3 Custom and now use it with a 5 string Lakland, which has a very wide neck. The basses are supported hanging from the headstock with no problem. If this one broke I'd buy another. Well, I did. . . . I have 2.

I was also at GAK in Brighton. NE is one of my favourite players. He chatted, recounted stories, played, sang and answered all the questions. Where is he this time?

I know a great drum tutor in New Malden. Do they really have to be a she?

After all the problems and breakdowns they suffered, I wouldn't buy a second hand PF500. The new ones are supposed to be OK now.

+1 Make the 2010 bass sound better.

2 Super Compacts weigh just about as much as the CN212 so unless you carry 1 cab per trip the weight isn't a real game changer. The SC's will sound great, so IMO you've got to use the cab(s) that sounds the best.

[quote name='Paul S' timestamp='1431246065' post='2769061'] Also worth considering the Ultimate Bass Stand. Nice and sturdy. I've had mine for years. [/quote] Great stand. Fewer moving parts. I've got 2.

The placement is more important in a single pickup bass or passive basses. Hence the Precision being so unique and the difference in tone between 60's and 70's Jazzes. Pickup placement is less important in a 2 or more pickup bass or an active bass because of the additional EQ available. The sound from these basses is more flexible, with more dynamics, and not dependent on the position of the pickups. I love them all, particularly the Precision.

Sorry but 1 finger per fret is an "old wives tale". 1 2 4 is a better fretting hand style because it entails less stretching on the lower notes. I wouldn't use 1 finger per fret until I was much higher up the neck.

I start with mine running at 3/4 level. If the sound guys want more or less I'll oblige, but usually they are happy with that. PS I run the volume on my passive bass full up but low on my active bass. I adjust the master volume on the amp.

I assume that you have lights fitted to the music stand when you're in the pit? I'd get another one of those to angle more towards the bass. Then you can see the whole thing rather than a bunch of disjointed lights bobbing around in the dark.

I put Duracell in my Lakland. I usually have the Lakland volume low and the volume on the amp high. A battery lasts over a year.

It seems I've led a very sheltered life. I've never owned a pedal or used an effect in my life and, fortunately, I guess, I've never played in a band that wanted that from me. My "vanilla" sounding bass seems to be enough. I play Don't Stop Believing straight. Doesn't seem to be missing anything to me. Generally bands who do use effects on bass are not the ones that I'd listen to but I do like Travis Carlton's use of effects when he's soloing.

I got into RG late in the day. But since then I've been amazed at the bass gems hiding in plain sight on ABBA records. Sad news, indeed.

Your amp can run 1 8 ohm cab (@ approx 300 watts), or 2 8 ohm cabs (@ 600 watts split evenly between them), or 1 4 ohm cab (@ 600 watts going to it). There are no "sides". It is 1 amp of 600 watts at 4 ohms. These totals are "maximum" ratings and you probably wouldn't get near to them in real life. http://www.traceelliot.com/bassamps/?item=116929

Another HE cab is the sensible option..... but...... there's a couple of HLF cabs in the classifieds.... and .... another SVT3PRO. How about 2 rigs daisy chained or run with a split lead?

The HLF is a 4 ohm cab so you couldn't run 2 with the SVT3 PRO. Ampeg make several 2 ohm capable amps though. It seems to me that the HLF is designed to be big in the deep bass. I think I'd prefer the tone from the HE. I prefer modular rigs as well. Far more practical when you have differing playing situations. 1 or 2 410's would definitely be more flexible than an 810, and as others have said, adding another HE would be more of what you already like, and the best route financially.

Do you need the extra cab for the sound, volume or show? For sound I'd go for 8 10's rather than 4 10's. For volume I'd use the PA and fold back. For show I'd get as many 4 10 cabs as you can afford. I played with a mad guitarist a few years ago who wanted to hear more bass from the back line than from the fold back. I was using 610's with him. If you're not going through the PA you'll need the 2 410's. That means an extra HE cab. Does bigger band/bigger stages means roadies? Have you thought about flight cases? Your gear won't last long without cases.

Merton, I've seen Phil Mulford using his Eden 410, which he says he likes, and his TC 210 combo, which he said he didn't like as much. His TC didn't sound as good as the Eden, but on the other hand your BF SC cabs sound much better than his TC rig.

Just add another BB2.

I have 3 basses but for the last 4 years I've only gigged the P bass. After reading this thread I decided to take the other 2 instruments to play on the gig. They lasted until about half way through the sound check, then they were put away and the P bass was taken out of its case. I've proved it to my satisfaction, I do have [i]the[/i] one bass solution. I guess I now have 2 basses for sale!