Baloney Balderdash

Much of the bass on later Pink Floyd songs was actually played by David Gilmour though, even on songs Water's wrote. As great a song writer Roger Waters might (have) be(en), he has somewhat degraded as a bass player.

While not exactly virtuous levels of bass playing Krist Novoselic's play in Nirvana, unlike Adam Clayton from U2, consisted of far more than root notes, and he did quite a few lines that has become iconic, and are very melodic. I can't speak of the bass in Foo Fighters, haven't really listened to any of their songs, other than what I haven't been able to avoid, it seems like pretty plain boring rock to me. I do agree though that most of these bass players listed are not exactly what I think of as master players.

As said I really like it both looks and spec wise, but considering I could get a custom made bass made exactly to my preferred specs for that kind of money, and honestly likely at higher quality too, if I ever had that kind of money to spare for a bass, it is highly unlikely I would chose the Rickenbacker.

Wouh! That looks awesome! I want the yellow one!

Just got a Zoom MS-70CDR, old model, in the door, that I bought used, but it is in mint condition and works perfectly, cause the one I had sucked tone. I use it as kind of super 8 band fully parametric EQ, kind of a budget Source Audio EQ2, as EQ based cab sim, which I found I prefer to IR based cab sims (and yes, I realize I am missing out on the real dynamic frequency response of a real cab, that IR based cab sims are capable of, but it sounds great). Here are my settings for a faux bass cab sim, in case anyone is interested (using 4 of the 2 band "Bass Para EQ" model in series): Freq: 20Hz - Q: 2 - dB: - 20 Freq: 70Hz - Q: 4 - dB: + 4 Freq: 1kHz - Q: 4 - dB: + 3 Freq: 1.2kHz - Q: 4 - dB: +1 Freq: 3.6kHz - Q: 2 - dB: +6 Freq: 12kHz - Q: 1 - dB: - 12 Freq: 16kHz - Q: 1 - dB: - 20 Freq: 20kHz - Q: 0.5 - dB: - 20 I should probably add that this is followed by a HPF with -3dB cut off point set at 40Hz (something this pedal do not feature, though one could use the "AC Bass Pre" model on the Zoom for this function only, and just set it flat otherwise, I believe the "Depth" parameter of this model set to a value of "9" essentially is a 40Hz HPF). And this is the pedal, in case you are not familiar with it (just a random Google photo of it, not my specific unit):

Well, back to normal, except for this being a multi track track, and in stereo, which is something entirely new and different from the norm in the context of my contributions to this competition. Also thank you!

Dark secrets lure in the ocean for the foolhardy surfer, shattering the seemingly idyllic beach life, in this unsettling electro surf metal piece: Programmed in Reason 5, based on a 1st take recording I did of my tenor bass, used as a full sample loaded to the ReDrum machine in Reason.

Oops poste din the wrong thread...

Solo bass improvisations, recorded through my "amp-less" setup directly into my Zoom H4n handheld recorder, and only edited through a simple Wav editor.

Not to play the thread police, but just for fairness of the competition, someone has cast 3 votes, I am sure by mistake though. Edit: Never mind seems to have been corrected now, this was at 3 voters.

A new 1st take, but less improvised, improved and more compact version of a little hard rock boogie I made up, for a demonstration of how the 1 octave down of the Boss XS-1 Poly Shifter sounds blended with dry signal. Utilizing my 28.6" scale 5 string Ibanez GSRM25 Mikro Bass tenor bass, tuned to E standard tuning, using a pick. Also starring is the EHX English Muff'n (Marshall based genuine tube overdrive). (track illustration by me as well)

Joyo Orange Juice, if you are after a grindy type of overdrive. EHX ENglish Muff'n, for a fat genuine tube overdrive (which despite it's name is actually a Marshall based genuine tube overdrive, discontinued though, but a pretty common find on the used market, and for quite reasonable prices too). I just happened to have just recorded this little hard rock boogie, utilizing the latter:

And a more recent better shot (excuse my old crappy digital camera): Also it has now been strung with 1 Elixir Nanoweb Staninless Steel bass string of the gauge .085, and 4 Elixir Nanoweb nickel-plated guitar strings of the gauges .068 - .052 - .038 - .028, and tuned to E standard tuning, that is E to C. The low tension and gauge prevents the fretted notes from getting thuddy, even far up on the fretboard towards the bridge (this is a known issue, or feature, depending who you ask, of short scale basses, the fact that relative to gauge the stiffness of the strings increase exponentially the shorter the scale length, preventing the strings from vibrating properly), and I've adjusted my fretting and plucking technique accordingly. The reason why I use Elixir guitar strings for the upper 4 strings, beside obviously Elixir bass strings not being available in those gauges, and fitting perfectly in length to the 28.6" scale, is that the guitar strings are constructed differently than the nickel-plated bass strings, and. relative to gauge, got a much brighter tone in comparison relative, that is except for the stainless steel Elixir bass strings which is a much brighter sounding alternative for bass, hence why I use this for the low E (Elixir guitar strings only being available at max gauge .080). And actually this results in a very lively and snappy low E string, despite the short scale length, and balance perfectly tone, tension wise with the upper 4 guitar strings, and the very close to perfectly balanced tension between string gives a very consistent balance feel wise between strings as well. Oh, and as a bonus the coated Nanoweb Elixir strings last almost forever. I still like to change strings approximately every 3 month or so, but honestly the strings haven't really degraded tone or feel wise in any way by then, and I am confident that I could even go 6 months with the same set of strings without issues, and that is with an average playtime of 1 to 2 hours a day. You don't get that initial week of bright metallic sounding fresh roundwounds with Elixir Nanoweb strings, which I admittedly do love, on the other hand the Elixirs easily sound exactly as lively and fresh as when you put them on for months in and out, pretty closely resembling how regular uncoated roundwound D'Addario XLs will sound after they have been broken in for a week or so. Here's a sample of that: Oh, and by the way, now and then, I always run it through an always on 1 octave up effect, now handled by the magnificent Boss XS-1, to emulate an effect somewhat similar to that of an octave course 8 string bass.

I admit when I saw the thread tittle my brain automatically filled in the blanks: