javi_bassist

I see (at least for the specs) is that the TRBX and the BB have the same neck. I like that because I love the neck of my BB735

I like this one (which two days ago it was on their website, but not anymore). The SR2405W. I've been looking at the rest and, even though I know they sound good, I cannot like them haha

Hello guys, I have been thinking about getting a TRB1005J (in caramel brown 😍) for some months. I like it being 35" and the few videos I watch, it sounded really good. But there is not that many info compared to the TRBX and the BB range. However, I have recently thought about getting a TRBX605 (in matte amber 😍) and change the pick ups to Aguilar Super doubles. The reason is that a friend of mine has those pickups in another bass (I don't remember the model, but they are not the stock pickups) and they sound amazing (I have Aguilar pickups in a jazz bass and they also sound much better than the stock Fenders IMO). Probably change the preamp too, but I'm not sure since I kinda like the preamp in my BB. The main differences about theese two I think are the scale and the sound. I already have a BB735, so I'm looking for a more kinda modern sound. I think the TRBX may be more modern sounding and the TRB more jazzy (the pickups are single coil right?). Having a 34" scale already I wouldn't mind trying a 35" (I will try to test it before buying). But I'm not sure if the TRB could give me that modern vibe. I'm looking for something like the Ibanez SR2405 and the TRBX may be closer to that. PS I know I know, why not getting an Ibanez SR to get that vibe? Because I cannot stand the look. The only Ibanez I like is really out of my budget. Don't get me wrong, they are pretty awesome instruments, but I cannot stand the looks. And I really like Yamaha.

I've had mine for some months and I think that, in order to get nice sounds, you have to tweak and work a lot. The good: once you have it, it's always there. In my case, I used to take with me a big board with 9-10 pedals in a heavy pedalboard. Now I have only 3 pedals: JHS Compressor, HX Stomp and my Ashdown preamp. I could live only with the HX stomp with good results too. So far, the only effect that I kinda miss is my Source Audio Aftershock, because I had already good presets on it. In the HX I'm still working on getting a good fuzz and overdrive (even though I found the Legacy Big Muff and I love it). But I think the HX stomp is not plug and play once you get it out of the box.

The 414 and the 1024x look pretty amazing. I'd love to have any of both 🤩

I'd get the orange one for preorder please 😜

I'm with you. I prefer linear.

I have a question for the RM EVO II users. Just curious actually. Does the Output knob has "positions" like the EVO I or is it linear (like any ABM)?

Wow. Amazing Ashdown collection. I miss my ABM EVO II...

I didn't know they were similar. I thought that in the NE2 were humbuckers and in the TRB1005J were single with the hum-cancelling. Both basses are pretty amazing anyway.

it might be also a mental factor. How good a 500 bucks bass can be compared to a 900 bucks? The feeling of moving to a higher end bass. I don't know. But I have to check one out. The v7 in blue is really tempting.

I've always been curious about Sire. I'd love to have a nice 5 string jazz bass and I've always looked at Sire. But I noticed something when I talk with many bass players around me: all seem to love Sire and buy one, But later one, in a year or so, they sell it. Of course I'm not talking about every single player, just for the ones I know. They all say beautiful things about Sire... but then none of them keeps one. I'm not saying anything bad about them (I've never tried one, even though I love the new models) but it's something that always come to my mind when I think about getting one.

I finally replaced mine. I'm happier now. The previous one was much more aggressive and fuzzy. Good quality though. It was a JJ (I switched for another JJ, which are my favourite). I changed the valves in my Spyder head for the same model the OriginAL had. I have to say that it was difficult to get to the tube. I had to open the preamp and get to the circuit.

My mistake. I wanted to say that I had the 1025x on my radar hahaha.

In my case, I like the preamp of the 735. It does what it has to do, without anything else. But I also love older Yamahas and I had the 1025x for some time.

I've only seen the BBG4/5 with soapbars. And I have to admit that in blue looks pretty cool. Thanks for the info! I'm also curious in how a BB1025x would compare to a BB735. I have a lot of GAS for a BB1025x in caramel brown... Maybe I'll pull the trigger so that I can compare it by myself haha.

Do you guys know a 5- string BB that has jazz style pickups? I'd love to have one. I think the 605 and the 405. Any other model?

I had one. I sold it because I mostly use 5 string now (a BB735). The 734 is an amazing bass.

That silverburst looks pretty cool. I love mine (which is in gold, seen everywhere, but I still love it). I had mine with rounds for a long time. Then I switched to flats. I'm not so fan of the flats, but it gives me that vintage sound that sounds really good in the studio.

I keep on with my small pedalboard. I'm thinking about adding a MXR footswitch because to change Presets. The JHS is first in the chain. The good thing is that it has an XLR out that I can use to get just a clean sound. Then the HX stomp. The Ashdown OriginAL is in the effects loop. From the Ashdown I can get a dry signal (not affected by the preamp, but affected by the blocks of the HX) that goes to an amp (99% of the time, a backline amp). The last two blocks of the HX are the Ashdown Preamp (FX Loop) and a cab simulation (so far, the 2x15 Brute). The whole signal goes to FOH via a jack-XLR adapter. Really happy so far (and the sound guy too, in the few gigs I had at least). I am still experimenting with the cab simulations because I'm not 100% convinced.

Wow, great deal!! I agree about the ABM pre. It's punchier than my ABM EVO II. I actually bought mine because I love the preamp of my RM EVO. I have bought a 12AT7 valve and I will try to swap the stock valve.

Which valve are you using now?

I have the Stomp as well and I use my own preamp with the loop. But I thought exactly as you: I've always been DI'ed instead of mic'ed. And it sounded good.

I thought about that, but I'm trying to reduce space and that's why I thought about 2 1x12. To take one for small venues (my main giggs lately) and both to bigger ones. The ABM NEO 1x12 is relatively big compared to what I was considering. I have also gigged with an old Vintage 12 (an low volume pop band I was in) and it sounded pretty good. I wonder how that would compare to the RM500 with the RM112.

I heard they had to change the name when it first came out, but I don't remember its previous name. This review by Merton is gold. I love mine (I sold the Tone Hammer and I kept this). The EQ is really powerful. If the Valve Drive could be more subtle it would be awesome. I think it's too aggressive and you have to play with the input and get used to it. But IMO, it's one of the best preamp pedals out there. And at that price...