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@RichT I’m surprised you are getting hum from an active bass but perhaps you use it in passive mode? I’ve always found the active circuit does away with the hum but perhaps I have been lucky with my active basses. If you like the sound of the 4J 70s, I would be inclined to try copper tape shielding of the cavities, before lashing out on another set of pickups. I have always found this very effective with jazz type basses. It helps if you run some ground cables between the cavities that are not contiguous, with everything going to the output jack ground.

I had one of the Indonesia passive single humbucker models that I bought direct from Vox. There were no problems with it but it had clearly been removed from the shipping box and worked on. It was well set up and everything fitted properly. Unfortunately, the price I paid was much closer to RRP. I was in the process of selling it when they dumped remaining stock on GuitarGuitar at fire sale prices. I had to go even lower to sell it. Consequently, I have lost my trust in Vox and radical designs in general (although I still have a Nordstrand Acinonyx).

I guess big boy prices, big boy bass. Shame in a way but the original models didn’t sell well and they seem to have concluded that the scale length had something to do with that. I wish them well but I think these are going to be even less successful at this price.

Quite expensive: £599! £250 more than the Streamliner Jet. Apart from the 32” scale and front humbucker, I don’t see a huge amount extra to justify the higher price. A little bit of contouring to the top is welcome but no belly cut. It looks like the same super cheap BBOT bridge and knock-off Gotoh tuners, which will probably need replacing quickly (at least there are plenty of drop in upgrades), adding to the cost of ownership. Always nice to have another “affordable” medium scale on the market, of course.

How long before they start being discounted? Having been burnt badly on the previous Starstream, I certainly wouldn’t buy one of these for that money, even though they are now Japanese made. It seems like a lot of cash for a very marmite design (one that I like BTW). You could spec a Maruszczyk Frog, or the Mensinger equivalent for similar, or less money.

Played a gig at a classic car show yesterday afternoon with the covers/originals band. The venue was a farm/caravan site in Nelson’s birthplace. We were playing in the doorway of a barn which had been converted into the amenities block for the caravan site, so not as bad as it might originally sound: it even had coir carpeting in the band area. This faced across the main entry road to a courtyard/stable block which had been converted into a cafe, bar and shop. The classic car display was in a field to the right of this area. All a bit odd in terms of our audience but on the other hand, the owner was extremely welcoming, told us to get whatever we wanted from the catering for free and paid slightly more than the usual local pub rate👍. It turned out that kit messages were somewhat confused prior to the gig, such that I arrived with my EV active 12” PA speakers, as did the keyboard player with his Yamaha equivalents, the drummer also brought an active sub. Given the distance from our location to the punters, we opted to use all of it and DI everything. That made my two LFSys Monzas somewhat overkill for “onstage” and consequently I didn’t get my chance to open them up. The gig itself went OK but seemed a bit of a paid rehearsal as most of the punters were a long way away. It was like a sauna in the barn entrance but fortunately I had brought a towel and a change of shirt. I got somewhat irritated with the lead guitarist who was constantly turning round, urging us to speed up. I agree that we took a few numbers at a leisurely place but given the lack of A/C, or fans, I thought our drummer was heroic. Everything has to be taken at breakneck speed, or the lead is not happy. IMO some stuff just doesn’t work fast: I Can See Clearly now at almost 150 BPM; nah! It’s also pretty tiring over a 2 to 3 hour set. Anyway, we got a lot of compliments from punters; even some we couldn’t actually see during the set but evidently they had no issues hearing us given our double PA 😀. More importantly we have got a follow on booking from the venue.👍🤟

I guess I do. I don’t have a bass that cost more than £1K but the one that cost the most (used Maruszczyk Elwood 4a 32”) is my main bass with one band. I couldn’t afford to replace it with a new one now and I would be upset if it was nicked, or seriously damaged but instruments are not ornaments, you have to use them. The Maruszczyk doesn’t get any audience attention but the much cheaper Guild Starfire 1 does. I guess the latter is big, red and retro looking.

Nice solo Daryl! Thought it sounded great overall. I get what you mean about the guitar sounding a bit out on occasions but probably wouldn’t have noticed if you hadn’t pointed it out. That’s Strats in a hot environment for you though.

Hi, sorry for the delay. These are the measurements. Nut to front edge of the neck pickup 65 cm, 25 5/8”. I’m not sure how the zero fret affects that, so perhaps the distance from the 12th fret is more useful: 12th fret to front edge of the neck pickup is 24 cm, 9 1/2”. I hope that helps. Good luck with the mods. We look forward to seeing the results on here. 👍

That’s good about the Ultra Jazz. I won’t be able to do the measurements until tomorrow I’m afraid.

Fair enough regarding active basses. I only ever use my active bass in passive mode. Each to our own. The parallel serial switch sounds like a good idea. Worth going after that. I forgot about the pickguard. That should cover up any unsightly holes and rough edges. Just keep in mind what I said about the bridge pickup on the Mezzo. It may be difficult to find a direct replacement of the same size. Worth checking the dimensions before ordering, unless you want to do some woodwork there too. There is no pickguard there to cover up any rough edges. You don’t need to change the original barrel jack socket. You can use the extra ring terminal as an additional ground connection, or just ignore it. I don’t really like barrel jack sockets on basses and they do tend to develop faults. Also I don’t think the sockets Ibanez use are particularly good quality but that’s just my personal preference. I have a Maruszczyk Elwood (Jazz bass clone) medium scale at home. I will measure the front pickup location for you when I get home. I’m not sure if it is in the ideal position but it sounds very good to my ears.

Wow,a lot to answer there. Simply, yes you can go passive many have done it. You can have a blend pot but you need to get one with a shaft long enough to get through the body. Allparts do one. Go for 250k pots for the other ones. Again you need them to have long enough shafts to cope with the through body mounting. I can’t remember if there is enough room to accommodate full sized pots in the cavity but if there is I would advise using them. I was unable to obtain CTS 250k pots with long shafts in the UK (they may be available in Italy). Failing that Alpha do full size (and mini) pots with a shaft long enough for through body mounting. For the capacitor, go for 0.047, or 0.1 uf. I wouldn’t try to reuse the pots on the bass; they are pretty horrible and they may be the wrong impedance anyway for a passive setup. I think you are making life very difficult for yourself trying to convert it to a Jazz/Jazz set up. You would have to do a lot of routing, filling and repainting as the Jazz and P pickups are completely different sizes and shapes. Also, I found the quality of the body wood was very poor. It just crumbled when I took a very sharp chisel to it. By the way I was doing that to accommodate a normal size Jess pickup in the bridge position. The OEM jazz pickup on my 4 string was smaller than standard, I suspect this will be the same on the 5 string. It might be worth checking if a Jazz neck pickup will fit, otherwise you have to open up the route and as I discovered, it isn’t easy wood to work with! You are going to have a spare hole, if you go for a passive vol/blend/tone set up. You could us that for a standard mono jack socket and blank off the OEM jack location with a plate. Otherwise you are looking at replacing the OEM stereo barrel jack: there are plenty available but not all will fit in the space Ibanez provide. TBH, I would be inclined to replace the standard Ibanez preamp with a Glockenlang 2-band from Thomann. Reasonable price, very transparent, it has a passive mode with tone control and there is not much volume difference between active and passive mode. It pretty well drops into the Mezzo (I know, I have done it). It would give you much less work and not cost that much more.

Hi @Big_Sam. You have had masses of good advice about how to get the sound you want out of your BF cab. At the risk of muddying the water, I have discovered that the old school tone I wanted out of my rig, is not necessarily the sound that gets you heard in the mix. Now you might be happy with being a rumble in the mix but it can also be a muddy mush, especially in a space with difficult acoustics. I have been surprised by how much different my “on stage” tone sounds out in the room. Since getting a wireless system, I have had the opportunity to walk out in front to hear what the audience are getting and it can be quite different to what you hear close to the rig. I am now prepared to put up with a bit more high-mid and top end just to get a bit more clarity out front. Anyway, I just offer that as a thought, which you can completely ignore 😀. BTW, I have a Barefaced Two10 and 2 LFSys Monzas, the latter being more akin to your Super Compact but even more FRFR. The audience can hear the Monzas very well, the Two10 not so much without some upper EQ tweaks.

I forgot about this until now. I haven’t taken the grills off my Monzas but I did a rough measurement against the grill. Not very accurate because both ports seem to be about 12mm, which is almost 5”. I suspect a more accurate measurement would confirm they are both 5”. This makes sense as I bought the second Monza only a few months ago. I am assuming, therefore, that mine have the lower crossover as well. They certainly work well together. I have an outdoor gig coming up in a couple of weeks, so I will be able to give them some real welly. I can’t wait to hear how the rig sounds at volume.