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Richard Jinman

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About Richard Jinman

  • Birthday 18/10/1963

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    Somerset/London

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  1. Been playing DB for several years now and gigging with a gypsy jazz band. Looking for opportunity to play jazz, jazzy blues etc with others. No set ambitions at this point. Oh, and I’m 60, so if you don’t want to hang out with someone you’re dad’s age that might be worth factoring in. I’m near Glastonbury/Yeovil. Cheers
  2. Luke’s moved back to NZ. Bass was on consignment at a UK dealer, but can’t remember which one I’m afraid
  3. What a warhorse! And what a sound. If I was looking for/could afford a new DB one with this kind of pedigree would be it. GLWTS
  4. Having decided to settle on a French grip bow I thought I’d sell two German grip bows I’ve acquired. the best one is marked Guasti & Bottoni and is (I believe) Pernambuco. I bought it from a classical player for £160. It could do with a re-hair, but there’s plenty there to be getting on with. The G&B bow is the one at top of the picture directly below this text. the other bow does not have a maker’s stamp and is priced to let someone answer the question ‘Will I get on with German grip’ without breaking the bank. Buyers pay postage, but shouldn’t be much.
  5. Good point about GAS (classical gas?). I too used to trade bass guitars on a whim, but in the DB world you’re forced to commit. Once you’ve got a bow, a quiver and a stand (optional) you’re pretty much out of options in the accessory market. And the strings last 10 years and take 10 hours to attach so that’s not a GAS option. No, it’s only when you decide to amplify the damn thing and type ‘what’s the best pick up for double bass’ into Google that your troubles start.
  6. … and that last point is worth it’s own thread. Like hi fi and wine the 5 per cent improvement in sound seems to require an 80 per cent increase in expenditure
  7. Yes, I agree… I think there’s usually an enormous gap between insurance valuations and realistic selling prices. Selling a secondhand DB isn’t easy in my experience. It’s a small market and people are unlikely to buy without trying the bass first… all adds up to sluggish sales. Unless it’s a red hot bargain of course.
  8. I think this is a great idea, but I guess my point about pricing is really a question about resale value. If I drop £5k on a secondhand bass (not an inconsequential amount of money for me) it would be good to know I’ve paid a competitive price for it. If you buy a 70s precision you’re pretty confident it’s worth circa £2k - £3k for eg. But DBs (magical A strings notwithstanding) seem to be a free fire zone.
  9. I’m starting to look to upgrade my DB and despite doing some research online I’m still intrigued/confused by the prices attached to used basses. I realise of course that anything is ‘worth’ what someone will pay for it and I also know I need to play a bass before buying. But with that set aside I find it odd to see (for example) two German basses both made circa 1880 priced at £3200 and £7500 respectively. In other cases the ad will say ‘maker unknown, but possibly….’ And the price will still be well over £5k. Perhaps some people are getting insurance valuations and using them as sale prices… but it feels like the Wild West compared to the electric bass market where price parameters are fairly consistent. Any thoughts?
  10. I have to go to Hamburg in a couple of weeks and was wondering if anyone knows if there’s a good DB shop in the city? Thanks
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