Jump to content
Why become a member? ×
Scammer alert: Offsite email MO. Click here to read more. ×

Silky999

⭐Supporting Member⭐
  • Posts

    337
  • Joined

  • Last visited

Everything posted by Silky999

  1. A nitro finished Fender would be an American made version (I believe) coming in £1500-2000 new. For me to do one the same as headless’s: okoume body nitro paint and clear coat Chinese roast maple neck fender vintage pickups gotoh bridge guyker tuners bloodstone guitars works electronics with fender capacitor you’d be looking about £400-500. I’m just starting out so not charging serious money as it doesn’t seem right until I get a bit of a trusted reputation. I’m doing my initial ones at cost or a close to it as possible with hardly anything for my time. if you wanted more affordable pickups( headless changed his himself for the fender), bridge, tuners etc I could get it in cheaper.
  2. The green machine is all finished. It started as black and is now a gorgeous Emerald Green as you can’t get that colour in a shortscale left hander
  3. In my humble opinion, you could save yourself at least £1200 on a Fender and have one of mine lol
  4. it was 9.4lbs when i weighed for the advert. Also the bass has that little something extra in it……..my love, blood, sweat and tears lol
  5. I think my build is JB1 only because it is more “zingy” and I seem to remember headless wanted to change some stuff to make mine more. towards the higher frequencies but then I am absolutely clutching at straws between the two. I hope so because I prefer the sound of the first one as I prefer the less muddy sound. Either way for a change of capacitor and some different pickups on the price of the original bass it is a fraction of the cost of the Fender
  6. It’s a brand new Chinese one that I have levelled, fret dressed and made generally lovely
  7. Thanks you for the compliments. I have just weighed the bass and it is approx 10lbs
  8. I had a great day in the sun putting this together today. It will be my turner of slabs into body blanks and for some thinning for blanks prior to drop tops. The action is really smooth and I’m very impressed for £150. I nearly had my eye out taking the plunge spring out of my Triton though. I didn’t realise the size of it lol
      • 6
      • Like
  9. Plastic added to protect the light
  10. Forgot to mention that I am also waiting for a clear plastic wall corner protector. It is L - shaped and will sit in front of the light to protect it from the spray
  11. So apart from a HVAC filter that is still to be delivered, the spray booth is finished. Constructed from 18mm MDF with plans generated by ChatGPT, an adapted dj light stand for a jig, a used hydroponics extractor fan off eBay and a Mr Bezos led batten light. The duct tape is not holding it together but just some extra sealing on the panel joints as well as glue and screws. The baffle protecting the extractor filter from overspray just slides out so I can change the filter easily. I am hoping that this will make spraying easier, quicker and yield better results. I will look to support the hoses better so reduce the angles at the extractor fan and improve airflow. I was also not worried about the interior look as it will soon be covered in paint lol. I just need something to spray now……..
  12. Shielding issue is also a good shout especially if it is worse when you move nearer your amp
  13. I would go with a grounding issue as well. Does the noise change if you touch the strings or bridge?
  14. You are absolutely right that they did come originally with American made Barts. I still have them so I can include them with sale in case someone wants to put it back to more original.
  15. I am thinning the bass herd to fund a spindle sander so selling my Ibanez SR1000EFM Prestige 2005. An upgraded, gig-ready beauty loaded with Nordstrand pickups, a John East selectable active/passive Uni-Pre 3-band preamp, and genuine Japanese Luminlay side dots. These basses do not come up for sale very often as they are absolute keepers. There is barely any fret wear. Even for one of these models, the figuring on the flame maple wood is exceptional and this is complemented by the matching flame maple headstock wooden “Prestige” truss rod cover and rosewood fretboard. This was built before CITES regulations came into being so is “proper” rosewood but as a finished instrument is exempt. I still have the made in the USA Bartolinis pickups that bass was built with and I will include these with the sale in case the new owner wants to put it back to more original. They haven’t been used for a few years so I will chuck them in for free if the buyer wants them. This isn’t your average Ibanez; it has the playability and feel you’d expect from a Prestige model. It was made during the time(2005-2009) that the prestige line moved from production in Japan to Korea. Only the J Custom basses are above these in quality but I would argue that this is one of the most refined, fast and comfortable basses I’ve played. The build quality is superb. It’s been freshly strung with new Elixir Nanoweb strings with very minimal playing time and had a full set up by Selborne Guitars, so it’s ready to go straight out the case. Specs & Upgrades: 24 fret 5 piece Maple/Bubinga Neck-thru construction with Ibanez SR thin and fast neck Flame Maple top with Maple wings Rosewood fretboard Offset Abalone inlay dots and headstock logo Nordstrand pickups - Big Singles I think – articulate, and punchy 9v East Uni Preamp – crystal-clear EQ, lots of tonal control Totally independent active and passive signal paths guarantee completely smooth blend when set to active. Custom designed pots allow optimal placement of all controls within active and passive signal paths. Class A FET input stages for great sound quality, with two gain trim preset adjusters for each pickup. Operational response of Bass Control can be set internally at both the lower and upper ends of the bass spectrum. Treble Control with internally adjustable frequency voicing, plus Bright as a pull switch. Mid Control with Frequency Sweep. Overall response can be set as flat or with pre-shaper contour, which adds some warmth and sheen. Modular concept allows for easy installation and replacement of parts should that ever be necessary, all with pluggable connections. Screw terminals are used for all external connections such as pickups, power and grounding, for easy installation. FLAT RESPONSE: Neutral response setting. PRE-SHAPE: Gentle lift at the lower and higher frequencies, peaking +4dBs at 40Hz & 10kHz. PICKUP GAIN: Internal Trimmers 0-12dBs for each pickup in Active Mode. BASS CONTROL: +/- 18dBs Cut/Boost with internally adjustable bass window BASS WINDOW: Lower Frequency Filter 20-80Hz & Higher Frequency Filter 40 - 200Hz. MID CONTROL: +/- 14dBs Cut/Boost with Frequency Sweep 100Hz - 2.5kHz. TREBLE CONTROL: +/- 18dBs with internally Shelf Frequency 1kHz - 7.5kHz, Pull for Bright peaking at 10kHz. Lumilay side dots – visible in the dark, super useful live and added by me Schaller strap lock buttons Tuners - original GOTOH GB707 in Cosmo Black Height adjustable nut Mono Rail IV individual bridge saddles Original Ibanez hard case New Elixir strings Couple of small dings – purely cosmetic, the mark on the side of the body was a scratch that was repaired and refinished. shown in photos Setup recently done by Selborne Guitars Original Ibanez manual More pics available on request. Collection only from Fleet, Hampshire Try it before you buy it absolutely encouraged!!! Drop me a message if you’re interested or have questions!
  16. so you decided for the pickups over the pot capacity changes then? Lol. Let me know how it goes with the Fenders as I would like to move away from the Wilkinsons. If they get you closer to the sound of your American then we may have struck value for money bass gold!! An affordable jazz bass that is on par with a Fender American
  17. This js my homemade spraying jig(mk1). I had it poking into a couple of cardboard boxes taped together with an old fan blowing out the garage door. I am about to build a proper mdf booth with someone’s used hydroponics extractor fan, lights and some proper ducting to sort the overspray
  18. Selling my GRBASS 410+ wooden cab with GRBASS cover. This is the plus so is 1200w 4ohms not the 600w standard. I paired this with my Hartke LH1000 amp and sounded immense. That amp is also for sale and I will do a deal if you want both. GRBASS boast that this is the lightest wooden cab in the world. Some specs: 49.6lbs - 22.5kg 1200w RMS (AES Standard) 4ohms 4 x 10" custom Jensen/Sica woofer 3 position tweeter switch W24,01 x D16,73 x H27,95 inch Overall, it is in good condition with some marks on the name plate on the front. The covering is good(see photos) Collection from Fleet, Hampshire and you can see it in full flow if I still haven’t sold the amp first.
      • 1
      • Like
  19. It is time to part with my Hartke LH1000 amp as it is just sat gathering dust. It comes in a metal double ended opening flight case so it just lives in there. It is an absolute beast, quite heavy and stupidly loud. Some specs: Dual Parallel Mode: 2 x 225 watts @ 8 ohms, 2 x 320 watts @ 4 ohms, 2 x 545 watts @ 2 ohms Bridge Mode: 1 x 750 watts @ 8 ohms, 1 x 1100 watts @ 4 ohms Classic 12AX7 High Voltage Class-A tube preamp circuit Bass and Treble Shelving, plus mid-peak EQ controls Selectable brite switch for added high frequency response Selectable limiter switch with LED indicator Balance control blends level of A and B outputs Front panel XLR balanced direct output Rear panel 1/4-inch effects loop 1/4-inch plus Speakon output connectors Two-rackspace metal chassis with steel faceplate and handles I think I remember swapping out the valve for a Mullard or something similar. I will also include a spare valve for free as I have some knocking about including some Mullards, etc. I paired this with my GRBASS 410+ cab which I also have for sale separately and would do a deal for both.. Collection from Fleet, Hampshire and you are welcome to try before you pay.
      • 1
      • Like
  20. I think any sturdy tripod type stand with a bar would work if you are prepared to do some drilling etc. I will look at the Tonetech filler as well.
  21. I I didn’t go back to bare wood on the majority of it. Harley Benton use some sort of poly to seal under the paint so I left as much of that as I could. I went over the whole thing with Rustins grain filler and their sanding sealer. I wasn’t so impressed with the grain filler and would try Nitorlack next time as it doesn’t go on very well even when well thinned. it’s the second time I have tried Rustins and both times it wasn’t great. I’m open to any suggestions from the wise as to a good and easy to apply grain filler?
  22. We used to use the one in Reading but they decided to increase the number of DJ rooms and with that came the smell of cannabis, phone numbers of drug dealers on the toilet walls and groups of yoofs who would club together to rent a room for the day. They would order drugs, pizza and alcohol and basically have a parties to the soundtrack of overpowering drum and bass echoing down the corridors. It all got quite intimidating so we stopped using the studios. Added to this was the shocking state of the drum hardware which was always broken and the general state of the rooms themselves.
  23. This was a little new black left handed short scale £85 Harley Benton which is going to be my 6yr old nephew’s birthday present. The only problem is his mum wants it in green and you cannot get a left handed short scale in green for less than £500 new and none second hand. Good old uncle Silky is in the process of a nitro refinish in Emerald Green. I have also levelled the frets, rolled the fretboard edges, dressed and polished (it is an £85 bass after all so what can you expect from new). It is turning out rather well!. Handy hint for a cheap painting jig……I have used an old disco lighting T bar stand with wood batten bolted to it to screw the body onto. It’s fully height adjustable and you can spin the body on its long axis by loosening the Allen bolts on the bracket. Puts the body at just the right height however tall you are.
  24. Arrr thanks very much for your lovely feedback. It was a pleasure to meet you yesterday and I’m looking forward to working with you on your next idea!!!
  25. This is my back up amp which was never gigged but used for a couple of practices and carried around in my gig bag “just in case”. The amp is very light and compact hence it lived in my bag. It is 500w according to blurb but I have never found it lacking in a loud band setting. It has some marks and scratches from being in my gig bag but works perfectly. It is surplus to requirements now as I have a Stomp XL that will do the job as an amp back-up. The marks and scratches all shown in the photos which form part of the description. Grab yourself a bargain, lightweight spare amp. Collection from Fleet, Hampshire or will post for extra £10
      • 4
      • Like
×
×
  • Create New...