chris_b

My sound is for me, my playing is for me and the band and the sound of the band is for the audience. There are overlaps but don't read too much into this. It doesn't mater to an audience what the individual musicians sound like as long as they play together well, the band sounds good and the songs work.

My P bass has been fine with all those genres, plus Americana, Folk, Reggae, Ska, Soul, top 40 pop covers and original bands. Freddie Washington played, Forget Me Nots, one of the most notable slap riffs, on a P bass. We all have our favourites, but IMO you can play anything on any bass. Music isn't related to instruments.

I like a good solo, if it's played by someone with an imagination. Solos can be fantastic, a tour de force, a technical and melodic masterpiece, but as mine dwell firmly at the embarrassingly inept end of the scale, I don't do them.

Where is the benefit? My untechnical guess is that 2 4 ohm cabs running at 8 ohms, with a series cable, would sound like 1 4 ohm cab running at 4 ohms.

Forget this "finding the one" business. Get a Precision that sounds right and then learn to love how it feels.

This. Lately, I'm finding that after buying stuff and comparing it to what I already have, I am left wondering, "Does the difference really matter to me?" Even the gear that is significantly "better" might not be worth the price tag, when it's only me that will notice the difference. It's dawning on me that I've reached the limit of my bass gear wants/needs. I feel strangely relieved!

Who gives a stinky poo! There are thousands of bass players on this site and 14 year question or not, if this information is useful to someone today then it's a worthwhile answer.

With an injured back IMO the only sensible thing to do is buy 2 112 cabs. Each lift needs to be the lightest you can find.

double post !!

I was house bassist on a jam night and when I went up, after a friend had finished his "spot", I found a lighted cigarette smouldering away on the side of my cab! It hadn't burnt the tolex but it was close. That was all I needed to make me stick to the "no lending" rule.

Put some foam under the strings to deaden them a little. IMO Vaseline wouldn't deaden the strings but it would mess up anything else you touched! In the 60's Binky McKenzie, a bassist with Alexis Korner's Free At Last, put Vaseline on his fretting fingers, but that was only to speed up his playing. I never saw him but friends who did were very impressed. Unfortunately his career as a bassist was cut short when he killed his parents and brother in law!!

Anyone have an opinion on the best clip-on tuner for a 5 string bass, ie can tune a B string on a noisy stage?

I don't do a different sound per band, or even per song, like some seem to. For 30 years like most of the guys, I only owned one bass, amp and cab. I still usually use the same bass and amp for all my gigs, from blues bands to weddings, although the number of cabs may change depending on the volume.

I'm currently playing with a questionable second guitarist. As long as his amp is on the other side of the stage I can deal with it, but I couldn't be in a band with a bad drummer.

I've never broken a string (as I previously said) and have never needed a backup bass. In spite of that, I have used and new sets of strings in my accessories bag and I usually take take 2 basses. It's not OCD, really.

I did that once. The drummer stacked his cases in front of my bass and I didn't see it! He took it home with him. Oh, how he laughed!!

Many years ago we had a Sunday night residency in a local pub. They also did a lock in after. I thought we were being raided when a dozen coppers came in via the back door. They'd just come in for their regular nightly beer!!

At Blackfriars Bridge? I stopped gigging when I started IT shift work.

Wasn't that Punk? Seriously, maybe give the singer your number and say you'd be interested if he ever forms another band.

I have never broken a string, ever. You are definitely doing something wrong if you can break 2 on the same gig! I never lend my bass to anyone, even friends. I've seen too many instruments returned with scratches, dents and marks.

I would imagine the job comes first and shift patterns will be a reality. Finding a couple of good deps would be my suggestion.

How much difference does a hi-mass bridge make? The answer is, it depends. All stringed musical instruments (even electric ones) make their noise through vibrations. All parts of the instrument are, to a greater or lesser degree, involved with either accentuating frequencies or dampening them. These effects are noticeable or not depending on how the instrument was made and what it was made of and the ability of the ears of those listening to it. The pickups finally amplify the result.

You're not nuts to be trying out different ideas. If they work it's a winner, if they don't go back to EADG, no loss.

I don't think you'll see much of a volume difference between 4 ohm and 8 ohm from your amp. More "headroom" is desirable when an amp is running out of steam. Your BB2 is only just ticking over at 400 watts.

I met Chris White a couple of times. He "managed" a band I was in.