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Obra

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About Obra

  • Birthday 21/04/1978

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    Outside EU

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  1. That thumbrest is the same like mine 🙂
  2. I would do everything to save and keep that old cool bridge
  3. After more than 7-8 years, going back from big to smaller board
  4. You have to be very careful with latency! Especially since I see that you also use wireless.
  5. Latest development on my board
  6. These are some that I enjoy more than many others: China Girl - David Bowie Love Song - The Cure Black Hole Sun - Soundgarden Bitter End - Placebo No One Knows - QOTSA Red Right Hand - Nick Cave Fell On Black Days - Soundgarden
  7. After reducing the weight and throwing out unused ones...2024 layout is here.
  8. Here it is...finally tried the TT5SL. I did a comparison of two fairly comparable bass guitars in all but one - weight. SL is incredibly light - only 2.7kg (5.95 lbs) UNREAL!
  9. 👍
  10. Today one flew into my studio...couldn't resist making a test video.
  11. Just got my new AT410 few days ago. 11.6 kg!!! Here is a video I just made comparing it to an Ampeg PF-410 HLF.
  12. I bought Darkglass Tone capsule directly from Sandberg, but they sent it to me through the dealer. Also they sent me a stacked pot and a wiring diagram (high mids are now tone in passive mode as I requested). Everything fit tight but perfectly inside. I decided for the Tone Capsule because I previously had a Darkglas Vintage Ultra V2 pedal on which I manage to get the sound I was looking for. Only later I saw that the Tone capsule on board preamp has the same (or almost identical) frequencies. I wanted it inside not in a pedal.
  13. I did exactly what you want to do. I put the Tone Capsule in my TM4 and kept the tone control in passive mode. Now I'm much happier with the sound, because the two perfect mid controls use a lot more than the original EQ with the treble control, especially when trying to imitate the Stingrtay sound.
  14. As I am aware, Fender wrote this on their web site about the tone control on the Performer: ''This uniquely Fender tone system lets you cut treble without losing gain or “muddying” your sound, preserving your carefully shaped tone.'' While making the video I heard the difference, and I can explain it so that the Fender makes the sound less muddy, and Sadowsky keep more bass whet turn the tone pot all the way off.
  15. I have not played Sadowsky Japan, but have an opportunity last week to have new German MetroLine Sadowsky series in my studio, so I made an comparison to Fender Performer PJ. Here it is.
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