Paul S

I have recently become a fan of these Westone basses - superb build quality for very little outlay. I now have a Thunder 1A and a Thunder Jet, neither of which cost me very much. You could possibly keep your eyes peeled for a Thunder 1A bass, which crop up frequently on eBay and Gumtree, and cannibalise it for bits?

In case anyone is remotely interested I resolved this. To learn it I tuned a bass up a tone except the low string which is down a tone. Can do all that octave juggling a treat now. When we play it we'll do it in A and I'll just drop the E to D.

If you listen here it is quite clear, around 30 secs in, it goes up to Db then down an octave - it does this whenever this chord change comes along in the verses. But I am not sure what his tuning is to do that. I guess it isn't important.

One of my bands has decided they want to cover 'Somebody Told Me'. Every now and then he seems to pay a low D. I've watched vids of them playing live and he uses a 4 string but I can't quite get my head around whether he has just dropped the E to D or detuned the lot. I suspect the first but can't really tell. Any tips from anyone who plays it? Ta. Edit - I'm not sure he does now... I think what I was hearing as a D was just an E... anyone know for sure?

This was taken at the Stanford-Le-Hope Music Festival on Saturday. I think it was just when the UFO landed to the side of the stage but our singer hadn't noticed. [attachment=53590:Stanford...030710ra.jpg]

Hi Paul Interesting. Pics would be great but, meanwhile, colour? Condition? Price you are looking at? And, again,mildly off topic but I ended up getting myself a matching Washburn Raven in black as a little brother for the Scavenger. Nice!

Eyes left - my Washburn Scavenger.

I am a dunce. I just looked at the calendar and some work I thought wasn't due until the week after next is due next week, so that's the rest of my weekend accounted for. Hope you have a good 'un, chaps - after going to the SE bash last year and finding it such a great experience I was really looking forward to coming (North Circular Road notwithstanding...).

Sold my Squier Strat to Keith - a complete gent and a pleasure to do business (and chat) with.

Brilliant. Ta. I had always used the two outputs but when using a pair of supplied cabs at a new rehearsal place the other week the guy said to daisy chain them, as if using both outputs was wrong in some way.

I am almost embarrassed to ask but, well, I don't know . My Trace Elliot amp has two speaker outputs. What is the difference between plugging one cabinet into each or using one then daisy-chaining the speakers together? Or is there no difference?

Does anyone coming have one of those Ibanez Promethean combos they could bring along? They seem too good to be true.

[quote name='Paul S' post='866201' date='Jun 13 2010, 05:39 PM']Edit - hold on... I may have just sold it!![/quote] Well, would you believe it - this guitar has been sat in the for sale section for weeks and, as soon as I have posted this, someone has bought it. I have drawn a happy medium though, whilst feeling altruistic, and asked for £100 for the guitar plus whatever donation the purchaser wants to make to the Basschat pot. Still look forward to coming, anyway.

I'm hoping to come long on the day, I really enjoyed last year's SE bash. I have a Squier Strat [url="http://basschat.co.uk/index.php?showtopic=83403&hl=squier+strat"]here in the for sale section[/url] that I will bring along to 'auction'. If I set a reserve for £75, which is what I'll take, then anything it fetches above that can go to Basschat funds. [attachment=52137:STRAT1.jpg] Edit - hold on... I may have just sold it!!

The Railway Hotel in Southend (near the railway station ) 8pm onwards Wednesday 30th June - I play in two bands and both are on at the same night. 'May Contain Nuts' is kind of light pub rock - 8'til 9, then the first public airing of my new band 'Xerocks' which plays classic heavy rock. If anyone is local, free, interested, curious or sick of footy why not come along and have a laugh at me paddling root notes.

As the proud owner of a real black Fender Jaguar I reckon that, purely in terms of aesthetics, these look pretty hot - those extra Wallace and Grommitt-esque chrome plates for the pre-amp gubbins and all that complicated pup selection on mine do distract the eye a bit, IMHO. Stick a black scratch plate on it and you are in business, especially if the build quality is like the rest of the VM range.

[quote name='silddx' post='855496' date='Jun 2 2010, 10:34 PM']....play very fast riffs with total accuracy.[/quote] Hell, I gonna get me some if that happens.

+1 for getting secondhand. It is impossible to know immediately what sound you like or how to make it without trying lots of different things so almost inevitably you'll want to change whatever you get initially. If you buy new you'll take a hit on the purchase price. I know I did when I didn't listen to the advice on here - I bought Ashdown MAG 300 combo new plus ext. cab which I was happy with right up until I tried a Trace Elliot rig at rehearsal one night..... But whatever you go for you will stretch your funds considerably by getting secondhand. EBay/Gumtree can be a lottery but you can buy with confidence from here. And, of course, +1 for getting Trace Elliot. You can't really go wrong with these. There are 300W combos/ head + cab popping up all the time secondhand that are plenty powerful enough to keep up with loud drummers - I play in 2 rock covers bands and the rig in my signature has no volume issues. You can add another cab as and when funds permit. Assuming you are happy with the sound the TE gear should see you through right up until your back gives out in 30 years time. Ashdown stuff is good value also - it often gets bad mouthed for 'wooliness' and so has a poor resale value but for £300 you should be able to pick up a 300W ABM combo - the ABM range is significantly better than the MAG (which I had ) All in my extremely limited experience, I should add. Edit [url="http://basschat.co.uk/index.php?showtopic=83914&pid=848177&st=0&#entry848177"]Link here to one for sale at the moment in Ipswich - bargain![/url]

Wow. I'll say that again. Wow. Which do you use the most? I can't help but notice a glaring omission, though...... (sorry, couldn't resist...)

Thought I'd fill an idle moment in the lull before going on holiday by sharing some pics of my recent spell of Matsumoku madness. It all started with the Washburn Scavenger bass, which has been banded about in other threads a bit recently, and which I bought just a few months ago: [attachment=49313:wash8.jpg] [attachment=49314:wash2.jpg] [attachment=49315:wash3.jpg] [attachment=49316:wash4.jpg] [attachment=49317:wash5.jpg] [attachment=49318:wash6.jpg] Typical fairy story 'lived in original owner's auntie's loft for 25 years' - still had plastic cover on the rear pot cover plate, no fretwear, hardly a scratch on it etc etc. I was completely blown away by it - the quality, playability and sound. Weighs about 3cwt and is neck heavy but I forgive it any flaw. Cost me £175 and worth double, I reckon. So, that was it - I became hooked on Matsumoku - the whole idea of entry level guitars being made to such a high standard is just so appealing. I and started to take a peek on eBay to see what came along. Well, not too long later, this did - a Westone Thunder 1T guitar. Bought for an incredible £37.70 - incredibly another 'lofty one' I kid you not, and filthy dirty when I picked it up. 200 mile round trip to collect, spent a little getting it cleaned, set up etc but one heck of a lot of a guitar for a spend of around £100. One of the guitards in one of my bands recently bought a Gibson Les Paul studio and I reckon this is it's match: [attachment=49319:westone2.jpg] [attachment=49320:westone3.jpg] [attachment=49321:westone4.jpg] [attachment=49322:westone5.jpg] So then I got the idea I might want a Westone Thunder bass to match. Started to look on eBay and this Westone Thunder Jet came along - winning bid was £72 including the original hard case, collect only from Wimbledon. Fate - I was going to Wimbledon for something work related that week, literally 2 minutes drive from where this lived. New strings, clean and set up sorted out any immediate problems. I now have a well used but superb quality back up instrument: [attachment=49323:westone14.jpg] [attachment=49324:westone15.jpg] [attachment=49325:westone16.jpg] [attachment=49326:westone17.jpg] Then, just a few days afterwards I was made an offer I couldn't refuse on this Thunder 1A, bought for £110. Again, a clean, set up and new strings has brought this back to life - it really is good. [attachment=49327:westone9.jpg] [attachment=49328:westone10.jpg] [attachment=49329:westone11.jpg] [attachment=49330:westone12.jpg] A pretty handsome foursome which, in terms of total cash outlay cost around the same as my Fender Jaguar. Is the jaguar better? I'd like to say yes but, actually, I can't. Although very different to the Scavenger, for example, it is no better. I had always read of the devoted following these guitars get, now I know why. I look forward to getting to know them all a lot better this year and can hardly wait to pick them up.

And hi from Benfleet.

My Fender Jaguar has an enormous range of sounds available to it - my band #1 do 50s stuff through some slightly heavy 70s tracks to some 'modern' poppy rock type stuff and there's a sound there for everything. Well, except maybe I have never been happy with it for heavier rock, don't know why - but we don't do much of that. The other band does, but I use my new Westone Thunder which lives up to it's name rather.