warwickhunt
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To the best of my knowledge, the only one in the UK.
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This where I get lost off... It may well be the Mk1 with no mid control but the HX has dozens of ways of adding/subtracting mids while using the Tech 21 block. Surely if the core tone is right, then anything else is just embellishment as you'd get by tweaking EQ from the bass through to an amp or desk?
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Just an observation but if this is the 'digital' version of the Tech 21 DI bass driver type thing, is it not already modelled in the Helix/Stomp units? It may well be getting produced by the originator of that tone but at the end of the day it is just software/capture/modelling?
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The Diamond - Sutton in Ashfield. A great live music venue with a lovely family feel to the whole thing. It was an early Sunday afternoon gig but there were still 70+ Cheap Trick fans in attendance despite a £10-£12 entry fee. Taxman.mp4
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...and a truss rod adjustment tool (not original) I had a Pedulla a couple of years back and it had the exact same truss rod tool, so I'd say it is original. Nice bass btw -
Bad idea to make assumptions but... as there are a pair of XLR sockets in situ I'd be looking to unplug that one and plug my own L/R XLR>XLR outs from the desk. However as assumptions ca make and a55 of you I'd be prepared to take that lead from an Aux out.
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Output from the CQ mixer to your IEM transmitter, to your receiver/IEM... yes. All mixing for your output done via the app. -
HOW many steps?
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2nd hand Schroeder 212
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2 weeks away but at the moment, our Southern most gig... and a chance to hear the chiming (distorted) overtones of a 12 string bass played as homage to the pioneer: Tom Petersson! Oh and an early start (16:00) so an early finish!
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INXS UK playing Newcastle City Hall, Christmas Rocks 2025 with a guest vocalist; Jen from Alanis - Jagged Little Pill. WhatsApp Video 2025-12-29 at 9.21.04 PM.mp4
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Thomann advertise them as 2.4 but that might be incorrect.
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I'm not saying 2.4Ghz doesn't work, there are 1000's of regular gigging musicians using systems on 2.4 and many rarely have an issue but when I was using 2.4 I was plagued with drop outs; I put it down to our desk being 2.4, everyone else in the band using 2.4 AND most of the club/pub systems had stuff running at 2.4. As soon as I changed to the 5.Ghz range (in fact the MiPro system) I got zero drop out, the downside is that the range is reduced but I've never had a problem as most stages are quite open with no major obstructions. As a side note, today I'm off to do a multiband 4 day theatre gig and the techs requested to know in advance who was using what radio/IEM gear and on what frequencies bands.
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Personally if you are only a few feet away from a given transmitter point and unlikely to be moving around much, I'd be looking at being wired. If it must be wireless, I'd be going 5Ghz rather than 2.4; 2.4 can be congested and you have quite a few devices.
