StickyDBRmf

What they did in the studio changed recording history. Their songwriting? C'mon it's been hyped up way too much. They hit one or two every album and the rest is "I can make a tuber art". (sic, John)

My Stick falls down occasionally. It's bamboo so it usually can't be detected. You "relicers" are an odd bunch. I bum out with dents and such. And really hated that big 70's belt buckle.

I think I would buy a 60's P or J for about 5 hundred. That's all they are worth. Seriously they weren't that good back then and they ain't that good now. Doesn't mean I don't wish I had my old basses back. Just it don't mean too much if it sounds good and plays good.

I guess not! Well, if that's not a curdled pudding I don't know what is.

I have to try this again. You can't say "wombler"?

Shut up you wombler! And get ready for the...

The only Fender Precision Bass I ever owned was a maple neck fretless. And I wore the stinky poo out of it and had to replace the neck and pu's and everything else on it. But my was it a fun unit.

I was out there playing originals in the '80's and our keyboardist had deep pockets so we heard everything out there and I like the catchy stuff but I never got the whole Police thing even though they are catchy stuff...

Glad you posted this for as inquisitive as I am about the era I don't love or respect the beatles. Enjoyed that album "The Beatles" quite much but the rest yawn...

Is there any other than bad jazz guitar?

The owner met Emmett at NAMM in the '70's (if I recall correctly) and kept a relationship. He still hunts them down and gets them to sell in the shop. The one I saw was a 10-string DBR. Not the Grand spacing or I might have thought about it. Mine is a 12 DBR. I blew it several months back a guy was selling a plasma coated chrome Railboard in Baltimore I could have driven there in 3 1/2 hrs. Emmett stopped making them pretty quick. Greg Howard played Emmetts gold one at the memorial service.

We were doing an arts festival where I was cooking at a booth and going straight to the stage. The promoter was also a bass player and worked for me as as a cook. He had been booking our band locally for years and always felt it needed mentioning I played more with my feet than my hands. (the 80's - no pedalboard just boxes wired w/ patchcords). Got to the stage - baking Sun 95 degrees fahrenheit - nothing. We had to play our set, plugged straight into amp and shook the place. Dancing In The Streets. Not a dry bone in the crowd. Promoter never gave a disparaging remark ever again. And raved about our performance and professionalism.

Mr. Richard sounds like an upright chap.

So...Groundwounds?

Wot about the Canterbury scene?

"Flat". It's what you English call an "Apartment", ain't it?

Here in New Jersey we have a shop in Edison that carries, the last time I was there, a few Alembics, several lefties, 5&6's fretted & fretless, a couple of those short rubber-band basses, THEY EVEN HAD A CHAPMAN STICK. The owner met Emmett in the 70's and has always tried to have one (or two). Pedullas, etc. The place is known up and down the East Coast. And it's a SMALL shop.

No one asks me to play on NYE. Except maybe my girlfriend.

Thanks for bailing me out Luke. That was a close moderator alert...

Chapman Stick. Not gonna change tapping instruments at this point. Basses, whatever. Fretted, fretless, short-scale, hollow, whatever.

I prefer driftwood basses pre-soaked before performance in seawater from whence it was harvested. And brass hardware (corrosion issues).

UNKLE. Cool. Thanks.

What if the Pastor says, "You're not getting them on their FEET! They're not putting enough in the TILL!"

I used to play at CBGB's. Haha. No.

Pierogi. Or babka. Any filling/flavor.