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Everything posted by Obrienp
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@kodiakblair Many thanks for the advice. I’ll see how far out it looks when I pair up the neck and body. Many thanks for the advice on how to do the surgery. I will use that method if it comes to it.
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The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
Interesting. Not bad for fixed neck as well. I wonder if they vary but a friend said his was over 4.5kg and he had heard of heavier. -
Reviving this thread because I am about to try fitting my ‘51 p bass neck (All Parts licensed) with the square heel to a pattern split P pickup ash body (Gear4Music), which has the rounded pocket end. The body is in the post, so I haven’t had a chance to match them up yet but the general dimensions sound alright. My question is, how much reshaping of the pocket do you have to do? Does it have to completely match the neck heel, or is it OK to do enough to get it to seat, leaving a semi-circular gap between neck and body? Is there any reason why the gap shouldn’t be filled with regular wood filler, or should I just leave it? I am guessing that I might have to mount the bridge a bit forward of the pre-drilled mounting holes, if I leave a gap between neck heel and back of the pocket. I will measure carefully to see where 17” from the 12th fret lands. I am going to use a Fender high-mass bridge, so it might have enough travel to not need this adjustment. Anyway, any advice and benefit of experience gratefully received. BTW, the reason I am doing this is that the ‘51 p bass bitsa I had the neck on has an Obeche body. This is very light and easy to work but not dense. The consequence seems to have been that it sounds unacceptably bright. I have tried both a Jess Loreiro (not sure I spelt that right) and Seymour Duncan Quarter Pounder ‘51 P pickups in it. Both sound really clanky and brittle, with very little bottom end to speak of. I also have a DiMarzio DP145 Will Power pickup in the neck position and that sounds bright for a mudbucker style unit. Consensus of opinion over on Talk Bass was that the Obeche body was the culprit. I didn’t want to spend the amount of cash required for a ‘51/‘54 body in ash, so I went for one of the cheaper split pickup options. I have a Tone Rider TP1 from a previous project, so this is quite a low cost experiment for me. Another aside: I almost exclusively play medium and short scale basses with Jazz style necks these days, because of arthritis in my left thumb and short fingers. Bizarrely I find the massive ‘51 neck (43mm nut and deep profile) quite comfortable, whereas I struggle with more modern P-bass necks. I’m not sure what the logic is in that! The picture is the donor bitsa ‘51.
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The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
Some might call Rickies medium scale at 33”. Personally I think that is a push. Aren’t they incredibly heavy? I don’t think I am ever going to find out now, as they are just too expensive for me to take a punt on. However, over on Talk Bass quite a few people have said the Nordstrand Acinonyx channels the Rickenbacker vibe. I wouldn’t know, not ever having had a Rickenbacker but I do enjoy the Acinonyx. -
Not to diminish your experience in any way and I hope your situation improves very soon but to balance out, I just had a good experience selling a bass on Facebook Marketplace. I had the add on several groups, so I am not sure which one it was that hooked the buyer. Anyway there were some possible red flags: he lives in Spain and had me courier to a UK address (his outlaws) but he paid directly into my bank account, so I have the money and he just contacted me to say it had arrived safely and on time (unusual for Parcel Force) and to thank me. I was, however, contacted by another buyer who offered me more than the advertised price without any prompting from me. Said he was a collector of this particular bass variant (find that doubtful). Fortunately, I had already accepted the offer from my buyer (asking price), so I was able to turn him down. Maybe he was genuine but fortunately i don’t need to find out. I understand that this approach is a common start for one of the scams. Apparently it can involve PayPal and someone (not the buyer) turning up to collect it. They then raise a dispute through PayPal that they never got the item. PayPal refunds the money and you are left with a 100% loss because you can’t prove it was collected by the buyer. There is a way to get a receipt on handover through PayPal but “not a lot of people know that” and I think it requires cooperation from the collector.
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I always live in fear of cabs dying. I take a spare head but usually it’s just the one twin, or single cab depending on the venue. If the cab goes, I’m left with just a DI to front of house. Having two cabs go is really bad luck! Good to hear the gig went well despite the technical issues!
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Two LFSys cabs! No trouble hearing yourself then I suspect. I’ve yet to gig mine. What’s your verdict on them in action?
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Ibanez SRMD200 Mezzo 4 String with Upgrades - *SOLD*
Obrienp replied to Obrienp's topic in Basses For Sale
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The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
What’s a 4D bridge when it’s at home? Four dimensional? Sounds a bit sci-fi but I’m struggling to think what the fourth dimension could be. Just looking at the body shape, I get the feeling neck dive could be a problem. Really not sold on the looks TBH but great to have more choice in shorties though, even if it comes at a price! -
These posts are triggering me back to the Network Administration courses I did many years ago, back when Sun were a big name and Unix ruled 😱. I am so glad I moved into application development, then project management and finally technical sales for application services! Haven’t we got a little off the original topic here?
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Interesting; so just refuse to handover until they scan the QR.
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It seems like nothing. I guess you could get them to sign a receipt or get the handover witnessed but whether PayPal would accept that as proof…….?
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Is there a popular bass player, that you just don’t get?
Obrienp replied to Rayman's topic in General Discussion
Sorry, I couldn't stick it out to the end (I haven't got that much of my life left to waste) but based on the first half, they also seemed to have essentially the same idea. Now that might have been caused by the underlying theme they were jamming to but I was hoping one of them would come up with something different melodically, rather than just different versions of the same parlour tricks (harmonics, rapid percussive slapping and bending the neck mostly). BTW I'm not against this kind of music per se but it only took the keyboard player's intervention to show how little the bassist were actually developing the theme. At least with one of Eric Clapton's Crossroads line-ups the guitarists do display genuinely different approaches to soloing (well mostly, some fall flat on their faces). However, to be fair to these guys, in a genuine band performance, they would probably do one of these solos once in a whole tune and in that scenario it might sound genuinely fresh. A string of bass solos is bound to make the audience lose the will... -
Is there a popular bass player, that you just don’t get?
Obrienp replied to Rayman's topic in General Discussion
Go on. Put us ignorant ones out of our misery. ? -
Is there a popular bass player, that you just don’t get?
Obrienp replied to Rayman's topic in General Discussion
Yep. It’s a bit like all the mad guitar shredding and tapping in the 80s and 90s. Amazing technique but does it pass the “so what?” test. -
Is there a popular bass player, that you just don’t get?
Obrienp replied to Rayman's topic in General Discussion
I’ve just watched MonoNeon doing the same on YouTube and I came to the same conclusion. However, some of his straight forward funk/jazz stuff is very good. I really don’t get the image though. I guess dressing up like a tea cosy gets you noticed. -
The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
Ah! I didn’t click through from the main bass page. However, there is a notify me when back in stock button. Confusing! They should update their web site really. However, this all means my H1 is more desirable through scarcity. 😀 Now on the basses for sale listings. -
I bought this Mezzo from a fellow bass chatter only a few months ago and was thinking I would hold onto it but I have really bad GAS for a particular fretless bass and need to raise the cash. The standard blurb on the Mezzo can be found here on the Ibanez site: https://www.ibanez.com/na/products/detail/srmd200_1p_02.html. My Mezzo has had the following upgrades from standard: Tone Rider TRP1 precision pickup set, Wilkinson JB Alnico V Jazz bridge pickup, Glockenlang 2 band preamp, Neutrik barrel jack socket, all cavities fully shielded with copper tape, Wilkinson WJB750 lightweight machine heads (Hipshot style) and Maruszczyk flat wound strings. It also had a setup from my local luthier after I finished the upgrades. He dressed a few fret ends, set neck relief, etc. I’ve added some pictures I took while I was doing the upgrades showing the tone rider pickups and the shielding. The price of £190 is for the bass with Wilkinson Jazz bridge pickup, flat wound strings and shielding but otherwise standard; i.e. I will refit the Ibanez P-bass pickup set, Ibanez preamp and Ibanez stock machine heads. If you would like to have the bass with the other items fitted, additional pricing will be as follows: 1. Tone Rider TRP1 - £25; 2. Glockenlang preamp - £80; 3. Wilkinson machine heads - £20. Buy the lot and I'll do the above 3 items for £110 all in. The Glockenlang is a much better preamp than the original Ibanez unit, which is loud and crude. The Glockenlang also has a pull up passive switch (on the volume knob) with passive tone control (treble knob), which the original sorely lacks. The bass is in excellent condition except for where I had to enlarge the bridge pickup route to take the full size Jazz pickup (Ibanez uses a diddy size). This made it a non-reversible modification but you really wouldn't want the original pickup anyway: really weak. I managed to chip some paint around the route and only had a gloss black touch-up stick, so it doesn't look very neat on close inspection. I don't notice it but make your own judgement from the photo. This is reflected in my asking price. I’ve now got a satin black matte touch up stick, so will try to tidy this up when I get a chance. The bass plays really nicely, is ergonomic and light at 3.5Kg. It has a super fast jazz style neck. The way it is packaged makes it feel like a short scale, rather than medium scale. Great for people with back and shoulder issues. This doesn't have a gig bag or case but I am sure I can package it up for posting/courier at buyer's expense and risk. You are welcome to come to try and buy in Fakenham, Norfolk. I am not really interested in trades as I have a particular bass in mind but if you have a short/medium scale fretless with a Jazz style neck, I might be tempted.
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This is not one of the fire sale basses that Guitar Guitar were knocking out for £199 last year! I paid good money for this a couple of years ago and it doesn't have any build issues that I can ascertain. No bad frets or anything like that. However, Guitar Guitar having spoilt the market, I am forced to price this accordingly, even though the Vox website is still selling them for £449. I had originally thought £350 would be a fair price: thanks Guitar Guitar! It's actually a nice little bass that is very ergonomic, light (3.3Kg) and easy to play. I have upgraded it a bit with a Kent Armstrong pickup, CTS pots, oil in paper .1 uF capacitor and a chunkier bridge (this all cost a tad over £120, plus different knobs as the originals were too small for the CTS shafts). It also has decent D'Addario nickel round wound medium gauge (50-105) strings that I put on recently. You will get the original pickup (that looks a bit like a Wilkinson) and bridge. I made up a solder free harness, so changing the pickup just requires a screwdriver. It also comes with a very nice padded gig bag. Scale length is 30.3", nut width 38mm and string spacing at the bridge 19mm. The neck is very much a slim Jazz style. The electrics are passive but the volume is a push pull: down the coils are wired in parallel (classic Stingray style), in the up position they are wired in series. In parallel mode I think it sounds pretty convincingly Stingrayish (at least like the short scale Sterling). Series mode is louder, with more mids. Turn the tone right down in series and you get close to that 60s mud bucker sound: think I Gotta Get Out of Here, or She's Not There (Zombies version). The only significant marks on it I can see, are where I managed to chip the finish around the pickup route when changing the pickup (it's a very tight route). Otherwise it is pretty clean: no bangs or chips to the neck or fretboard. It still has the protective plastic film on the control cavity cover. I am selling because I have serious GAS for a fretless and I want to try that before the arthritis stops me from playing altogether. Get yourself a very nice little Sterling MM SS alternative for very little money. It will certainly get you noticed. You are very welcome to try and buy in Fakenham, Norfolk. I have the original packaging, so can courier at buyer's expense. As I hope is obvious, I have priced this to sell quickly and I have a particular bass in mind, so not really interested in trading, unless you have a reasonably priced short/medium scale fretless.
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The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
Thanks regarding the H1. Just about to post it. If the A2S was a steal at £799, the current price of £399 must be complete madness on Vox' behalf! -
The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
Folks, While contemplating selling my Vox Starstream H1, I had a little look at the Vox website: they currently have offers on the twin pickup models. The passive one is £199 but the Artist A2S (active) is only £399! Given that the A2S has Aguilar pickups and preamp, plus Hipshot hardware, that must be a real bargain. I suspect that you would find it hard to buy those components alone for that money, let alone with a bass attached! Interestingly the single humbucker models are not being discounted and remain at £449 (passive) and £799 (active), which (of course) will make mine a real bargain when I get round to listing it 😀👍. -
As usual I’m about 10 posts behind the game here but on the topic of being paid for gigs: I came back to playing guitar and then bass in my mid 50s, after a break caused by life, kids, work, etc. Strictly speaking I don’t need to be paid because I do it mainly for enjoyment and to keep active in retirement but apart from charity gigs, I insist on being paid. Why? Because there are people who do this for a living. If amateur bands play for nothing, it further devalues live music and musicians. Heaven knows, music is already ridiculously undervalued these days and we mustn’t encourage venues to believe they can pay little, or nothing for live acts. Obviously we shouldn’t charge so much that small venues don’t make a profit from putting on live music but we should charge something, even if it is just £50 per person (seems to be about the average for music pubs around my neck of the woods).
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The Short Scale Bass Appreciation Society!
Obrienp replied to Baloney Balderdash's topic in Bass Guitars
As usual I am probably catching up with what everyone else has known for years but Thomann are listing a fretless version of the Sire U5 shorty. Bizarrely, it is about 40 quid more expensive than the fretless version, which seems illogical to me. You pay more for having less! Perhaps it requires more work to slip bits of plastic into the CNCed fret slots, than fit frets. Anyway, gripes about the sale price apart, has anybody tried one? What’s it like? I can’t think of any other reasonably priced fretless shorties, apart from the Harley Benton Beatles Bass. -
Is This Price for Making A Neck Reasonable?
Obrienp replied to Obrienp's topic in Repairs and Technical
Thanks for those suggestions @Andyjr1515. Yes it is a total b*st*rd, isn’t it. I think you and Tony are definitely on the same page. He has marked the neck up with tape as his starting point for narrowing it. He did talk about taking a rasp to it with the frets in but he was swithering on that. He said once he has taken it down to our tape markings, he will then get me to come over and fit it more to my hand. I will remember what you said about taking the shoulders off first. My inclination is that the Jazz profile is better for me and that definitely does not have the shoulders of the P bass profile. I also agree about the depth: I sometimes get twinges from the base of my thumb when playing the Nordstrand Acinonyx that has a pretty shallow neck. The thing that makes me nervous is that I don’t really get a feel for an instrument until I have played it a lot. Several times I have bought a guitar or bass, having played it in the shop and thought it was great, only to find later that I can’t live with the neck. A classic expensive mistake was a Martin D28 with performance neck that seemed fantastic at the dealer (I like a 45mm nut on an acoustic) but turned out to be just too chunky overall. I think I’m going to ask Tony not to refinish it until I am really certain we have found the Goldilocks profile. -
Is This Price for Making A Neck Reasonable?
Obrienp replied to Obrienp's topic in Repairs and Technical
OK a little update on this: the luthier has returned from his holiday and we had a couple of hours looking at options. After some deliberation, he suggested to me that the “problem” I am experiencing with my left hand arthritis is the P bass chunk and width of the current neck. I get on better with a Jazz style neck and therefore width and depth are the important comfort attributes. Increasing the scale length was a bit illogical given my arthritis. In his view something between standard Jazz and the super-thin Nordstrand Acinonyx might be ideal for me. I had to agree with his logic. In which case we were left with two options: make a new 30” super-Jazz style neck, or re-profile the current neck. He said the latter would come in under £200, whereas we were still looking at around £350 for a new neck. Suffice it to say the lower cost option won out. He also said that if it didn’t work out, he would start all over; implying that he would just swallow the additional cost of materials. Let’s hope it doesn’t come to that. I left the bass with him and he said he might make a start on pulling the frets over the weekend, if he has time. It sounds as though I might have a rejuvenated bass quite soon! 🤞