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chris_b

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Everything posted by chris_b

  1. chris_b
    OK, this is getting tedious, we're splitting hairs here. Boutique basses are low volume, hand made, well made and high quality. Obviously they are not knocked out in a shed somewhere in China!!
  2. chris_b
    I would suggest they are 99% production line basses, as are all other non-boutique basses.
  3. chris_b
    If we play in any band we have to do better than "surviving the night". The "practice till you can't get it wrong" approach has to come into play for every gig we do. We are only playing songs with repeated sections joined together by bridges. It's all about patterns, and rhythms. For bad memories or not being given enough notice, chart everything. I don't know about 50% of @kiat 's set list, but it's not rocket science. I've taken a copy and my challenge to myself is to play every song on that list by the end of the month.
  4. chris_b
    I'd prefer specific versions to included on the list. Actual YouTube versions or mp3's. I've seen people turn up knowing the original studio version only to find they were supposed to be playing the live arrangement from 20 years later!
  5. chris_b
    Boutique instruments are made by hand. That will never stop!!
  6. chris_b
    Some bands will put easy, straightforward songs in the set list, others, it seems, want to see the deps sweat!!
  7. chris_b
    Famous last words. . . .
  8. chris_b
    That's why I took flats off my Jazz bass. They made it sound too much like my P bass. I don't need 2 basses with that sound. I put NYXL's on the jazz and now, after losing the twang, they have mellowed to a nice warm tone with the hi mids that the P bass doesn't have.
  9. chris_b
    I was depping last night, so was the drummer. We have both worked with this band before so it was OK, a few interesting endings though. He is a very good drummer so I enjoyed the night. The band leader was talking about this being his favourite rhythm section, and was threatening to offer us the gig. I know the bass player and would prefer to keep on good terms with him, and I'm not sure I want to be in a Top 40 cover band again. But it's a good reaction. You've got to keep your name and number at the top of their list.
  10. chris_b
    I wouldn't be happy with that. I would expect all details to be supplied as soon as I'm confirmed on the gig. The shortest notice I've experienced was 2 hours. I was in the first band on at a festival and a band who I know rang and asked if I could dep. They were 3rd band on. That’s not quite the same as I play with these guys a lot, but I hadn't played with them for a couple of months. They were happy, but I noticed the lack of prep!
  11. chris_b
    Nice one.
  12. chris_b
    When I dep I aim to be at least as good as the guy I'm replacing. 9 out of 10 isn't good enough. The bottom line in this world is to keep the phone ringing.
  13. chris_b
    I had lessons with Ian in 2018. The first lessons I'd ever had. It as an eye opener. That was before his zoom days. Just sitting in front of such a great player and soaking up what he was doing, and how he was doing it, was worth it. Ian didn't change my basic style, I'm probably too old for that, but he added more layers to what I do. He also got me off my backside, widened my horizons, showed me different ways of getting the job done, suggested playing material I would never have attempted. Basically added to my technique and the way I approach songs. Stuff I was too lazy or blinkered to work out for myself!!
  14. chris_b
    You are making someone else’s gig happen so make the transition seamless. Be on time, know the material, sound good, look the part, make sure you know what the band leader wants and be flexible. Apart from that the floor is yours.
  15. chris_b
    IMO if 1 cab sounds good, 2 cabs always sound better. You move more air which can make you louder, but more importantly improves your tone.
  16. chris_b
    This is getting techy and it doesn't have to.
  17. chris_b
    Fired by WhatsApp. I discovered that when I saw I was deleted from the band's WhatsApp group. The Band leader didn't bother to tell me, but I wasn't surprised as he is a narcissistic a*hole and that's putting it mildly. I have to admit to a certain amount of relief that I didn't have to deal with him anymore!
  18. chris_b
    To my knowledge I have never played in a band with anyone holding far right, racist or homophobic views. Such views are abhorrent, but if they keep their opinions to themselves I don't see why I shouldn't be in a band with them. The situation would change, and I would be happy to have strong words, if they were openly expressing such nastiness.
  19. chris_b
    My take is that the smaller, lighter, modular option is always best. So 2 x BB3's would be my choice. On the loud gigs I use my older BB2 with a Super Midget. I can also use my SC with the SM and can use all of them individually, depending on the gig. IMO modular is the way to go.
  20. chris_b
    You've only had one bass for 2 weeks, so I'd say it's too soon to choose between them.
  21. chris_b
    @msb You have some very nice amps and cabs in the photo.
  22. chris_b
    That's a strange one Lozz. I've been using the same Whirlwind instrument cable since the late 80's and the sound has always been fine. Maybe something was wrong with the cable?
  23. chris_b
    I've played that bass. It helps that Ian has a phenomenal technique, but the tone is the best I've heard. I keep up with Overwater basses, I even went to an Overwater event they held in London a few years ago, but every bass I've played has been way too heavy for my back!
  24. chris_b
    That was a bass lesson in itself. No stretching to reach notes, a lot of hand movement, even notes, totally relaxed. Ian shows how it's done. Loved it.
  25. chris_b
    I had/have all those. . . . but just lifting 90lbs x 2 in and out of the car and on and off a stage was enough to cause me all my grief.
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