chris_b

I turned these filters off when I had my LM2. I didn't find a use for them at all.

I'm not interested in making a list of great drummers, but there are 2 drummers who changed the way that drums were played. The first no one knows, and the second nobody thinks he influenced them. Earl Palmer and Ringo Star. Back on topic!

It seems to me that if every bass player quit when he was playing with a drummer who couldn't keep time we'd never have had the pleasure of John Entwistle playing with The Who.

[quote name='FuNkShUi' timestamp='1417522615' post='2621249'] ....he plays fills when we are gigging that he has never played before.... And they're usually quite fancy syncopations, that throw me off when i'm not expecting them.... [/quote] But, this is your problem, not his. You need to improve your timing and focus.

What's the problem? He's singing OK on that clip.

Get your cables from Dave, OBBM here on BC. They are far better quality and price than any you'll find in a shop.

Everyone has to play in time and in the groove, especially the drummer. Timing can vary, by a couple of bpm at most, but + or -15 bpm is very poor drumming and if the guy thinks that is OK and the excuse is Dave Grohl said so I'd call him out. There no point in leaving unless you can't fire the drummer. He's the one who should be going not you.

To the OP, some previous threads: [url="http://basschat.co.uk/topic/222503-anybody-recommend-some-good-blues-or-rnb-soul-listening-ect"]http://basschat.co.u...l-listening-ect[/url] [url="http://basschat.co.uk/topic/218939-best-blues-rock-bass-lines"]http://basschat.co.u...rock-bass-lines[/url] [url="http://basschat.co.uk/topic/47821-blues-playlist-for-beginners"]http://basschat.co.u...t-for-beginners[/url]

I played an LM2 and loved the full warm tone. I bought an F1 because of the good reviews and hated the clean, I would call sterile, sound. This was through Aguilar GS112 cabs. Sold the F1 quickly and the LM2 went awhile later to fund my first Bergantino cabs. I liked the LM2. I wouldn't rule out buying another at some point in the future.

Do you know what key you'll be playing this in yet? So far I've played this number in 2 bands, in A and D.

Play open E then E on the A string. Your plucking finger mutes the open E, your left hand mutes the other E when you take the pressure off the note. The run up is C# and D with their octaves on the A and G strings. The Middle 8 is D, A, E. Forget tab.You gotta work stuff like this out by ear. And if we're talking about the 1978 live YouTube version([url="https://www.youtube.com/watch?v=xWQKGZTCRWo"]https://www.youtube....h?v=xWQKGZTCRWo[/url]), the sound quality isn't good but I can hear all the octaves being played just right. At 2:00 you get about 5 seconds of the bass player. Check him out.

Many well known and popular cabs can't handle the fundamental of the E string either. It doesn't matter that cabs can't reproduce the fundamental. They reproduce the harmonics and that's all you need to hear the note.

All IMO. Get this bass if you really want it and if you have this amount of spare cash, but please, this is not a plan for an investment. Potential buyers will just see a Fender Precision at a price very few will think is good value. So the investment potential will be minimal. It's an expensive vanity project and if you are trying to find reasons to justify buying this bass then you should walk away. It's not a good idea, even for a "significant" birthday. A good investment would be an original vintage bass. Buy a good Fender Precision and get a luthier to convert it to fretless for 1/3 rd of the cost. Spend the rest on the wife. Win win.

I don't know what you're trying to achieve in the studio, ie what music you're playing or what sound you're after, but I would. . . . . . . leave the strings on, put some foam under the strings and just love the sound.

This is the guy who's excesses are legendary. I'm surprised he looks this good.

[quote name='Cameronj279' timestamp='1417185517' post='2617942'] .... love it.... the bass is superb.... the fan frets are incredible.... the famous B string.... it weight almost half of my previous bass.... [/quote] . . . . and you want to sell it? It seems Dingwall have 3 pre amp options for this bass including their Glockenklang pre amp. I'd email Sheldon, he's a member of Basschat, and ask about it.

I've heard most of the numbers but when depping I always ask for a set list so I get prior warning and can do some homework. I'd rather none of us had any nasty surprises. I use chord charts for most of the gigs I do, although they are really only for occasional reference; keys, intros. endings. We had a no charts rule for the originals band but no one else minds. The charts can be tucked away.

There are many reasons to prioritise gigs; a pro band, a better paying gig, a gig you prefer to do are all good reasons. You can run a "first in book" system, but if the bands are unequal (ie pro v semi pro, originals v covers) you have to have a pecking order and gigs always trump rehearsals. Whatever you do give plenty of notice, find good deps (not too good) and be open about everything. But most importantly, make sure you're enough of an asset to the band that they'll accept absences.

I've got some Dunlop Super Brights on a Jazz bass which sound pretty good. Plenty of snap there. I used DR Lo-Riders on my other basses for years until I switched to flatwounds. DR have a Marcus Miller signature set which might work well for you.

No one [i]has[/i] to play a 5 string bass. But advice that I have never understood is that some numbers are better on a 4, or covers that were originally recorded on a 4 [i]should[/i] be played on a 4 string bass. I have a 4 string bass sitting right there every time I go out and gig. I play midi bass lines, 4 string bass lines and even some 3 string bass lines on my 5 string bass. That's the flexibility I mentioned earlier.

.... also, for me switching back and forth between 4's and 5's wasn't helpful. It complicated the learning process so my recommendation is to put the 4 away and don't use it.

5's aren't all about the low notes, which they have and which come in very useful and sound great in a large number of songs, they are about increased flexibility, as others have said. I don't understand why others assume that because you play a 5 string bass you [i]have[/i] to play low notes! You can but you don't have to. 5's give you a range of options which you don't get on a 4 stringed instrument. I'd agree about getting the best instrument you can afford, I've got both 34" and 35" basses and I prefer the feel and sound of the 35" scale. I'd also point out that ultimately you should plan to upgrade your amp and cabs. A good 5 string bass at volume and with a fat warm tone should be allowed to thunder through the best rigs.

They don't seem to so a 36" set for 5 strings.

[quote name='Prime_BASS' timestamp='1417084711' post='2616864'] ....Although if it is as you said, seems rather pointless making a ported cab sound sealed, just make it sealed no? .... [/quote] Ported and sealed cabs have different strengths and sounds, so as the site says Alex is building a [i]"hybrid enclosure which sounds and feels like a sealed cab but can play loud and bring the thunder like a ported cab"[/i]. Pointless? How do we more about this than Alex?

Can anyone tell me, do TI flats fit a 35" scale bass? The descriptions for their strings seem to indicate they are only made for 34" scale.