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Everything posted by Paul S
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SOLD Drop to £1000 1982 JV Squier Precision, Fender Logo, tobaccoburst
Paul S replied to Paul S's topic in Basses For Sale
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Bought this on here to try, lived with it for a while and decided it is not for me. This is not really trying to be a double bass - it is essentially an unlined fretless bass with no body mounted on a stand so that it can be played upright. It is 34" scale length, so takes regular long scale bass strings. Neck is just 45mm wide at the nut, string spacing at the bridge 17mm. Piezo pickups are mounted in the saddles of the bridge, one volume knob - treble and bass can be adjusted via trim pots on the back. 18V preamp takes 2 x pp9s. The neck is fairly flat, becoming slightly more curved at the bottom, and this is another way in which it differs from the more double bass-like EUBs. Currently strung with Roto Trubass which needed a bit of fettling to get to work - wrapping the copper tape around the contact point with the saddles sorted the issue although I actually have no idea quite why. The stand is extremely sturdy and the ingenious adjustable ball-joint means it can be positioned any way you care to. It comes off the stand, which itself breaks down into 2 sections, and all fits into a neat carry case. When packed it weighs around 9.5kg and the case is 120cm long. Much easier to move around then, say, a Stagg EUB. The Dean Pace - not that common in 5 string - is a lot of fun, very much its own thing. It is not trying to give any kind of realistic double bass experience although strung with the Trubass strings it does sound quite double bass-y. The unlined fretboard, side dots give help with intonation, is lovely and there is mwahh a plenty to be had. If you change to metal strings this increases almost exponentially! It is eye-catching and, because of the normal scale length, perhaps a cheap 'half-way house' introduction to playing EUB. I'd say the condition is pretty good - a few scuffs and scrapes here and there but not abused. Looking for £250 collected from southeast Essex. I'd like people to 'try before you buy' if at all possible as this is such an unusual thing. Failing that I could meet half way to hand over or deliver with 50 miles for fuel. If all else fails I could courier it, mainland UK only, for around £25.
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SOLD Mesa Boogie prodigy Four:88 10th Dec down to £1000
Paul S replied to Paul S's topic in Amps and Cabs For Sale
A few pics, just to prove i do in fact own this. I keep it in a Stanley FatMax toolbox that does a decent job of protecting it from bumps with room either side to store the kettle lead and speaker lead. I can stand on it and not fear for the amps safety. This will be included in the sale. Fully loaded this weighs in at around 17kg, which is just too heavy for me. -
I had a Silver Series P bass and it is the one bass I have sold that I regret not holding on to. It was lightweight, slim neck, played fantastically well and sounded even better. Stupidly I kept on seeking my 'perfect P', not realising I had pretty much let one slip through my hands. A few years and many £hundreds later I do indeed have perfect Ps but it would have saved a lot of time angst and money had I simply held on to that Silver Series. Nice job, btw!
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Mrs S and I had a bit of a rethink for 2018 and we went to just 12 gigs. 2017 we went to 25, same in 2016 and beyond. The historical difference was travelling long distances to smaller venues 'taking a punt' to see what bands were like and invariably leaving early or walking out feeling disappointed. A big shame for us was the Brooklyn Bowl at the O2 Greenwich closing as that was an easy travel and we got to see lots of interesting bands there. If they weren't so good, well we had a nice dinner and it was only an hour door to door. Age and young bands - I am 61, I guess the 'youngest' band I have seen and enjoyed this year was the Brothers Osbourne. For me age/genre are immaterial - there is music I like and music I don't like.
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Thanks for this. By way of an update, I managed to acquire a Dean Pace 5 and spent some time with this before using it for an acoustic gig. Now I realise that a Dean Pace is not remotely double bass-like but more akin to a fretless bass mounted upright on a stick - it isn't my intention to have a 'double bass experience' as such, more about the sound, so this was not important. And I have discovered that, played like this, I find the string spacing too narrow and the neck too flat for my rather agricultural piz/fretting technique. Also having the extra 5 string I found muting more of an issue but this was most likely also connected to the narrow string spacing. Why playing at a 90 degree angle from usual should make such a difference I am not sure. I find playing the 4 string Stagg a much easier and more pleasant proposition and found that I can get around the lack of low B string quite easily so, for now, I'll stick with the Stagg. To take this forward I think I will try to have a go on both 4 string and 5 string NS Designs and see if they are worth the upgrade. That is pretty much the position I was in at the start before I got the Dean, which proved to be no more than an interesting but, in the end, pointless diversion Dean Pace 5 anyone? It will be in the classifieds soon.
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That for me is the main difference between playing in a tribute band and a pub band. Well, apart from the money, obvs. What you get back from the audience - this huge wave of appreciation coming back at you. I was stunned when I did my first Bon Jovi gig and felt this amazing crowd response.
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The issue is with individual piezo saddles rather than an under saddle strip. I think the Godin have individual saddle piezos? I have a Bolin NS Design with individual saddle piezos that just won't work with nylon tapewounds and a Dean Pace EUB - also with individual piezo saddles - that did with a bit of fettling. As it seems to vary I wondered specifically if anyone who has a Godin A4/5 has it strung with nylon tapewounds.
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Just wondering if nylon tapewound strings would work on a Godin A5 - I know they don't on all piezo bridges. Anyone say for sure either way? Ta
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No, not why amplification but why you state so categorically that amplification negates the point of an acoustic bass. As Mr Blank says, acoustic basses don't sound the same as sold body ones. They are different instruments for different types of music played with a different vibe.
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I have had a Fender logo JV Precision for sale for months. Your old one, in fact, Stevie. I'm not giving it away but I'm not asking daft money, either. 2 years ago that would have sold inside a day. Ditto Mesa Boogie Prodigy Four:88 - reasonable price, hardly a sniff.
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Seems straightforward to me - if you quote me and answer, I assume you are talking to me. As I was also one of the 'rock is dead' 'muppets', although what I actually said wasn't those exact words, I assumed also that what you said was headed my way. Whatever.
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I don't know why you have latched on to the chart thing - no-one mentioned charts other than you. I haven't listened to the top 40 for decades - you make some appalling assumptions. Just accept we all like different things and leave it there.
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Now that gets the old juices flowing... 😍
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A Jack 5 is probably the only thing I have GAS for at the moment. At least, of things I know about. Every now and then something I've never seen before starts it off.
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The bottom line here is that this is music and, like any art form, it is entirely subjective. OP and some folks like them, that is great. Myself and other 'muppets' don't - that's also great. There is room for everything, folks!
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Interesting to see the Jack 5 on those lists. I don't recall seeing one mentioned on here, other than me occasionally asking about them. Anyone ever had one/got one? I think I'd part with some hard-earned for a Jack 5.
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I have been gigging for 10 years - something of late-comer - and had an amp fail on me once at soundcheck. Mesa Boogie - one of the valves went and took an amount of the pcb with it. As usual I had my back up Quilter Basssblock in the car - so all was good. Could have got away with a DI from the BDI-121 I also carry but prefer to have backline. To my way of thinking the number of times I have used a back up amp is kind of a side issue. Same with taking a back up bass. It seems a bit like asking how many times you have had to claim on your house insurance - I guess most people will pay it annually regardless of claiming. But that is just me - I am very much a belt and braces type. .
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Well that didn't take long. Insulting people who disagree with your own opinion isn't a great way to have a discussion.
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By contrast I saw Rival Sons a couple of years back supporting Black Sabbath at O2 Arena and really enjoyed them. The Led Zep 'likeness' was there but that was all it was - the band played decent songs with power, skill and energy. Unlike Black Sabbath who, for me, had played a tour too long. I take everything I see on merit, not past performances.
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Solo artists who outshone their original band
Paul S replied to EliasMooseblaster's topic in General Discussion
Joe Walsh got a mention in the OP but his purple patch solo stuff was before he joined the Eagles. That isn't knocking him - I think he is one of the good guys - just adjusting the time line. -
I did all my rock listening in the late 60s/early 70s and after reading the hyperbole soo wanted to like this bunch. But I don't. They simply aren't very good. Style over substance. They must have spent weeks in front of the mirror, trying to get the pose and clothes right but they don't have the spark or energy. The tunes are lack-lustre, the playing less than mediocre. Yes he sounds a bit like Plant but, to me he sounds more like 'Little Eva' - maybe they should consider a cover of 'The Locomotion'. Singer has a few scripted poses but otherwise has the presence of a shop dummy. Before heaping praise on these poorly manufactured imposters folks should watch footage of any of the rock greats from the late 60s early 70s - Led Zep, Deep Purple, Black Sabbath and there is just no comparison - they were even younger than this bunch when they started but they could PLAY - with energy and excitement. That ain't rose tinted glasses, it is having ears and a soul. Seems to me the fuss made about this lot has less to do with what they are like as a band but more about the state of modern rock music and the dearth of talent. 'In the land of the blind, the one eyed man is king'. [/rant] IMO etc, obvs.
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Cure for those sticky flats (and balls....) ???
Paul S replied to Creeper's topic in General Discussion
A little talc would do it. I use it when playing the rubber bands on the Uke bass which feel very sticky in no time.