chris_b

Buying cheap can be a false economy. Cheap gear can easily make you sound bad, which is no incentive to pick up your bass. Buy a good combo and you'll sound great and always be able to sell it on.

In the early days we had to deal with people doing all of these things. Fortunately I haven't seen any "situations" for many years, but if someone is interfering with the band, the gear or the performance you have to stop until they move or are moved off the stage and away from the band. Until COVID I regularly depped in a band where the bass player refused to do the gig because the people made him "nervous"! I never saw any problems, but they were a little lairy at times.

Get an amp and a cab that are loud enough and light enough. . . . and then get a DB friendly pre-amp, or a 2 channel pre-amp, one for DB and one for electric bass.

If weight is a problem get a separate head and cab.

My main bass is a Mike Lull PJ5 with 10 year old TI flats and a lump of foam. Sounds magic. If I want to sound like a traditional P bass I'll turn the J off and use my Aguilar TH500. For a modern P bass sound I'll turn the P pickup on full and have the J on at about 90% and use the AG700 amp. If I want more mids and top I'll use the Aguilar AG700 and turn the J and tone control up to about 90%. The rig is Aguilar and Barefaced 112's.

. . . . and to clear up some earlier misinformation (for which I apologize). . . . Dave Richmond played bass on Je t'aime.

I guess without the Statins, and Beta Blockers some of us might be in trouble. . . .

If someone "couldn't do it anymore" for whatever reason, illness, dementia, physical injury etc, I'm sure a chat would be had. I've never experienced someone being fired for being too old. I have seen people being fired for being unreliable, falling behind in musical ability, not being bothered, wanting to go in a different musical direction, being dishonest, being a dick, even being a square peg in a round hole. I've seen people fired so the band leader can get his mate in. That's happened to me. I know a very good guitarist who was fired for being too fat. That was by the management of a girl group who later went on to have some hit records, and image was felt to be more important than musical ability. In that instance it probably was. No one's likely to use the O word if we stick to playing with our age group.

Do drugs make someone play better? Are we including the performance aspect? Which drugs, which person, which situation? It's got to be possible. There have been some fantastic players who were high on copious amounts of illegal substances. Did the drugs inspire them, and unlock their creative processes, or were they just very talented and having fun at the time? We are unlikely to see such talented people in our orbit, down the Dog and Duck, but elsewhere? As I say, it's possible.

In my 20's I spent 6 months playing the US airbases in Germany. We did 5 sets a night from Monday to Thursday, and 6 sets a night on Friday and Saturday. . . . and then we went out to party! The clubs in town did 6 and 7 sets. These days I so appreciate everything I took for granted back then.

double post!!!!

I'm envious. I've had to cancel a dozen gigs this year because various band leaders have had medical procedures! I need to start playing with 30 and 40 year olds!!

This isn't an either or question. I'm in the "It depends" and "How much are you talking about" camp.

We stop when the phone stops ringing. There's enough material in the bands I know to keep Holby City in scripts for a whole series, including several strokes, a couple of hip replacements and half a dozen prostate operations!! I occasionally gig with an 87 year old singing, harp playing bandleader. I'm told he sounded exactly the same when he was 17! If the Stones can keep rocking into their 80's we all can.

Hi, any chance of getting the weight? I'd be very interested. Cheers

There's Charlie Chandler's guitar experience in Hampton Wick.

Great video, fantastic player and musician. I've played that bass and it is amazing in every respect, except for the weight, 11lbs if I remember correctly! I would love to own many Overwaters, but they are usually on the heavy side and I can't deal with the weight!!

Try these for starters. Stax Soul Classics https://www.youtube.com/watch?v=trZ_P3_8cls&list=PLG9jLl6Ldd_i27PeQGfgDmZILwqXlVGN8 Atlantic Classics https://www.youtube.com/watch?v=EXJx2NnnxA0&list=PLZH3edITp5Tn-zX9f9neOl44MSxO3RbiS Muscle Shoals Classics https://www.youtube.com/watch?v=AOOxUdnIGOs&list=PLQCDnMCippYeUa6Dkg9AEFpXUvXu5Q46b Malaco Classics https://www.youtube.com/watch?v=8JuAkfaYTP4

Bonnie Raitt, Keb Mo, Aretha, Chic and the studio labels such as Stax, Muscle Shoals, Atlantic and Malaco.

Sad news.

For the last 15 years or so, I've also used Wolfcraft TS 850. I use it less now I have the Super Compacts but it's a life saver when I can't park near the gig. It will take 2 112 cabs, an amp box and the accessories bag.

Try Keb Mo and Bonnie Raitt. No uprights used, but music that can sound good on an upright.

I went through this process about 20 years ago, after knackering my back lifting very heavy cabs for many years, and now that's being compounded by age!! I need 4 things from a cab, clarity, great tone, light weight and portability. After trying a few different makes I settled on Barefaced. They were the only quality lightweight cab manufacturer at the time, and while they have some competitors these days I wouldn't change. BF's still tick all my boxes. I owned BF 10's and the 12's and finally settled on 2 112 Super Compacts. They are the cloth grill models, to shave a few lbs off the total. They weigh 22lbs (10kg) each and are loud enough that I haven't been overpowered by a guitarist in years. They fill the room, and the stage, with their great dispersion. I wouldn't get a 212 because it is too heavy. IMO 2 112's is the best, most flexible and portable rig for a damaged back. They are not cheap, but my back doesn't care about budgets, so I buy what I need. I use Aguilar amps.

Awhile back I had 2 One10's, 2 Two10's and 2 SC's. I gigged all combinations for a few months and and decided to go with the SC's. . . . they just sounded bigger and cleaner.

Can't you take both on a gig and find out?