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warwickhunt

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Everything posted by warwickhunt

  1. These 6x10s that we both have are fantastic standalone cabs and for someone agonising over a single cab solution that doesn't want to go the whole hog and get an Ampeg monolith, they really are are a great idea! If I weren't downsizing bands (full on 4 piece rock band to acoustic duo) then I'd have a 6x10 any day of the week. Hope you have more luck than I have Clarky... I have to confess that even though I've got a pair of replacement cabs I'm still gigging my 6x10 this weekend
  2. Come round and try my 2x Aggie 1x12s see what they do for you; I also know of a pair of Berg HS 2x10s possibly going spare (not local though). Better still isn't it time we got a bunch of cabs and amps together again?
  3. [quote name='steve-soar' post='217147' date='Jun 11 2008, 07:54 PM']Is there any way you can get them off the floor to hear them, without them looking like hifi speakers? Do you think they would loose any bottom end off the deck?[/quote] I think lifting them off the deck a short distance (or angling them) may well help and I don't think at lowish volumes the loss of bottom end will be a huge issue (possibly beneficial for the acoustic guitarist) especially if I'm just using one. [quote name='chris_b' post='217156' date='Jun 11 2008, 08:11 PM']You're using 2 12's for an (electro) acoustic duo? Isn't that a bit loud? I use a 1 12 and still have to turn the amp right down.[/quote] Sorry I should have clarified that I won't be using the 2 cabs with the acoustic duo! It's just that I bought the pair as a package and I'd like to keep the second cab for future needs, in fact just tonight there has been mention of a drummer being incorporated into some gigs. I also get called upon to dep for other bands occasionally and these are predominantly rock gigs.
  4. [quote name='steve-soar' post='217076' date='Jun 11 2008, 06:09 PM']Hi there, Mister Aggi cabs owner, how are you getting on with them?[/quote] Different 2x12 v 6x10... it was always going to be a compromise. I like the tone of them, though I'd find them totally unusable without the tweeter. When I first plugged in and played I thought 'Nice, wonder what they're like with a bit more tweeter on', it was on full I turned the tweeter off and I was shocked, that was a no go area. My Tech cab with the tweeter turned off completely, sounds like the Aggies with the tweeter at 50%. The general tone is pretty much nice and old school with a bit of a dip in the mid and a full bottom end. The Tech is pretty much flat until you start to drive it then it fattens up, whereas the Aggies tightened up when I turned the wick up. Even at a 4 ohm load they needed a bit more from the amp than my 6 ohm Tech cab does. Part of that could be to do with the fact that the Tech cab has speakers at toe and chest height whereas the Aggies are firing everything below the knees never mind waist I knew what the weight of them was before getting them but it is surprising how heavy the little beggars are... combined they are almost 50% again as much weight as my 6x10 Tech cab! I need to get rid of this Tech cab otherwise all I'm going to do is constantly make comparisons between the Aggies and the Tech. Oddly enough I'm using the Tech at rehearsal tomorrow and I'm likely to gig it rather than the Aggies this weekend for my penultimate gig with the rock band It has to go before I change my mind as the acoustic thing is going to look bloody silly with me sitting on a stool leaning against a 6x10 whilst a guitarist strums away on an electro-acoustic through an ickle Trace acoustic with his vocal mic plugged into the same combo
  5. [quote name='Crazykiwi' post='216758' date='Jun 11 2008, 12:13 PM']There are some demo videos on Youtube I've seen. The design intent seems to be to recreate a system that has a very full dynamic range - something that Hellborg has always pursued in his signature gear since getting into acoustic bass guitars. The marketing seems to be promoting something akin to a hi-fi system. Hmmm. Personally, I don't think I need that level of dynamic range in my music and certainly find it difficult to understand where my money would be going if I bought the amp system. The stage is a very crude listening environment, I think that all the refinements on offer here would probably be completely lost unless I was doing a solo acoustic gig.[/quote] +1 That's why I asked about musical styles. I'm not saying that the Hellborg system couldn't do rock/funk/etc but it was the design intent to get all of the nuances out of Hellborgs playing/technique/instrument. Bumping an' grinding away with a pub band probably wouldn't get you much benefit from all of that exquisite design and quality components. An amp cab retailing at 50% of the price (or less) would probably achieve about the same desired affect.
  6. What kind of music do you play and are you going to be relying on the Hellborg backline to be your FOH sound or will they be stage monitors with PA taking a line from your preamp?
  7. Stick it on the Warwick.de forum and you'll get some interest there I'd have thought! ... it's a 5 (oh and a Thumb) so neither use nor ornament to me but there are loads of fans of this fine looking/sounding bass.
  8. [quote name='josh3184' post='216216' date='Jun 10 2008, 02:57 PM']as i recall warwicks only have fretboard markers as a customshop option[/quote] Streamer Stage II has the yin/yan as standard... but back to the original question. I have no idea what my Yin/Yan markers look like as I only ever see the side dots, I'm sure they look nice to the audience though
  9. But Dood, you is hugging Jeff Ament not Glenn Hughes... you must have been wasted
  10. Believe it or not I have Leatherman PST tools listed on a Buy It Now for £17 whilst simultaneously listing an identical item auction style... the auction item was bid and won @ £21! OK that is one person that could have saved a few quid if they had searched my items but I also sold another identical item minutes later to the 2nd highest bidder via a 2nd chance offer. Hmmm am I complaining
  11. Partner this cab with a good preamp and something like Dood's Powersoft power-amp and you'd potentially never want for more headroom or tone ever again! I have the replacement cabs for this now so it'd be a shame to have this sitting around. BTW it is light enough that it'll go via a courier and not cost silly money.
  12. [quote name='Buzz' post='214835' date='Jun 8 2008, 12:27 PM']Just to clear something up for everyone, the wizards are passive pups no?. One output wire (white) and one wire to ground (black). All this coil tapping in a mute point as fair as they are concerned as they follow the standard layout like the majority of passive singlecoil style pups on the market.[/quote] Agreed! However be aware that the whole white/output & black/ground may well be turned on it's head if Andy didn't use that config. I purchased a pair of pups off Andy and they had red/green wiring, Andy put me right with a simple phonecall and even talked me through the soldering job as to what went where to get it working with my active EQ. There are a whole bunch of guys on here with the same pup, why not look on the review thread for the Wizard pups and contact one of those guys?
  13. [quote name='SteveO' post='214821' date='Jun 8 2008, 12:09 PM']Some humbuckers have a centre tap on the coil, which basically means they have an extra 3rd wire joining the coil at the halfway point. with a bit of creative wiring you can choose between using the pickup as a humbucker or as a single coil pickup, or a blend of the two. In your case it sounds like the original didn't have this centre tap and the new one does. You have a choice, you can ignore the third wire and use it as a direct replacement for your original or (and this is the option I would choose) you can rewire to give yourself the extra range of tones of having an additional single coil for free. If you just wanna replace then I would guess that the centre tap is the white one, but you can test by measuring the resistance between any two wires. the resistance between the centre tap and either of the other two will be lowest of all other combinations. I suppose the easiest way would be to find a specsheet on the web. Disconnect this (don't cut it off at the pickup end, just use a bit of insulation tape on the free end to leave it there in case of mistakes or if you wanna use it later) wire the remaining two wires as your original and bob's your mothers brother. (now, you may get the phasing problems. If so, reverse wires and job done) OK then, lets look at option 2 The original pickup had one wire to the pot, where did the other go, is it running to ground on the jack or do you have a preamp. I take it you've put the 3rd wire of the new pickup to the same point... I suspect that you're getting the phasing problems described in the above posts, but because of the way you have it wired you're only getting partial cancellation from one half of the humbucker, and swapping the wires has just given you partial cancellation from the other half of the humbucker instead. Tell you what, if you can draw a diagram of the current wiring I should be able to see where the problem is and make recommendations. (a photo would be useful as well)[/quote] I'm fairly certain that the Wizard pup won't be a HB and only has 2 wires not 3. Have you tried to speak to Andy yet?
  14. Love this bit... "extremely well packaged for safe transit "! Why bother, it's f*cked and the courier would save you the trouble of breaking it up for firewood
  15. Contact Andy at Wizard, he's really helpful and may be able to sort it out with an email or phone call.
  16. Give me a shout today MB if you want that Planet Waves lead and a blast of the Tech cab. We are on at S Shields but I'll be taking the Aggies likely as not.
  17. Sorry I'll not be able to make it Neil, we are on in S Shields. Have a good one. PS Will you be gigging the Infinity? Let us know how it performs.
  18. A man of few words Olly Genuine friendly advice here... some folks (admittedly not everyone) like a bit of detail and info, so why not pad out your thread with a bit of extra info that isn't available in the eBay listing (how old it is, did you do the defret) or maybe stick a couple of pics on here (it's free unlike eBay listing photographs) of the bridge so that people can see what grub screws are missing and maybe other members might have a couple spare kicking about that they can let you have... it happens! Why not offer to let any local Basschat members come and try it out before they buy We don't all bite. One or two will if you ask nicely
  19. [quote name='Finbar' post='214156' date='Jun 7 2008, 12:22 AM']Hah, well PM'd doesn't necessarily mean sold, but even if he has, it appears he lives in Sheffield. So I'm totally going to go and check it out [/quote] Knowing Andy I'd be surprised if he didn't have it in his mits 10 minutes after sending the PM
  20. [quote name='Wooks' post='212346' date='Jun 4 2008, 10:27 AM']Having measured it again I'm a bit confused!! :wacko: If you measure from the nut to the 12 fret it meaures 17" so doubled should 34" scale, right? But if you measure from the nut to where the strings go through the body it's 35". So make of that what you will! I would say 34" like I said it's the same length as my ESP. Hope this helps?? Anybody interested? Is the price a fair one or is it a bit high??[/quote] I think the price is certainly fair for what you are getting (thru-body stringing / Neck-thru / actives etc) but I do seem to recall that there were a bunch of exotic topped BXPs on eBay early this year (late last year) and they weren't 'much' more than your asking price. It may just be that the people interested in this type of bass were already aware of the ebay ones! Just a theory I've owned an old Peavey NT bass and if I was in the market for the next step up from my first bass I'd be all over these Peavey Cirrus basses! Good luck and a bump for Peavey basses.
  21. [quote name='alexlotta' post='213462' date='Jun 5 2008, 08:22 PM']You can't Imagine how FAR from The original meaning has a babelfish translation. It can Definetely happen , that If You put Available- in- Europe with "exceptions",the bidder does'nt realize clearly Those. 2) With All respect possible for Your Thoughts it happened To me to buy stuff from England , where the seller did'nt want originally send To Italy ,and i just asked "if That does'nt sell now ,than could i purchase? etc etc ".. And I don't feel so "retarded" With the beautiful pedal or preamp i have now in my house (off course it is valid If the english grammar of the overseaser is at least barely understandable..not like mine is very often i fear ) _____-__ That little Thing aside ,Out of Curiosity : I'm Italian ,and i've noticed That a LOT of "european auction" don't get catched By italian Ebay_search Engine ..and The same APPLied for USA_stuff!. Stuff available for overseasers Does'nt appear on the search ,so I use the *.com Address for the researches I care REally.[/quote] Do many Italians randomly place capital letters and underscores in a sentence?
  22. Shhh you haven't seen me... right! [url="http://basschat.co.uk/index.php?showtopic=19219&hl=tech"]http://basschat.co.uk/index.php?showtopic=19219&hl=tech[/url]
  23. [quote name='EBS_freak' post='213338' date='Jun 5 2008, 04:53 PM']Seriously, check this link out - [url="http://basschat.co.uk/index.php?showtopic=15928"]http://basschat.co.uk/index.php?showtopic=15928[/url] and follow the link to the Warwick forum. 1987 is the year for the earliest 6s well, accoring to basstards bass anyway (the owner of the 6 with s/n 3). This is interesting... once you get the bass have a look at the serial on the headstock... that might give us a few pointers. If it is as early as 87.. or even 86, you could be mega quids in.[/quote] I remember that thread! As I say I'm going off the contouring on the headstock which was phased out on the Thumb 4s by 88, so this appeared odd on a 89 bass but it could be that it was due to the 6 being very limited in production. The sellers image shows what looks like 89 BUT I'd love to think that it was earlier. Bear in mind that the Warwick serial numbers are totally hand stamped during this period (I've seen misaligned digits and even digits that have been 'crossed' out and restamped)... could someone have stamped a '6' upside down? When you get it I'd stick images on the Warwick Forum and ask if any other Thumb 6 string owners can show what the back of their basses headstock looks like. If you can find any candidates from the same period see if they are flat on the back or sculpted. No disrespect to Warwick Customer Services but you'd be wasting your time asking them as I've seen several people quote what Warwick have told them and it is patently incorrect
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