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Obrienp

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Everything posted by Obrienp

  1. Thanks. I couldn't find them originally but I now realise that is because I was using my iPad to access the site. Edit doesn't seem to be enabled in the mobile version of the site. I logged on using my MacBook and hey presto, those dots are there.
  2. Thank you for your kind comments Ben. I hope you get years of good service from the One10.
  3. Hi Folks, I haven’t worked out how to edit the heading yet but this has sold.
  4. Yeah. It does sound too good to be true. I just tried it on the bathroom scales and they say 3 kg (6.6 lbs), so it must be in the region of 7 lbs, give or take. It does feel like picking up an acoustic in comparison to my other basses. The chambered body must be helping a lot with the weight.
  5. Yes. I just weighed mine with one of those baggage scale things: 5.5 lbs. I have changed the standard Bartolinis for Aguilar pickups, which were not as deep, so that might have had a marginal impact on the weight.
  6. Sorry, I don’t know how to edit my original post but should have said that I am not open to trades on this I am afraid. I am trying to cover the cost of a recent purchase and I also need to thin the herd.
  7. Update to the above. The machine heads are Wilkinson, not Northwest’s own brand. One of the pictures shows where the chrome has come off the edge of one of the retaining nuts. The grey marks on the nut are where I have used graphite (pencil lead) to lubricate the slots to stop the strings from binding.
  8. I bought this Bronco bass from PMT earlier this year as an interim, while I waited for a short scale to be made by a local luthier. It is the ultimate mod platform as far as I can tell. Stock it is a sound instrument, let down by some of the hardware. I have only used it my home studio but it is a lot of fun. I have made some modifications to it, as can be seen from the photos. I fitted lightweight tuners from Northwest Guitars, with 14mm posts. You can see from the photo that I have filled the original screw holes with the old toothpick trick. The electrics have been replaced with CTS pots and a decent jack socket. I have shielded the cavities with copper tape so it’s very quiet on standby and fitted a Tonerider Precision Plus (TRP1) pickup, which sounds great. I have now replaced the original pickguard with a custom made 4 ply dark red tortoiseshell item cut to fit the precision pickup set. I also replaced the bridge with a chunkier item with individual saddle adjustment but the same (approx 18mm) spacing. It uses the same screw holes as the original but is a bit of a compromise. The design doesn’t really allow for enough saddle adjustment to get the intonation right, so I have had to replace one of the adjustment screws with a shorter item and use a spring behind the back of the bridge to pull the A string saddle back a bit. The intonation now sounds spot on to my ears. The neck plate and scratchplate still have their protective plastic film on. Condition wise the body and neck are in very good condition. There are a few minor scratches in the gloss black but none that go through to the wood. You will get all the original parts with the bass, so you can put it back to standard if you should want to, although you will need to sleeve the post holes, if you want to put the original machine heads back, as I have enlarged them from 12 to 14mm. I just fitted a new set of D’Addario 40-95 nickel round wounds. I decided to stick with the gauge it comes with as stock but I am sure it would be great with standard light, or even medium gauge. The extra lights are just so easy to play but I don’t they lack bottom end. Try and buy in Fakenham, Norfolk. Will travel up to 50 miles to handover, if I get the asking price. I have the original box but I am very nervous about posting TBH but will do at buyer’s expense.
  9. I have decided to move on this hardly used Barefaced One10 to cover another kit purchase. I bought this cabinet direct from Barefaced just before lockdown, so it has been sitting in my studio without much use. It has never been gigged but I have somehow managed to put a tiny ding in the top edge (see photo), it hasn’t broken the vinyl covering. I also noticed while I was photographing it, that they were a little economical with the vinyl inside the top corners and you can see a tiny bit of the ply underneath. This is only visible with the cabinet upside down (see photo). A spot of black marker would cover it but I mention it for completeness. Comes complete with a Roqsolid padded slip cover. You are welcome to come and try it, or collect in Fakenham, Norfolk. I have a variety of amps you can try it with, or bring your own. I have the original (recycled packaging), so can post at buyers expense. I would also be prepared to meet you for a handover within about 100 miles.
  10. I agree with the sentiment, plus my Gnome is my backup amp. My main amp for gigs is an Orange Terror 500 that has 2 x Speakon sockets, which I use to connect two cabs. In order to have my Gnome as standby, I need to remember to pack a jack to speakon cable in addition to the two speakon to speakon cables. If I ever have to do a hot swap during a gig, I will need to unplug one cable, plug in the jack to speakon and reconfigure the cabinet cables so that they are daisy chained rather than coming straight out of the back of the amp. That’s a lot of faffing about under time pressure, possibly in poor lighting and often cramped conditions. Admittedly I could configure the cabinets to be daisy chained out of the Terror but given it has 2 speaker outlets, I am inclined to think there must be a reason for that, so I use them both. It would be great if the Gnome had speakon out (even a combi). That way the hot swap would just involve kettle lead and one speakon lead out of the Terror.
  11. One10s seem to be a match made in heaven for the Gnome. I have the basic 200 watt model but it sounds incredibly loud through either one, or both my One10s; so much so that I am thinking of moving one of them on because it is surplus to requirement with this amp.
  12. 😀 Well I was thinking about headroom really. As I said, the Gnome starts to push the 250 watt RMS rated One10 to break up at about 3/4 volume. It is an 8 ohm speaker, so must be getting a max of about 120 watts at full volume from the Gnome. Therefore, I am thinking a speaker rated at 100 watts is going to struggle when you turn the Gnome up. As a comparison I had a MarkBass Micromark 801 that had a an 8” driver rated at 200 watts at 8 ohms and the amp delivered 45 watts at 8 ohms. It was comfortable at full volume but it did have a lot of headroom.
  13. I used mine for an open mic on Tuesday evening and it was great. I put it through a Barefaced One10 and it was pretty loud, clean and bassy. I’m not sure how it will work with a 6” rated at only 100 watts. I find that with the One10 you can push it to start breaking up at around 3 o’clock with gain at 12 o’clock. One10s are rated at 250 watts and are safe to (clean) 500 according to their designer. Anyway good luck. I am sure it will be OK if you keep the volume and bass down. I found the Gnome and One10 to be the perfect mini rig. The Gnome and cables fit in the pocket of my bass’ gig bag. With the bass gig bag on my back and the One10 in one hand, I have a hand free to open doors, use keys, tickets, etc and it is a really light, and easy carry: easily manageable on public transport.
  14. You really should be able to get a good pair of JJs for about half that if you shop around. Appreciate it doesn’t change the fact that, if the problem is not the valves, it’s a waste of money but IMO it is always worth having a couple of spares.
  15. Sorry to hear of your problem with the amp. I have a Terror 500, so I am interested to hear what the outcome is and whether you can get it fixed. It might just be worth contacting Orange customer service, they should be able to tell you how to diagnose the issue, if nothing else. Good luck and please keep us posted.
  16. I had one about 12 years ago and my lasting memory of it, apart from the mudbucker, was the weight for something that looked quite dinky. I think mine was genuine mahogany, or at least sapele. I imagine they have moved to basswood, or similar now, so possibly lighter. Neck dive was a big feature too. Not saying this makes it a bad bass per se but I did eventually sell it and get a Squire Jaguar SS, which I found more versatile but also a neck diver. Upgrading the Jaguar was a lot cheaper pickup and bridge wise though.
  17. Ah! Good point. The Aguilars probably need to be rails but I am sure Nordstrand can make custom single poles with the right alignment.
  18. Well I didn’t use the Gnome in the end, despite pools of standing water. I must be crazy! I went through the first half of the set thinking there must be a problem with the mains supply because the amp seemed under powered . When I came back for the second set, I noticed that the PAD switch was on: Doh! It worked much better once I had corrected that! Fortunately, I brought a half metre square of foam matting so I was able to stand the rig on that together with the extension sockets to keep it out of the water. We will have to wait for Ash to let us know how he got on with the Gnome at his gig.
  19. You are going to have to wait for Marvin to confirm the size. I think it is the D4 for the 5 string multi scale, which is actually a 6 string version (4.65” x 1.25”). Of course, you have to decide whether you are going to stick with the humbucker vibe (DCB), or go for the Jazz type Super Single, or the humbucker on steroids Super Double. It doesn’t look as though they do the Super Split (noise free Jazz) in the D4 size.
  20. Yes, me too. Mine (just the basic model) has stayed in the gig bag so far. However, we are playing a gig in a marquee somewhere in Lincolnshire this evening and with the expected weather, I am not sure I feel confident to use the Orange Terror with its valve preamp. I might just find out how the Gnome copes….into 12” cabs.
  21. Mine are D1 size, approx 3.9”x 1.5”. Obviously quite a bit different. Although with bar magnets, I would have thought they would be wide enough for a 5 string but maybe not a fan fret with diagonal pickups. Maybe the different format does have a big impact on the sound they produce. I’ll see how it goes before coming to a final conclusion about them compared to the Barts. My local luthier winds pickups at very reasonable prices, so that might be my next move if these don’t cut the mustard.
  22. Well I did eventually shell out the £200 for a set of Aguilar DCBs to replace the OEM Bartolinis; funded by the sale of my Markbass 801. I would like to report that I am bowled over by the change but to be honest, I don’t think the difference is that dramatic. I hadn’t played it with the Barts in for a few days before doing the swap, so maybe I would have noticed more of a difference if I had. A few points that others have not mentioned: the Aguilars have 3 retaining screws instead of two. Not a big problem but it would be nice if they came with screws, springs and/or foam. Instead you just get them in a cardboard box. Fortunately I had some black jazz bass type mounting screws left over from another project, so i didn’t have to order and wait for extra screws. The advantage of the 3 screw mounting is that you can adjust the angle of the pickup in two plains to get them perfectly aligned with the angle of the strings. The Aguilar DCBs are not as deep as the Barts. I didn’t notice this in my impatience to get them in the bass. Put it all together, got the strings back on and then wondered why the pickups were so far from the strings. I had to disassemble everything, find bits of foam and a few longer springs to get the Aguilars nearer to the strings. It was at this point that I got a bit miffed with Aguilar for not providing a mounting kit with their expensive pickups. Anyway I had enough bits and pieces from other projects to sort it out but still annoying. Funny how the cheaper end of the replacement pickup up market generally come with screws, springs, foam, copious wiring diagrams and fitting instructions. Get up to the refined high end atmosphere of Aguilar, Nordstrand, etc and you are lucky to get a scruffy bit of paper with a barely legible diagram on it. I hope I am going to grow to appreciate the Aguilar DCBs but I am currently wondering whether I should have gone for the Splits. I did consider it but thought the Jazz bass voicing would change the character of the bass completely. Still, it’s a very ergonomic and comfortable bass, so not regretting getting it.
  23. Agree with both comments above. I have lumped in with an Orange Terror Bass now but I would still like to see a user review of the Digbeth 500 head. Who knows what might happen in the future and it has got some good features for the price. I think it is a shame they haven’t come up with some more compact cabinet options but I guess it is in line with their design philosophy for the range: they have managed to make a solid state head pretty heavy and the cabinets seem to follow suit. They have obviously decided to buck the compact, lightweight trend.
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