chris_b

You need a long extension cable, to stretch around the corner to a socket that's not on the sound metering system.

What a waste of the time it took to read 4 pages !!

I upgraded my Precision once. The new pickup sounded fantastic, so I did it again and added a J pickup and preamp. Second upgrade was a complete waste of money. Never again. I now buy basses that already sound like I want.

These are not good enough. Get the ACS PRO 20 or 26 moulded plugs. Mine have the clip and chord connecting them. I Seriously they are probably the best you can buy. https://acscustom.com/uk/products/hearing-protection/pro-series Some of the larger Boots stores have audiology departments, usually in with the opticians. They will make the moulds and ACS will send you the plugs.

You think Adam's got problems. . . .

. . . . and I hang mine around my neck.

The truth is always preferable, no matter how difficult it is to hear.

Yet another double post!!!

What did he say about the problem? Did he have any answers or suggestions?

Who knows what the audience hears, but if they want to tell me they like it, I'll be smiling sweetly and saying, "Thank you, very much".

Strings are a critical part of most players sound. I've told this story before: @Happy Jack was interested in a Mike Lull P5 and asked to check out my Mike Lull PJ5. He liked it and bought the P5. I went back to have a listen and . . . . his bass sounded better than mine!! The sound had an extra level of fullness and authority in each note which was missing in mine. After several weeks of head scratching and homework I realised the difference was in the strings. Ever the entrepreneur, Jack promptly sold me a set of Lakland flatwound strings (rebadged GHS). Hey presto. There was that sound! After a few years I put TI flats on and they'll stay there as long as I'm playing this bass.

It's not a problem if the audience doesn't notice or appreciate what I do, my job is to make the band want me. I get all my gigs by word of mouth, so every note, every space is important. There are always better players around, you can't escape that, you just have to try and bring something extra to the table. The time I put into it is for the band, the money I spend is for me.

Depends why you want to become a 5 string player. If you're giving up on a 5 string bass because it doesn't feel "normal" then you haven't given it enough time or effort. If you are a 4 string player, a 4 string bass will feel "normal" and the 5 won't. What you have to do (if you are serious) is to put your 4 string basses away and play the 5 until it becomes your new normal. then you can play either with no problem.

I am biased, because I don't think you have a problem. You have spaces in your music? Great, IMO that's a good thing. One guitarist is also good. Even in Rock, I hate the "filled up" sound of 2 guitarists pounding power chords at each other!! Embrace the spaces. Filling up the sound with over playing won't sound good (will loose the groove) and hitting a pedal every time there is solo will sound "amateurish" after awhile. If you have locked in with the drummer it doesn't matter what other instruments are playing or if they have stopped. The song carries on riding on the groove that you and the drummer are laying down.

I'm older than you, and agree with you. No joke. . . . I actually do have 2 laundry baskets.

Most are, and probably should be. IMO you need an ego to stand up in front of a crowd of strangers and perform. You need to believe that what you are doing is good enough to interest them. It's the toxic ego, the ego maniacs, selfish and self centred Richard-heads always spoil a band. These guys rarely change so in the end it always comes down to a choice. One of you has to go.

Err. . . . we have 2 laundry baskets! The planet might struggle to recover!

Jazz and Chaos?? I bought Mama Too Tight by Archie Shepp when it came out. Not sure what I was expecting but chaos is one way of describing it!!

I've only seen a band member "explode" three times, and they were all singers. They were all tw*ts so we just ignored them and carried on. I'm in a band with a guitarist who is too loud, and while he'll turn down if he's told, the constant reminding is becoming tiresome. All part of the joys of being in a band. IMO you stick with it for as long as the good bits outweigh the bad bits.

This. I didn't know another bass player for most of my life. I know a few now, thanks to the internet. I started with flats on my Framus. On the next bass I moved to rounds because of the dynamic range and stayed with rounds for over 40 years. Nearly 10 years ago, I put flats on my Lull. I love that sound, but my Jazz with rounds has been my #1 bass for many years. It's all because of that extended dynamic range.

I have a passive PJ5 with flats and foam and an active Jazz 5 with rounds. These cover all the sounds I want, and have ever been asked for, so I think that's the right number.

Check out Sire basses.

If you decide to leave, before you go, confront this guy over his bad attitude, his lack of team work, his lackadaisical attitude to arrangements and his disrespect for the rest of the band. Tell him what his problem is, tell him to grow up and stop being a selfish, pathetic bully. Give him both barrels. Don't give up the high ground and do it in front of the whole band. You never know, they might agree with you.

This guitarist needs a nasty, musical career ending accident. See if you can come up with something.

A slab board and Brazilian rosewood might be interesting. They are supposed to have a better tone. Isn't the neck slot usually unpainted?